Viola 'on the move'
Thursday, August 27, 2015 at 1:04PM
NATHANIEL R in EGOT, Fences, Triple Crown, Viola Davis, biopics, politics

How did I miss this incredible news in the New York Times?!? Viola Davis, on the Emmy campaign trail for her Shondaland series How to Get Away With Murder, talked about all her future projects. It's good news times three.

Q. In addition to “Suicide Squad,” what else are you working on?

A. They are making “Fences,” August Wilson’s play, into a feature that Denzel Washington is directing and I’m going to be in. My husband and I started a production company, and we are doing Harriet Tubman’s story for HBO that Kirk Ellis is writing. And Tony Kushner is writing a project that we got greenlit at Fox Searchlight about the great congresswoman out of Texas, Barbara Jordan. I’m always moving.

She also explains the reasoning behind her recent populist / less prestigious genre choices...

Q. So starting your company let you be in control?

A. Yes, but it’s a lot of work to be the boss. You’ve got to have two trains going at the same time. You have to stay relevant, hence “How to Get Away With Murder,” hence “Suicide Squad. “You have to stay relevant, because if you are not, no one will take a chance with you on even a $2 million budget. But then at the same time you have to take risks in terms of material that moves you.

Good luck to her as ever. We've been in her corner since 2002 (the "who is that" triple whammy of Far From Heaven, Antwone Fisher, Solaris) and we don't plan to go anywhere!

I don't want to say that we willed movement onto the Fences adaptation but IT'S ABOUT DAMN TIME. And though her Barbara Jordan project has been talked up for three or four years now, there's been no real movement on it until now. Thank you Fox Searchlight! Now let's get all of this fast-tracked right now since Viola Davis just turned 50 and you know how Hollywood likes to turn on women when they do. There's no time to waste!

Pointless But Fun What If Trivia: If Viola wins the Emmy for HTGAWM next month and the Oscar for Fences when that movie is released (astoundingly big "ifs" but go with it) than she'll just be a Grammy short of an EGOT since she already has two Tony Awards (for lead and featured). It's worth noting that if she wins all four competitively she'll be the very first African-American to accomplish it and only the second woman of color after Puerto Rico's Rita Moreno. Now, technically, three black icons (Whoopi Goldberg, Harry Belafonte, and James Earl Jones) have all four but those statistics come with the heavy asterisks that also plague Liza & Babs in that at least one of the prizes was given non-competitively or in a "lesser" form. I mean, sorry Whoopi, but you shouldn't count daytime Emmies anymore than you'd count regional Emmys (they give those things out like candy!) towards the showbiz quadruple. (Yours truly personally prefers the Triple Crown -- easier to follow and the Grammys aren't actor-focused like the other three so there's less beautiful symmetry! -- but Tina Fey's 30 Rock destroyed popular culture's interest in that statistic by popularizing the notion of the EGOT.)

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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