The Film Experience has always loved talking up theater, the true 3D experience. So let's do it weekly, even if it's brief. We'll make it movie adjacent: films adapted from stage, movies hitting the boards in a new form or worthy crossovers of any sort... that sort of thing. The lines in entertainment are much blurrier these days, aren't they? Many actors now do all three (tv, film, theater) with increasing regularity, don'cha know, no longer defining themselves as one medium actors.
Kathleen Turner on Opening Night | Turner w/ Evan Jonigkeit in "High"
I recently had the opportunity to see one of my all time favorite actresses on stage again: Kathleen Turner. Her major film career dwindled in the 90s but she's become a regular on Broadway and she's now starring as a foul-mouthed nun in Matthew Lombardo's drama "High". But not for much longer. It was announced yesterday that the show is closing Sunday after only 8 regular performances. Ouch. We're two weeks away from Tony nominations and we'd assumed that Kathleen would be nominated. But maybe not.
So is the play really that bad? The answer is a simple no. But it is a play that lacks the mythic enormity that you sometimes just have to have to fill up a big house with energy if not ticket buyers. Lombardo's last play "Looped" about the final movie performance of Tallulah Bankhead (played by Valerie Harper) had a similar problem though it was a much stronger show all told and was really helped by a transcendent sequence in the second act that was creatively staged as Tallulah remembers performing Blanche Dubois in A Streetcar Named Desire. Both Looped and High are very simple in format -- which is not really a problem if the writing or story are superb -- but they rely too entirely on the star charisma of the lead actress, who is often monologuing, to really push them over. High recounts the counselling sessions between a recovering alcoholic nun / social worker who is working with an unrepentant gay hustler and drug addict who has recently been involved in the overdose death of a teenager. How involved he was he won't say. The show has only three characters and while the nun and the drug addict have somewhat meaty if very traditional arcs, the Father character who pushes them together, just doesn't work in the writing or performing.
I'm glad I saw it and I hope Kathleen is Tony nominated being much stronger than the show but even she of that inimitable arresting rasp and considerable star charisma is unable to elevate it beyond its limitations. It might have worked far better as a made for TV movie, not for the subject matter exactly but for the intimacy that that medium can bring to small human struggle stories.
Stage/Screen News of the Moment
New York City Opera remember that Oscar nominated 60s movie Seance on a Wet Afternoon? It's now an opera by Wicked composer Stephen Schwartz. Should I see it and write about it?
Playbill an unauthorized musical parody of The Silence of the Lambs comes to Off Broadway in June.
Rama's Screen has the breakdown on the Rock of Ages cast -- who is playing who -- including a new character to be played by Catherine Zeta-Jones. So happy about this one as we needed Velma in another musical. I haven't seen the show -- I was put off by the American Idol stunt casting at the opening -- but now I'm curious and I have heard that it's very funny.