BuzzFeed Netflix not legally responsible for your 'viewing history' - it's so funny that people thought they were
The Hairpin Mission: Impossibly Silly "I Still Don't Understand How Tall Everyone Is"
Interview Director Marielle Heller talks about the ratings and sexuality of her daring debut The Diary of a Teenage Girl
Towleroad George Takei once asked Gene Roddenberry about including gay characters on Star Trek. Interesting historical response but what's their excuse now since that franchise is still alive?
IndieWire How to apply for a Women of Color directors and screenwriters 10 day retreat
This is Not Porn Cute. Harrison Ford and Steven Spielberg take a break during Indiana Jones and the Last Crusade
Tim is the Best
Antagony & Ecstasy revisits Dog Day Afternoon... (great films often generate great writing about film)
Antagony & Ecstasy also revisits the very first unreleased Fantastic Four (1994) and claims its still the best adaptation of Marvel's first family (bad films often generate great writing about film)
.... moral of combining them: Timothy Brayton often generates great writing about film.
Off Cinema
Laughing Squid a feline feeding machine to let your cat be more self-actualized indoors
Gothamist sad news: Annie Lennox's daughter's boyfriend has gone missing after a tandem kayak accident
"Clobberin' Time"
There's a lot of handwringing going round about what exactly happened between Josh Trank and the studio and the source material to make Fantastic Four so bad. Film School Rejects even felt it needed a six-year timeline. But there's also post-mortems about the opening weekend which are lower than usual for superheroes.Variety argues that audiences are getting wise to money grabs (with tanking reboots like FF and diminished returns for Spider-Man) and studios need to think harder about repackaging known brands. But I personally don't know if that's the case -- I mean audiences are still putting up with needlessly padded "part 1 and part 2" finales which everyone knows are not artistically motivated decisions aimed at providing them with the best possible movie. So until audiences start bailing on those, I'm not eager to give them too much credit for protecting their wallets against Hollywood's 'screw-quality / make another billion quick' tactics.