Variety 10 Directors to Watch gets very international this year including the Norwegian directors behind Oscar submission Kon-Tiki and the Argentinian Andres Muschietti who directed Jessica Chastain in Mama.
Pretty Dead Hair dreams up alternative terrible Spielbergian endings to Lincoln.
Drawn A short history of the GIF. Super cute animated film
MNPP "today's mood" god, i only wish that had been my mood this weekend! The second gif maybe. At least the stage is set for my weekend of the sick.
Atlantic looks at beautiful storyboards of classic films from Psycho to Spartacus. And speaking of... happy birthday Kirk Douglas!
The New York Times looks at Working Title and their hunt for awards and a new beginning with Les Misérables
MovieLine becomes obsessed with a supposed Michael Cimino twitter account
In Contention on the BIFA winners
List Mania
The Popcorn Reel Middle of Nowhere, Compliance, Lincoln and more...
Mix Tapes for Hookers Songs of the Year
Pajiba chooses the Best Posters of the Year. Lists like those are always fun but what the F on The Dark Knight Rises. That rainy Bane poster is SO boring.
Time Magazine's Best and Worst of the Year in Everything has a hundred things to recommend it. My favorite bits are James Poniewozik on Mad Men's "At the Codfish Ball", Richard Corliss on Anna Karenina and Mary Pols on Cloud Atlas.
Today's Must Read Part 1
The New Inquiry has a sensational thought-provoking piece on Pixar's Brave which seeks to rescue the movie from the extremely lazy criticism it suffered upon its release.
"Brave" Sketch by Matt Nolte 2007. From the book "The Art of BRAVE"
A stranger to our film industry might reasonably suppose, reading those sentences, that the American cinemascape is littered with “spunky princess movies” that center around the main character and her mother...
It’s a well-worn genre, the Spunky-Princess-Who-Doesn’t-Get-Married-(Or-Experience-Any-Attraction-To-Anyone)-And-Her-Mother story.
I recently watched the movie again to prep for an interview with one of its directors and it was only on this second viewing when I realized how thoroughly new it is when it comes to its mother/daughter focus. It's well worth a second look as animated pictures go and deserves to be in the mix of answers to the question of "Which are the Best Animated Features of 2012?"
Today's Must Read Part 2
Some of you will already have read this but I can't in good faith not sing its praises. A.O. Scott has written a wonderful comprehensive essay about the problem of gender imbalance in this era's film narratives touching on the glorious exceptions of a handful of this year's most talked-about films including Beasts of the Southern Wild, Zero Dark Thirty, and The Hunger Games. Scott doesn't mention it but an interesting trivia note that would have fit perfectly within the context of this article is that the character of Hushpuppy was originally a boy. The film's screenplay was adapted by the director and original playwright and they reassigned Hushpuppy's gender.