Harry Potter and Woody Allen, those short bespectacled movie magicians who both apparate into movie theaters constantly, each broke box office records this weekend, bookending the top ten chart.
What kind of curriculum would Professor Woody Dumbledallen bring to Hogwarts?
The eighth and final film in the Potterverse sent walking papers to Batman (who had previously held the all time best first weekend record with The Dark Knight) and it even staged a bank robbery as its opening setpiece! Meanwhile, Woody Allen broke his own records. If you don't adjust for inflation, Midnight in Paris just became his highest grossing film in US dollars toppling the exquisite Hannah and Her Sisters which Nick and I were just chatting about. (Midnight in Paris is still trailing Match Point by a little and Vicky Cristina Barcelona by more than that in terms of global box office.)
01 HARRY POTTER AND THE DEATHLY HALLOWS PART TWO [review] new $169.1
(here's a fun article on the top ten US openings)
02 TRANSFORMERS: DARK OF THE MOON $21.3 (cum. $302.8)
03 HORRIBLE BOSSES $17.7 (cum $60.1)
04 ZOOKEEPER $12.3 (cum $42.3)
05 CARS 2 $8.4 (cum. $165.3)
06 WINNIE THE POOH new $7.8
07 BAD TEACHER $5.1 (cum. $88.4)
08 LARRY CROWNE $2.6 (cum. $31.7)
09 SUPER 8 $1.9 [thoughts] (cum. $122.2)
10 MIDNIGHT IN PARIS $1.8 [group thoughts] (cum. $41.7)
Apocalypse Now: Zookeeper fell only 38% in its second weekend indicating that it pleased its TGIF loving audience last weekend. Make of that what you will.
Oscar Buzz: I realize that a good cross section of TFE readers are Potterheads -- that's a given when something is that popular -- so I mean this with all due respect but I personally suspect that the Oscar hype is fan-fever rather than prophetic buzz. The conversation, such as it is, suggests that AMPAS will want to reward the entire series with a Best Picture nod for #8. As ever with punditry, I could be horribly wrong, but it seems to me that sentiment, which everyone is correct to assume is a hugely powerful campaign tool, won't necessarily play in to this degree. Sequels, as a general rule, don't get nominated unless their ancestors were also nominated.
Here is the Oscar record for Harry Potter.
Sorcerors Stone: 3 nominations, 0 wins (art direction, score, costumes)
Chamber of Secrets: nothing.
Prisoner of Azkaban: 2 nominations, 0 wins (score, visual effects)
Goblet of Fire: 1 nomination, 0 wins (art direction)
Order of the Phoenix: nothing.
Half-Blood Prince: 1 nomination, 0 wins (cinematography)
Deathly Hallows Part One: 2 nominations, 0 wins (art direction, visual effects)
That equates to roughly 1.2 nominations a picture with no statues and these are the kind of nominations that are generally given to ubiquitous blockbusters that are considered solid entertainments (scattered techs) but aren't truly beloved or considered Serious Art by the voters. Potter has never been nominated in any big ticket category... not even in screenplay where blockbuster adaptations of best-sellers can sometimes find footing. Potter's Oscar history thus far should given everyone who cares reason to hope that they'll want to reward the series with a goodbye statue for art direction (and even the haters wouldn't have much to complain about there given Stuart Craig's huge series-long achievements) but otherwise no branch within AMPAS has taken a consistent shine. On the other hand, last year after an already exhaustive seven films had passed it was still getting some attention so who knows...
If sentiment does move Academy voters, I suspect it will only move the film onto more ballots than usual but not necessarily in those crucial #1 "i can't live without this" positions. My take: if there's a Best Picture nominee already in theaters at this writing, it's either Terrence Malick's The Tree of Life (ONLY if its hardcore devotees stay faithful but that all depends on whether another Film as Art / Auteurist favorite arrives before December 31st) or Woody Allen's Midnight in Paris (which has two enviable campaign angles to work with: "comeback" and "nostalgia") and the list ends there.
What did you see this weekend? Or did you stay in and weep over the Friday Night Lights finale?
What do you make of the Oscar buzz for Midnight and/or Deathly Hallows? The real thing or just impatience to get the golden party started?