Dorian TV Awards: Horny Vampires, Queer Comedians, Fellow Travellers, and Baby Reindeers
Sunday, June 30, 2024 at 9:00AM
NATHANIEL R in Baby Reindeer, Dorian Awards, Fellow Travelers, GALECA, Interview with the Vampire, Julio Torres, Kristen Wiig, LGBTQ+, TV, The Gilded Age, ssci-fi fantasy horror, vampires

by Nathaniel R

Fellow Travelers © Showtime

The Society for LGBTQ Entertainment Journalists have released the Dorian Award nominations for the 2023-2024 TV season in twenty-four categories. As per our usual disclaimer, multiple members of TFE are in the 500-wide membership of GALECA. It's a four way tie for the leading show between AMC's interpretation of Interview with the Vampire, perennial Emmy favourites Max's Hacks and FX/Hulu's The Bear, and Netflix sensation Baby Reindeer all grabbing six nods each. FX/Hulu's remake of classic period epic Shōgun and Showtime's thrilling romantic drama Fellow Travellers were not far behind with five nods each. 

After the list, the full nominations and a few scattered comments...

BEST TV DRAMA

 

 

BEST TV COMEDY

 

BEST LGBTQ TV SHOW

 

Sensational list. So many quality queer shows on television of late. 

BEST TV MOVIE OR MINISERIES

 

BEST UNSUNG TV SHOW

 

BEST WRITTEN TV SHOW (new category)

 

  

 

BEST NON-ENGLISH LANGUAGE TV SHOW

 

 

No love for my fav international show of the past tv season, Uncanny Counter (Season 2)? But it was near the beginning of the eligibility period so I'll pretend that was the reason. 

BEST LGBTQ NON-ENGLISH LANGUAGE TV SHOW (new category)

 

 

 

BEST TV PERFORMANCE—DRAMA

 

 

BEST SUPPORTING TV PERFORMANCE—DRAMA

 

 

Happy to see both Baby Reindeer actresses here! The Christine Baranski nomination feels so gay-fandom "extra"... if only that show were better written and actually challenged her; she could perform this role in her sleep and sometimes it feels like she is!  

BEST TV PERFORMANCE—COMEDY

 

 

Very pleased to see Kristen Wiig here and only wish her very fun show had performed better overall. Yes, it was "padded" to stretch across so many episodes (a complaint I've heard multiple times), but that critique could well apply to many hit shows with filler that people seem to have no issue with. 

BEST SUPPORTING TV PERFORMANCE—COMEDY

 

 

Megan Stalter was hilarious on the first season of Hacks but at this point it feels like they don't know quite what to do with her character. But at least she's an actual supporting player, unlike indisputable co-lead, Hannah Einbinder, by far the most egregious "category fraud" in mainstream television awards these days. Einbinder definitely deserves flowers -- so funny / inspired on the regular and her chemistry with Jean Smart remains perfectly judged -- but put her in the the correct category, please and thanks. 

BEST TV MUSICAL PERFORMANCE

 

 

Disappointed not to see Meryl Streep's Only Murders in the Building number represented though it's hard to fault these other nominees. "I'm Just Ken" should take this in a walk. 

BEST TV DOCUMENTARY OR DOCUMENTARY SERIES

 

  

 

BEST LGBTQ TV DOCUMENTARY OR DOCUMENTARY SERIES

 

  

 

BEST CURRENT AFFAIRS SHOW

 

  

 

BEST REALITY SHOW

 

 

 

BEST GENRE TV SHOW (new category)

 

 

The most disappointing list for this viewer. Would happily swipe most of these out for Dead Boy Detectives, Resident Alien, or Uncanny Counter. 

BEST ANIMATED SHOW

 

  

 

MOST VISUALLY STRIKING TV SHOW

 

  

 

CAMPIEST TV SHOW

 

 

It feels strange to see Bridgerton's best season only represented in this one category. But I've never been a fan of this category -- and I don't vote on it -- since nobody ever agrees on what "camp" means. 

WILDE WIT AWARD—To a performer, writer or commentator whose observations both challenge and amuse

 

 

Julio Torres fanboy here. Please see Problemista immediately, now streaming on Max. One of the best films of 2024 thus far.

GALECA TV Icon Award—To a uniquely talented star we adore

 

  

 

GALECA LGBTQIA+ TV Trailblazer Award—For creating art that inspires empathy, truth and equity

 

 

 

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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