Tim here. Today would have been the 100th birthday of Ann Sheridan, a star at Warner Bros. in the '30s and '40s who died at the age of 51. She's not as well-known today as some other actresses from that era: with no Oscar nominations to her name, the collection-obsessed among us have no reason to keep track of her, and none of her lead roles were in canonized classics. But around World War II, she was a major star and sex symbol, one of the most popular pin-up girls with the soldiers overseas.
Sheridan moved easily between genres, taking major roles in prestige projects like the Best Picture nominee Kings Row or high-end comedies including The Man Who Came to Dinner and I Was a Male War Bride, opposite Cary Grant, under the direction of Howard Hawks (this latter film was also her final big hit). But 21st Century viewers are probably most likely to recognize her thanks to her steady presence in crime dramas and films noirs made at Warners, such as 1938's excellent Angels with Dirty Faces and 1940's City for Conquest, both opposite James Cagney, Raoul Walsh's acerbic trucking thriller They Drive By Night, where she stole the film from tough guy icons George Raft and Humphrey Bogart, and the under-seen Nora Prentiss from 1947.
Nobody could ever accuse Sheridan of belonging in the company of a Barbara Stanwyck, to name an approximate contemporary who worked in the same territory of burning sexuality and harshness. But in her best roles, like They Drive by Night and Nora Prentiss, she exudes a bluntness and sharp wit that stand up exceedingly well by modern standards. The mixture of toughness and sensuality she was best at served her well in the narrow time period when she thrived, and if you've never encountered any of her stand-out roles – and they are, admittedly, not always the easiest things to scrounge up – there's no time like this anniversary to fix that.