Members of Team Experience have been asked to share their favorite holiday film. Here's Spencer Coile with his...
I vividly remember the trailer for The Family Stone when it first came out in 2005. I was thirteen, a recent film and Oscar snob, and still incredibly naïve. I was swept into the two-and-a-half-minute long saga of uptight Meredith (Sarah Jessica Parker) visiting her boyfriend Everett’s (Dermot Mulroney) family for their first Christmas together and the family’s cliquey antics. Add on a stellar cast and the Maxine Nightingale classic, “Right Back Where We Started From,” and I was hooked. I couldn’t possibly wait until December to see it.
And I didn’t. I waited even longer, months after it was released...
I finally saw it when it became available OnDemand, where I could watch it from the comfort of my living room while playing hooky from school. Even removed from the Christmas season,The Family Stone managed to put me back into that spirit and transport me to feeling of comfort and coziness I never knew I yearned for.
If you remember the trailer or the poster, you know the film zeroed in on its stars to help sell it. And for good reason! Parker, Mulroney, Diane Keaton, Craig T. Nelson, Claire Danes, Rachel McAdams, and Luke Wilson make for an impressive ensemble. But where the heart of The Family Stone lies is in its attention (or lack thereof) to two of its "secondary" characters: Thad (Ty Giordano) and his partner Patrick (Brian White). Note the quotation marks around secondary, because although Thad is a member of the Stone clan, given the actor’s lack of star power, many might not have anticipated that at the time.
Thad and Patrick arrive first to the Stone’s holiday gathering. We learn that Thad is deaf, Patrick is hearing, and they are in the process of adopting their first child, much to the support of their family. In fact, everyone in the family – even Rachel McAdams’ prickly Amy – treats Thad playfully and respectfully. His deafness is no more a part of his character than his sexuality; it’s simply a part of the family dynamic. Thad and Patrick are in-sync with one another in ways the film's other couples are not. Patrick correctly guessing Thad’s attempts at “Billy, Don’t Be a Hero” during charades cements that.
Of course, that’s not to say they don’t experience opposition in some capacity. In one tense dinner sequence, Meredith chastises the family matriarch Sybil (Keaton) after Sybil claims she’d always hoped to have at least one gay child. The family immediately fires back against Meredith’s accusations, insisting that one’s sexuality should never been seen as a deficit nor as a hardship, but another reason to love and accept that person for who they were. I was too young to understand the whole nature vs. nurture debate that the film was tackling, but it was the level of acceptance of Thad and Patrick that resonated with me.
Indeed, against the dramatic backdrop of Meredith catching feelings for Everett’s brother Ben (Wilson), not to mention Everett beginning to fall for Meredith’s sister Julie (Claire Danes) who just randomly shows up, all the while considering Sybil’s failing health and the toll it’s taking on each of her children, The Family Stone allows itself a much-needed sigh of emotional relief whenever Thad and Patrick are featured. There is no conflict between them; just love and a visible level of comfort.
At the time, I had not come out as gay yet. Of course, deep down I always knew, but I had never said it or acknowledged it to anyone. I wouldn’t necessarily say that my first experience with The Family Stone awakened these feelings. But what it did do was represent an LGBTQ+ relationship with a degree of acceptance and comfort that I had never seen before. Here were two characters whose relationship was not defined by their gayness, but one that was simply accepted and etched into the Stone family bond. And while the general acceptance of one’s sexuality is a quality we’ve come to expect in the media we consume, it’s far from reality.
The Family Stone holds a very special place in my heart. It is far from a perfect movie, but it represented a future I never knew I wanted: one that not only accepted me, but ushered me in with the warmth and comfort of a familiar family hug over the holidays.
Side bar: I’ve been working on a theory. In The Family Stone,Sarah Jessica Parker and Luke Wilson go to a bar called O’Malley’s. In Young Adult, Charlize Theron and Patrick Wilson go to a sports bar called Champion O’Malley’s. The last name Wilson connects Patrick and Luke, a Golden Globe nomination in Best Actress in a Comedy or Musical connects Charlize and Sarah. But wait! Elizabeth Reaser conveniently stars in both as a kind, dutiful, supporting wife? We’ve got ourselves a Young Adult Family Stone cinematic universe!
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