by Nathaniel R
John McRae & Mihir Kumar starred in "Prince Faggot". Photo © Marc J Franklin
As many readers know a few members of Team Experience belong to GALECA the Society of LGBTQ Entertainment Critics though most of us vote on the film and television side. I have the privilege of also being a voter in the society's Dorian Theater Awards, which celebrate both Broadway & Off Broadway productions. The nominations were announced this past week for the 2025-2026 theater season which wrapped up recently and will be a closed book once the Tony Awards are announced on June 7th. The Dorian winners will be announced on June 1st. The TV-to-Stage transfer Schmigadoon (9) led the Broadway shows and Prince Faggot (7) was the nomination leader for Off Broadway on the Dorian ballots. The latter is a truly riveting play which I actually went to twice (very rare for me with so much to see!). It had the distinction of landing a nomination in every category for which it was eligible.
From the press release:
“From the radical reimaging of our world in Prince Faggot, to the tender themes of self-discovery in Schmigadoon!, it has been a wonderful season of queer storytelling on New York stages,” says GALECA’s theater wing co-chair Sam Eckmann. “In addition to the new LGBTQ stories that we fell in love with, we were proud to see previous Dorian Theater Award winners Cats: The Jellicle Ball and Titaníque find new, fabulous life on Broadway. Our stories are connecting with wider audiences and enduring on stages both large and small.”
After the jump let's talk the nominees and how they differ (or don't) from the Tony nominations...
Outstanding Broadway Musical
Same as the Tonys minus Titanique which was honored by Dorian voters Off Broadway last season (and thus ineligible for the big prize though some elements of the new production were eligible if they were "new" for the Broadway transfer.)
I'd be happy with a win for either The Lost Boys or Two Strangers which are kind of polar opposites as shows go but both do what they do (spectacle /intimacy) very well. Schmigadoon is a lot of fun but I really don't think it needs Tonys or Dorians!
Outstanding Broadway Play
Same as the Tony's with the exception of Liberation which was Off Broadway the previous season. We included the intensely moving redemption/activist drama Punch instead.
Outstanding Broadway Musical Revival
You're seeing a pattern now. the Tonys chose Cats: The Jellicle Ball but since that was Off Broadway last season, it's not eligible for our main category. So in its place goes Chess which I maintain is so much better than people are willing to give it credit for being. Chess has always struggled with critics despite its briliant score from Benny & Björn of ABBA fame.
Outstanding Broadway Play Revival
While almost identical to the Tony list some would argue our is better as Marjorie Prime is nominated (instead of Every Brilliant Thing)
Outstanding LGBTQ Broadway Production
Here plays and musicals are grouped in the same category, though musicals are often gayer so they take up 75% of the space!
Outstanding Lead Performance in a Broadway Musical
Given the gender neutral big category this list is a combo of the Tony lists for Best Actress and Best Actor with a couple of differences due to eligibility. Since Marla Mindelle (Titanique) wasn't eligible for repeating her Off-Broadway Titanique performance, Dorian voters chose Kristin Chenoweth (whose had a rough year given a flop show and social media misshaps) in her place. There were not enough eligible performances to get a full ten slots which is why this list is shorter than its counterpart in Play; Two Stranger's female half Christiana Pitts was left out in the cold.
For those of you who have seen the 1981 movie Ragtime, based on the same source novel as the Broadway show, Joshua Henry is playing "Coalhouse Walker Jr", the role that garnered an Oscar nomination for Howard E Rollins Jr and Caissie Levy is playing "Mother", the role that garnered Mary Steenburgen a Golden Globe nomination. These roles are considered the leads of the stage musical but in film awards both roles were demoted to "supporting". Obviously Coalhouse Walker is the central character in the film, but Oscar will do as Oscar does. Both Henry and Levy are expected to win Tonys in early June.
Outstanding Lead Performance in a Broadway Play
The only difference from the two Tony categories is that Laurie Metcalf appears for Little Bear Ridge Road, taking the place of Susannah Flood from Liberation.
Outstanding Featured Performance in a Broadway Musical
So... Titanique and Cats The Jellicle Ball were only eligible for "new" elements on Broadway. I'm kind of mystified that people voted for Melissa Barrera as "Rose" in the former and Leiomy as "Macavity" in the latter. Both perfectly fine performances, don't get me wrong, but not really standouts in their shows especially given the broad range of quality performances that were eligible. I was especially pleased to see Max Clayton here (after missing the Tonys) for his utterly endearing carny in Schmigadoon (the Aaron Tveit role from the tv series if you remember) and teenager Benjamin Pajak who aces and elevates the Corey Haim role in the adaptation of The Lost Boys.
Outstanding Featured Performance in a Broadway Play
While 7 of the 10 Tony nominees for Featured Actor and Featured Actress are accounted for, we sang our own tune by including Linda Emond, and Tony favourites who somehow missed at the big show: Jessica Hecht and Cynthia Nixon.
Outstanding Broadway Ensemble
Another category that mixes Plays with Musicals - Balusters for the win (if I ruled the world)!
Outstanding Original Score of a Broadway Production
The Queen of Versailles is the surprise nominee here but Stephen Schwartz does have name recognition and there weren't a lot of eligible scores (which has been a perpetual problem for this prize at theater awards in the age of jukebox musicals). I'm still mystified that every awards group considers Schmigadoon's score to be original since it was written for television a few years back and familiar to musical fans in the way revival scores are -- which of course aren't eligible. I'd argue it gives you an unfair advantage in score if people already know the music and can sing aong (hopefully silently in their brains) from their theater seat.
The score to The Lost Boys is unexpectedly rich and I hope it wins this category at the Tonys even if it ultimately loses Best Musical.
Outstanding Book of a Broadway Musical
Titanique was not eligible having been honored last season Off Broadway.
Outstanding Script of a Broadway Play
Once again I am pleased that my votes for Punch actually mattered.
Outstanding Design of a Broadway Production
This is a solid lineup. I'm not entirely sold on the inclusion of Cats. The conceptual rethink, rather than the design elements, are what's selling this production though the costumes are fab.
The Broadway Showstopper Award
To a standout production number or scene
This category is a major disappointment. Far too Cats heavy -- and I for one thought "Memory" was quite underwhelming in this iteration. We only get three slots per ballot in the non-performance categories but two of my choices made it; I voted for "Skimbleshanks" and "Anthem" (Nicolas Christopher is just divine in Chess) which were both major highlights in their shows. The third thing I voted for that was not included was "Tribulation", Ana Gasteyer's big Music Man spoofing act two number in Schmigadoon. (Kristin Chenoweth had that number in the Apple TV series).
For those of you who haven't seen Titanique, Layton Williams plays the Iceberg in Tina Turner cosplay.
OFF BROADWAY
Outstanding Off-Broadway Musical
SATURDAY CHURCH
I love Beau. It's a musical about a gay aspiring singer songwriter with relationship problems who lives with his mother and begins to finally get to know his estranged grandfather. It's done consistently well with multiple Off Broadway awards organizations so this bodes well for it to get encore productions of some kind.
If Saturday Church sounds familiar to some of you that's because it was based on the 2017 indie movie musical of the same name.
Outstanding Off-Broadway Play
I voted for a very grim sci-fi play here called "And Then There Were No More" about a futuristic death penalty machine that was written by film actor Tim Blake Nelson but it received zero nominations. Prince Faggot is likely to win given its overall nomination tally. It was such a hit Off Broadway that I thought a Broadway transfer might happen but ultimately it's appeal was probably too queer for Broadway... which is quite an accomplishment if you think about it!
Outstanding Off-Broadway Revival
Two of my favourites this past season that didn't land nominations were Galas and Tartuffe.
Outstanding LGBTQ Off-Broadway Production
Outstanding Lead Performance in an Off-Broadway Production
BEAU THE MUSICAL
Very happy for Matt Rodin (Beau) but most of the other people on my ballot did not make this list... the one that surprised me in missingwas Dule Hill for playing Nat King Cole in "Lights Out: Nat King Cole" a play written by Colman Domingo & Patricia McGregor.
I did not get to see I'm Assuming You Know David Greenspan and am kicking myself for missing it after loving Greenspan so much in his other Off Broadway role this season. Which speaking of...
Outstanding Featured Performance in an Off-Broadway Production

I was shocked/thrilled that Sierra Boggess landed among our nominees for her hilarious performance as a worshipped celebrity diva marrying a crass billionaire. She was second on my ranked ballot, after fellow nominee David Greenspan who was utterly transcendent in Prince Faggot. While I didn't love Heathers the Musical I voted for McKenzie Kurtz in her OTHER musical this season, Schmigadoon (over in the Broadway portion) so I was happy to see her honored.
Outstanding Writing for an Off-Broadway Production
Outstanding Design for an Off-Broadway Production
LGBTQ Theater Artist of the Season
LGBTQ Theater Trailblazer
For a lifelong commitment to creating art that inspires empathy, truth and equit