Jose here for a special weekend edition of Stage Door, starring one of our Best Actor nominees...
The stage directions for Bernard Pomerance’s The Elephant Man strictly call for “no prosthetic makeup” to be worn by the actor playing the severely deformed character of Joseph Merrick. It's only during a scene in which surgeon Frederick Treves explains to the audience what his deformities consisted of, that we get to see the actor playing Merrick become “the Elephant Man”.
Seeing Bradley Cooper play the part of Merrick, it's tough to believe it's as same actor you've just seen in his Oscar nominated role as Chris Kyle in American Sniper. [More...]
In Sniper he's all about the inner life of Kyle (as much of a cypher as he has ever played), whereas in The Elephant Man he is all about the exterior. Seeing him go from the buff Cooper that has graced the cover of more than one fitness magazine, to the notorious Merrick, by merely twisting his body and altering the pitch of his voice, is one of the most miraculous transformations you can witness onstage.
Just last week, Cooper appeared on Fresh Air with Terry Gross and discussed playing Kyle and Merrick. The host proposed that he was doing completely different things with both characters, but Cooper says otherwise: he's doing the same in terms of physicality. To play Kyle he gained over forty pounds of muscle and had to live in “costume” during the length of the shoot. To play Merrick, he shrinks on a nightly basis (twice on Wednesdays and Saturdays) and explains that he can only enter Merrick’s mind once he has adapted his body to play him.
Regardless of the technique he’s using in these two very different roles, Cooper is at the very top of his game. While it's difficult to compare stage performances to film work, it’s also almost impossible not to contrast them and be amazed by how much he is able to change without obviously altering his face. Chris Kyle often tries to hide what he feels, perhaps because he’s unaware of the conflicting thoughts battling inside him, perhaps because he’s become a vessel for the extreme patriotism he has been asked to represent. Conversely, Cooper's Merrick finds it almost impossible not to wear his heart on his sleeve.
While in Sniper, Cooper often seems to be able to turn Kyle into a zombie-like being (the scene with Jonathan Groff is particularly disturbing), in The Elephant Man he is always present. His Joseph Merrick seems almost too aware of who he is and how limited his time on earth is. There is also so much kindness in his performance, that Cooper not only seems to be toning down his “star appeal” to allow his co-stars to shine along with him (Patricia Clarkson in particular, is exceptionally luminous) but there is also a sense of him playing Merrick as a man constantly being surprised by the realization that there is indeed endless kindness in the world, even when he has been told otherwise.
Cooper’s performance as Merrick is of course less controversial than his Oscar-nominated turn in Sniper, but voters who see him onstage will feel the urge to vote for him for the Best Actor Oscar as well, if only because he is proving how exceptionally versatile he's become.
Have you seen Cooper on Broadway yet?
Are you as surprised at the new depths he keeps revealing as an actor?