Who & What: Yes, there have been countless Shakespeare adaptations through cinematic history, although the Scottish play is one of the Bard’s biggest plays that (perhaps) hasn’t landed a definitive English language adaptation as of yet (Kurosawa’s
Throne of Blood will admittedly take some beating) – and that’s with auteurs as legendary as Orson Welles and Roman Polanski having taken a crack at it. Justin Kurzel, the Australian newbie who was much admired for the jagged savagery of his debut feature
The Snowtown Murders, is in the directing chair, and has the awesome pairing of Michael Fassbender and Marion Cotillard as his royal Scottish schemers.
People getting in the way of their bloodthirsty lust for power include David Thewlis’ Duncan, Paddy Considine’s Banquo, rising star Jack Reynor as Malcolm and
The Great Gatsby’s Elizabeth Debicki as Lady MacDuff. Behind the camera, talent includes cinematographer Adam Arkapaw (
Snowtown,
Animal Kingdom), production designer Fiona Crombie (
Snowtown,
Top of the Lake) and our beloved costumer Jacqueline Durran.
Why we're excited about it: Ever since it was announced, Kurzel taking on what might be the Bard’s most gruesome pieces of work has seemed like a delectable proposition, with
Snowtown’s eerie form promising a take on the greed, manipulation and psychological demonics of
Macbeth that doesn’t skimp on the utter blackness at its heart. Add two of the world’s finest – not to mention most beautiful – performers at the centre, plus all of that additional talent, and this apparently ‘gothic’ take on the material can hardly fail.
What if it all goes wrong?: Well, it’s been a long wait – is that something to be worried about? Hopefully not; a preview at Cannes last year
seemed to impress, and Kurzel probably didn’t want to rush it out of the editing room just for awards. Natalie Portman’s exit from the project was never explained, but it doesn’t seem to have augured any rumours of trouble in the production.
When: What with those Oscar rumblings last year, we’d wager it’ll be a long, impatient wait until some time near the end of the year, ready for
next Oscar season, especially with The Weinstein Company involved. IMDb lists November and December dates for France and Sweden, but every other country is still awaiting news of when the latest take on the Bard’s most infamous play will arrive.
Previously...