The Hugo Award Nominees 2019. Plus 75th anniversary Retro Prizes
Tuesday, April 2, 2019 at 6:13PM
NATHANIEL R in books, politics, sci-fi fantasy
With the weather warming up are you looking for spring & summer reads? For those of you who enjoy sci-fi / fantasy novels, you can always get recommendations each year from the Hugo Awards... though we wish these recommendations each year leaned a little more fantasy (the balance is definitely pro sci-fi with a few fantasy sprinklings). The nominations were determined by 1800 valid nomination ballots from members of the World Science Fiction Convention (WorldCon). If you'd like to be a nominator for 2020, you could join WorldCon this year.
Since this is a film site we'll start with their "dramatic presentation" prizes.
Best Dramatic Presentation, Long Form
Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)
Best Dramatic Presentation, Short Form
The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)
A COMPLETE LIST OF NOMINEES (MOST CATEGORIES ARE LITERARY) FOR 2019 IS AFTER THE JUMP. The winners will be announced at the Dublin WorldCon in August. Those who join WorldCon can vote on the awards before August. We've included links if the stories are online. There are also a list of 75th anniversary prizes too for reasons unbeknownst to us so there's a set of nominees for 1944 (aka produced in 1943) as well...
Best Novel
The Calculating Stars, by Mary Robinette Kowal (Tor) This one is about a woman trying to be the first 'Lady Astronaut'
Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager) Third novel in the "Wayfarers" series
Revenant Gun, by Yoon Ha Lee (Solaris) Final part of a sci-fi trilogy
Space Opera, by Catherynne M. Valente (Saga) Eurovision mixed with sci-fi spectacle with galaxies competing for a music prize
Spinning Silver, by Naomi Novik (Del Rey / Macmillan) 'an imaginative retelling of the Rumplestiltskin fairy tale'
Trail of Lightning, by Rebecca Roanhorse (Saga) An urban fantasy novel about an indigenous monster-hunter
All but one of the novelists in this top category are women. The Hugos have been mired in controversy for the past several years due to representation issues. As far as we understand the controversy (and we might be off here because we're not embedded in this particular world at all as cinephiles who occassionally read sci-fi fantasy books)...since the nominating committee is a paid membership kind of deal, anyone willing to pay the fee (membership to WorldCon) can theoretically have a voice and can theoretically legally manipulate the results (if they get enough buy-in from like-minded fans. So the awards have become a battleground for representation politics things getting really hostile 5 years or so ago when a slate of nominees was mostly approved and pushed by a rabidly sexist patriarchy loving group... so even some of the authors withdrew themselves from consideration (not wanting to be associated). Since then there have been developments both wild (one reactionary-pushed nominee turned out to be doing something like performance art and actually champions diversity) and expected because you can't really stop diversity and it's silly to try. N.K. Jemisin broke a record last year winning thrice consecutively, a first and gave this much-loved speech.
Anyway one imagines these culture wards are not going away any time soon as the sci-fi fantasy publishing world continues to, like Hollywood, have growing pains about who gets a voice and who is honored among the voices we do get to hear.
Best Novella (defined as between 17,500 and 40,000 words)
Artificial Condition, by Martha Wells (Tor.com publishing) Book two of "The Murderbot Diaries" about an AI with a dark past involving a massacre of humans
Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing) Book three in the contemporary fantasy "Wayward Children" series
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing) Book three in a sci-fi trilogy
The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing) Set in an alternate version of New Orleans entanged in Civil War
Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing) Time travel sci-fi taking place in 2267 and 2000 BC
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency) Takes place in a galactic empire inspired by Vietnamese culture
One male writer made this list, P. Djèlí Clark with a debut novella. I'm always curious about debuts or stand-alones (I think Gods Monsters and the Lucky Peach is a stand alone, too. Not entirely sure) because if there is one entirely regrettable thing about the sci-fi/fantasy genre even within its highest heights its the forcedness of everything being franchiseable with multiple novels.
Best Novelette (defined as betwen 7,500 and 17,500 words)
The Centenal Cycle, by Malka Older (Tor.com publishing)
The Laundry Files, by Charles Stross (most recently Tor.com publishing/Orbit)
Machineries of Empire, by Yoon Ha Lee (Solaris)
The October Daye Series, by Seanan McGuire (most recently DAW)
The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Best Related Work
Archive of Our Own, a project of the Organization for Transformative Works
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien