Tweetweek
Sunday, February 13, 2022 at 10:34AM
NATHANIEL R in Twitter

Happy Superbowl Sunday to those who celebrate and especially to those who don't!

Annual reminder Carol Channing headlined the first Super Bowl Halftime Show pic.twitter.com/nXXQj4Sh5W

— Andrew Carden (@AwardsConnect) February 13, 2022

More curated tweets that amused us this week after the jump...

What do we think the odds are that this year’s ceremony starts with a musical number called “We Don’t Talk About Oscar?”

— John T (@TMROJ) February 11, 2022

I like that The Power of the Dog is enough of an art film to really piss off people who don’t like art films (or the idea of them)

— Chris Vognar (@chrisvognar) February 10, 2022

HEAR ME OUT. andrew garfield and ALLLLL the broadway cameos that were in tick tick boom performing “sunday” at the oscars!!!! the oscars are literally on a sunday too!!!!

— bec !! (@abfstans) February 9, 2022

what a great idea!

Death on the Nile opens with black and white war footage of a de-aged Kenneth Branagh…I can’t describe for you the fear that set in when we began to worry—first as a joke, then as something more like genuine alarm—that we were accidentally seated for Belfast

— Patrick Sullivan (@PatchNavillus) February 11, 2022

Andrew Garfield talking about his love for Grease 2 and Michelle Pfeiffer. pic.twitter.com/XqixPnvASj

— La Pfeiffer (@La_Pfeiffer) February 12, 2022

Cher as Best Picture nominees:
🧵

BELFAST (dir. Kenneth Branagh) pic.twitter.com/q9z2HK4Cns

— Jorge Molina (@colormejorge) February 10, 2022

that whole thread is amazing so click on it

Can we just acknowledge this specific moment right here as the start of the who’s-gonna-win-best-actress-now era?! #Oscars pic.twitter.com/lxgaTO3W53

— Dennis Buckly (@Playbuck_PH) February 10, 2022

we do so hope this is an era and not a two-year fluke!

Beware. She can move in any direction. pic.twitter.com/GrowuHlit4

— Symea (@SYMEA) February 11, 2022

So funny when I see people refer to Drive My Car as Oscar bait (a redundant term anyway), yes the 3 hour long Murakami adaptation ruminating on grief involving heavy Chekhov referencesand distributed by Janus Films was purposefully designed in a lab to get Oscar noms lmao

— Reel and Roll Films - RUTH NEGGA WAS ROBBED (@reelandroll) February 12, 2022

THE POWER OF THE DOG is just as avant-garde than DRIVE MY CAR, maybe more. It's weird that people were shocked that the latter got nominated for Best Picture. I think it's far more shocking that the former's going to win.

— Noah Gittell (@noahgittell) February 11, 2022

I feel like this is not about Marcia and J.K.

— Erik Anderson (@awards_watch) February 10, 2022

 

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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