by Nathaniel R
The Atlanta Film Critics have announced their winners for the 2022 film year with Everything Everywhere All At Once the big takeaway with 3 prizes (Film, Director, Supporting Actor). They agreed with the venerable NYFCC on 3 of the 4 performance awards though it's far too soon into the season to know if we have "critical sweeps" on our hands with Cate Blanchett, Colin Farrell, or Ke Huy Quan. The AFCC winners are after the jump...
BEST FILM Everything Everywhere All At Once
They also do a top ten list and this year that's the following films
BEST LEAD ACTOR: Colin Farrell, The Banshees of Inisherin
BEST LEAD ACTRESS: Cate Blanchett, Tár
BEST SUPPORTING ACTOR: Ke Huy Quan, Everything Everywhere All at Once
BEST SUPPORTING ACTRESS: Janelle Monae, Glass Onion: A Knives Out Mystery
She's second only to Daniel Craig in screen time in this ensemble comedy so between this and NYFCC's supporting award to leading lady Keke Palmer in Nope and Sunset Circle's supporting award to leading lady Carey Mulligan in She Said, critics groups are declaring war on smaller roles this year. At least so far. We'll see if this continues or if this is just a weird coincidence at the start of the season.
BEST ENSEMBLE CAST Glass Onion: A Knives Out Mystery
BEST DIRECTOR: Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once
BEST SCREENPLAY: Martin McDonagh, The Banshees of Inisherin
BEST DOCUMENTARY: Fire of Love
BEST INTERNATIONAL FEATURE: RRR (India)
BEST ANIMATED FILM: Guillermo del Toro’s Pinocchio
BEST CINEMATOGRAPHY: Claudio Miranda, Top Gun: Maverick
BEST ORIGINAL SCORE: Michael Giacchino, The Batman
BEST STUNT WORK: Top Gun: Maverick
BEST BREAKTHROUGH PERFORMER: Austin Butler, Elvis
BEST FIRST FEATURE FILM: Charlotte Wells, Aftersun
In short, a big FYC for Glass Onion, expected praise for Everything Everywhere All At Once (which everyone knew would do well in the critics portion of the season), and another notch in Top Gun Maverick's Best Cinematography belt. While the film is handsome looking and we've been predicting it in the category for awhile now, we can't say we expected critics to think of it as the best shot film of the year.
Is there anything here that surprises you?