Blue Velvet at 30
Monday, September 12, 2016 at 8:00PM
JA in Best Director, Blue Velvet, David Lynch, Dennis Hopper, Isabella Rossellini, Kyle MacLachlan, Laura Dern, List-Mania, Oscars (80s)

by Jason Adams 

With our host Nathaniel off in Toronto seeing movies this week; some good, some bad... but which ones will last forever? It's a question I put forth because David Lynch's masterpiece Blue Velvet played at the Toronto Film Festival exactly 30 years ago today. Did those fortunate souls sitting there in that audience know they were seeing a stone-cold American classic unveiled unto the world. I can't imagine they didn't know they were seeing something unlike anything else they'd ever seen before, that much seems clear. The film made some noise!

Blue Velvet's one of my Top Five Favorites so let's celebrate its anniversary (it was released in US theaters one week after its screening in Toronto). In honor of 30 years here are 30 favorite Blue Velvety facts, figures, and fun stuff, starting with...

1. LAURA DERN'S FACE

2. But seriously this is Lynch's first collaboration with his muse and most important collaborator (so says me and that cow he stood on Hollywood Blvd with) and it's a pleasure to contrast the character of Sandy with the places the two would later go - the sweetness and naivete here evenautally giving way to all kinds of craziness; it's impossible not to look at this nice young lady now and not see the wild woman -- Lulu Fortune anybody? -- about to come beating out from underneath those fuzzy sweaters.

Ears and lots of the F-word after the break...

3. Molly Ringwald almost played Sandy first, but her mother wouldn't allow her to take the role!

4. "He put his disease in me."

5. The Candy Colored Clown called The Sandman

6. PABST BLUE RIBBON!!!

7. "Here's to your fuck."

8. The opening shot of the Jeffrey's father having a heart attack and his dog lapping at the hose beside him

9. The way that opening shot then sinks into the suburban dirt to scuttle alongside the insects, basically exposing the thesis for Lynch's entire career in one fell swoop

10. "Do you see that house? I used to know a kid who lived there - he had the biggest tongue in the world."

11. According to lore (and Wikipedia) at a Chicago screening of the film a man fainted and had to have his pacemaker changed. Upon completion of the surgery the man then returned to the cinema to see the ending of the film.

12. The film played at suburban malls across the country, foreshadowing the quite literally insane mainstream embrace of Lynch that would (momentarily) come four years later with Twin Peaks

13. Dennis Hopper's ability to use the word "fuck" as a verb, an adjective, and a noun all at once

14. And according to Hopper in person Lynch would only refer to the word "fuck" as "that word"

15. Kyle MacLachlan says the line "I am in the middle of a mystery" at the precise mid-point of the film

16. Roger Ebert's extensive and life-long criticism of the film's sadism mixed with insincerity has always read to me as a defense of its strengths, not its weaknesses, but then Roger and I often came at movies from opposite angles

17. It was only nominated for one Oscar, for Lynch, who wouldn't be nominated again until Mulholland Drive 15 years later 

18. Kyle MacLachlan's bum -- what is it about MacLachlan that brings out the same-sex lech in David Lynch? His films generally low-ball it on the Kinsey scale but he loves to leer at MacLachlan (see also: Twin Peaks)

19. Isabelle Rossellini singing "Blue Velvet"

20. The Ear

21. This picture of David Lynch & Isabella Rossellini:

22. Dennis Hooper's fake mustache

23. Hopper reportedly said that he had to play Frank Booth because "I am Frank Booth!" 

24. Sandy: I can't figure out if you're a detective or a pervert. 

Jeffrey: Well, that's for me to know and you to find out.

25. Laura Dern's dreamy monologue about robins and love

26. Frank Booth's love letter (aka a bullet from a fucking gun, fucker!)

27. The woman who dances on top of Frank's car

28. "I looked for you in my closet tonight."

29. The animatronic little bird eating the worm at the end, and the way the great Frances Bay watches him chewing

30. LAURA DERN"S FACE (once is never enough)

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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