BOO! In this 17 episode miniseries, suggested by Robert Gannon, Team Film Experience will be exploring Oscar nominated or Oscar winning contributions from or related to the Horror Film genre. Happy Halloween Season!
HERE LIES... The Tell Tale Heart. Its insistent beating was drowned to death by the cacophony of musical noise coming from the instruments of Walt Disney's Toot Whistle Plunk and Bloom which won the Best Animated Short Film Oscar for 1953.
What is more horrifying than a madman who thinks himself sane, like the narrator of Edgar Allan Poe's legendary horror story The Tell Tale Heart? I can actually name four.
1. That an Oscar nomination by no means makes your film easy to find for future generations. This is especially true of any nominations outside of Picture, and Acting. Have you ever tried to find all the nominated short films to watch from any given calender year? SHUDDER. (YouTube has reanimated some of their corpses but otherwise, they're tough to dig up!)
2. That animation is still synonomous with children's entertainment despite all the disparate moods the medium is capable of. This short proves that animation is just as suitable for the macabre as it is the goofy slapstick. Note how the animator's makes creepy visual associations between a harmless old man's blind eye and mundane objects... and that director Ted Parmalee and his animators know as much about shadows as good noir filmmakers.
3. That the great James Mason never won an Oscar. CHILLING!, right? Not even for The Verdict or A Star is Born! He can do more with a few line readings than some actors can do in whole films.
See how calmy and precisely I can tell this story to you? Listen.
The eye was always closed. For seven days I waited -- You think me mad? What madman could wait so patiently, so long -- in the old house, with the Old Man, and the eye that...
4. That this short was rated X (X!) by the British censors in 1953... ...and now you can see things 100,000 times as grotesque and violent every night on television without parental guidance and with 100,000 times less humanizing guilt.
Had you ever seen this short before?
What do you make of the new fictional Edgar Allen Poe themed thriller "The Raven" starring John Cusack?