A Glimpse at Oscar's Nominated Animated Shorts
Thursday, February 15, 2018 at 11:00PM
Chris Feil in Oscars (17), Pixar, animated film, short films

by Chris Feil

Is this an off year for the Animated Short category? It’s (shamefully) my first year to catch the entire lineup, but unfortunately that seems to be the general response. If you check out the films in theatres you will also be treated to a few of the shortlisted contenders, but the package sadly doesn’t include the delightful In A Heartbeat. Even if this is also the least exciting lineup of the three Short categories this year, there are still delights to be found in this category, with animation styles the run the full spectrum from hand-drawn to computer generated to stop motion animation. Let’s look at the nominees...

Dear Basketball
Yes, you read that correctly: Kobe Bryant is an Oscar nominee for this autobiographical short. It originated from his retirement announcement, and is humble and straightforward enough to make up for its fluffiness. But Dear Basketball is the weakest in the lineup and plays like the opening reel of a tribute for the athlete with all of its saccharine awe. However, it is the only tradition 2D-animated film and its charcoal design does have some lovely notes throughout to compliment its easily digestible humanity.

Garden Party
If your skin crawls over amphibians, Garden Party is decidedly not for you. This is certainly the most adult of the bunch, its visual storytelling unfolding a mystery that is both ominous and hilariously matter-of-fact. There is a certain ick factor to this plot-slim vision of a mansion overrun by frogs but also some photo-real wonder and more surprise than any of its competitors. One wonders if being the most distinct film in the lineup could play to its benefit for a surprise win. But the responses I’ve seen to this are less positive than my affection across the board, so maybe it’s just me.

Lou
This Pixar short played before Cars 3 this past summer and presents something nearly as ghoulish as that feature film: some kind of primary school ghost reanimates the toys within a Lost and Found box and terrorizes the playground bully into returning each toy to its rightful owner. A lot of unanswered businessy questions: Why does this school have a ghost? Is he just the spirit of the final teddy bear? How can Lou see if his baseball eyes are given away?? There is noticeably intricate animation to Lou’s spry movements that makes this a technical wonder to go with its sweet tone. Pixar did win last year after an extended dry spell, so maybe their momentum is back.

Negative Space
Both the most emotionally complex and tonally varied of the animated shorts, Negative Space poetically compares emotional compartmentalization to packing a suitcase. There’s something achingly personal and ironic to its father-son tale, but the silm undercuts it with witty stop-motion brilliance. Most of the nominated animated features have less detail and tonal texture than this little gem. It’s the one that leaves you wanting more and lingers longest, and perhaps a major threat to win.

Revolting Rhymes
Roald Dahl fans like myself will catch their breath when the beloved author’s name appears in the credits for this computer animated adaptation. But you’d hardly recognize his distinct voice considering its sourced from his book of variations on the most familiar fairy tales. This is the Part One of two shorts but it does feel like an episode of a program for very young children selected at random, which certainly won’t help for a win. It does however have some hearty laughs and could benefit from being the longest nominee.

Should Win - Negative Space
Could Win - Lou or Dear Basketball
Will Win - Negative Space

Have you seen this year's nominated Animated Shorts?

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
See website for complete article licensing information.