Emmy FYC: "The Leftovers" for Best Drama Series
Saturday, June 20, 2015 at 7:00PM
Denny in Emmy, Screenplays, TV, The Leftovers

A lot has been made of so-called “watercooler TV”, or what in today’s world we might call “hashtag-worthy TV”. But I’ve never really understood it. Discussions of “watercooler TV” mostly revolve around plot: “OMG did you SEE what happened on show X last night?” “LOL how freaking hilarious was that one moment on show Z?!?” But those watercooler or hashtag conversations rarely go much deeper than “What do you think is going to happen next?” TV shows typically prioritize this kind of storytelling over the much more interesting, engaging kind of storytelling - the kind that asks

What do you think this means?”

By that measure, The Leftovers, created by the formerly Lost Damon Lindelof and author Tom Perrotta, based on the latter’s novel of the same name, is the most deeply engaging show of the new millennium.

The show tells the story of the residents of Mapleton, NY in the aftermath of a terrifying event: The “Sudden Disappearance” of 2% of the world’s population. What exactly happened, no one is sure, and no answers are forthcoming. But what happened, how, and why, isn’t what’s important. What’s important is what people are doing in the present, how they are grappling with that event, and why.

Often ambiguous, deeply symbolic, and allegorical in its storytelling, The Leftovers is one of the most difficult shows to watch that any network has dared to air in quite some time. It also makes for one hell of a hypnotic viewing experience. The show isn’t afraid to barrage you with difficult questions. Not questions of plot or character, but of subtext and theme. Not what a certain action means for the narrative, but what it means to the viewer. This is a television show that invites deep discussion on a weekly basis - discussion that will reach far beyond the show and the (incredibly real) world it creates. And that is something we should be honoring.

previous Emmy FYCs

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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