On this, the day of Boy George's 50th birthday, we propose a biopic. After all, Hollywood is quite fond of musician biopics what with their formulaic three act story beats: rise from talent-individuality-chutzpah, fall from drugs and debauchery, miniature or major comebacks as the performer finds themselves again.
So why is it that someone as fab and movie-character ready as Boy George doesn't have his own biopic? He's already written all of the wittiest lines for some future screenwriter, being one of the quippiest of '80s icons. He's already conjured the movie's most memorable costumes. He's already even provided a rough draft blueprint with his own autobiographical musical, Taboo (2004).
Now, Taboo was historically not a success on Broadway but we chalk this up to its difficult developmental period, clashing egos and press animosity (sometimes the media just turns on something and there's only a war zone from there). It's not that the show wasn't entertaining enough to be a success. It was actually a fierce show, just an intermittently clumsy overstuffed one. But my oh my the music was good. In addition to Boy George's own discography (formidable, duh) he wrote new songs for the bifurcated musical, which managed to be two biopics in one by juxtaposing Boy's rise with the life of performance artist Leigh Bowery .
The pop star did star in his own biopic but he cheekily played Leigh Bowery instead, so here's a press clip below of the show and his title track performance. [Note: I meant to write about the documentary about this very lively Broadway season Showbusiness: The Road to Broadway (2007) which also charts behemoths Wicked and Avenue Q and the wondrous Caroline or Change but the DVD didn't arrive in time, damnit.]
I remember sitting in the audience in a very cramped Broadway house. The tourist to my left turned towards me at intermission.: "IT'S OVER?!?!?" she said, panicking, clearly new to seeing live theater and there for Boy George himself (she was wearing an old Culture Club t-shirt). I pulled her back from the edge "there's more Boy to come."
For all of Boy George's personal problems, he's a smart enough star to understand his own rise and fall. There's a heartbreaking number in the show called "Out of Fashion" and, yes, Boy George still is. But in this Age of Gaga, maybe pop culture out to rediscover the gonzo theatrical originals that paved the way? There's a long line of "what will they look like next?" superstars before her: Bowie, Boy, Madonna, etcetera...
For extro-music here's Boy's video from pop culture / Oscar milestone The Crying Game (1992).
(That would've have so won the Oscar for Best Original Song had it not been a cover of an oldie.) I haven't seen The Crying Game in far too long, how about you?