Guess what's on its way?
That's right. Supporting Actress Smackdown 1968 coming at'cha on Wednesday October 30th. If you haven't yet voted on the Reader Ranking portion of the Smackdown, please do so by Monday. Rank only the performances you've seen on a scale of 1 to 5 hearts (5 being stupendous, 1 being totes unworthy and so on)
Let's meet our panelists shall we? Their bios and "what 1968 means to them" after the jump.
SPECIAL GUESTS
Manuel Muñoz
Manuel is the author of three books, including the Hitchcock-inspired novel, What You See in the Dark. He teaches creative writing at the University of Arizona in Tucson and is a judge for the 2014 PEN/Faulkner Award for Fiction.
What 1968 Means To Me
❝It’s the Year of the Tie. If nothing else, 1968 drives me bonkers when it comes to wish fulfillment for a tie in some other year when a split decision could ease the nagging feeling that Oscar couldn’t get it right no matter the outcome. (I’m thinking of you, 1987.) The sight of Ingrid Bergman opening that envelope with a look of delighted awe registers, for me, as a big ol’ can of worms for those of us wacky enough to reimagine these outcomes. What a tantalizing, frustrating possibility—that you could reward a truly major performance and get the warm buzz of sentiment all on the same night, sometimes without knowing which is which. Burstyn/Rowlands? Dunaway/Spacek? Hunter/Close? Roberts/Linney? It just kills me. Better to just call it for Glenn Close in Fatal Attraction and leave it that.❞
Angelo Muredda
Angelo is a contributor to Film Freak Central and Torontoist and a doctoral candidate in Canadian literature and film at the University of Toronto. He has his father's eyes. Follow him on Twitter
What 1968 Means to Me
❝Sally Draper slumps back in her seat and takes her first hit of LSD as Keir Dullea goes beyond the infinite. She is fourteen years old. Unlike Sally, I wasn’t around for 1968, so I’m speaking in strictly retrospective terms when I say that for me it’s the year of the Star Child and Rosemary’s unholy issue — a good time for weird births.❞
RETURNING PANELIST
Brad Griffith
Brad is a blogger/actor/writer/producer/etc living in Los Angeles and working at a large media institution that he's not sure he can name, but for sure can have no official opinions on their movies. Other than that, he spends his relaxation time being busy, and taking in as much culture as he can.
What 1968 Means To Me
Fanny: A gentleman fits in any place.
Rose: A sponge fits in any place. To me, a stranger should act a little....strange.
YOUR HOSTS
Nathaniel Rogers
Nathaniel is the founder of The Film Experience, a reknowned Oscar pundit, and the web's actressexual ringleader. Though he holds a BFA in illustration, he found his true calling when he started writing about the movies. Follow him on Twitter but do not stalk him in New York City.
What 1968 Means to Me
Please sir, I want some more.
❝That's how I feel about every grand cinematic year but since Oliver! was my third favorite movie of all time as a child (Yes, listing predated blogging) the quote is especially relevant. I was shocked to discover much later in life that it was very uncool to love Oliver! but I love what I love and proudly. Aside from prematurely empty bowls of gruel there is no 1968 without: a pendant filled with tanas root, the voice of HAL 9000, the Statue of Liberty buried in sand, and a vinyl recording of Babs singing "My Man"❞
Brian Herrera (aka StinkyLulu)
Brian convened the first Supporting Actress Smackdown and hostessed more than thirty. He is a writer, teacher and scholar presently based in New Jersey, but forever rooted in New Mexico. Follow him on Twitter.
What 1968 Means To Me
❝One of these movies came out the weekend I was born. I saw it about fourteen years later, on the evening of the very day I happily lost my virginity. Yet, as that remarkable day ended, I realized a life-altering fact. I was more thrilled by my first time seeing this movie than by my actual "first time." My name is Brian and I am an actressexual.❞
THE SMACKDOWN ARRIVES ON OCTOBER 30TH
Until then, daily at noon, little helpings of 1968 for context.
(Since reviving the series we've done 1980 and 1952)