Box Office Machina Sparks
Sunday, April 12, 2015 at 3:23PM
NATHANIEL R in Clouds of Sils Maria, Ex Machina, Nicholas Sparks, The Longest Ride, box office, movie posters

Scott Eastwood (Son O' Clint) headlines the new Nicholas SparksFurious 7 and Home dominated the charts just like last week and Cinderella logged its fifth consecutive week in the top five -- she's got legs, that girl with in the glass slippers.

The only new wide release The Longest Ride, came in third. It's on the lower end of the nevertheless very consistent scale of Nicholas Spark adaptations. They've never opened below $10 million but average out around $17 million for a first weekend. The Notebook (2004) remains the most successful overall though it also opened in the lower end of the range. So only time will tell how popular the latest one is.

WIDE RELEASE
01 Furious 7 $60.5 new (cum. $252.5) Review
02 Home $19 (cum. $129.5)
03 The Longest Ride $13.5 NEW 
04 Get Hard $8.6 (cum. $71.2)
05 Cinderella $7.2 (cum. $180.7) Review

The point is that Nicholas Sparks is as much of a brand as, say, Marvel movies or Bond pictures. The plots and actors may vary from film to film but you mostly know what you're going to get.

This snarky dismissal made me giggle: 

 

No, I WON'T be seeing the new Nicholas Sparks movie! I expect to see a man hold a lady's face, not simply adjust her hat

A photo posted by Stephen Merchant (@stephenmerchant) on Apr 11, 2015 at 6:40am PDT

 

No, I WON'T be seeing the new Nicholas Sparks movie! I expect to see a man hold a lady's face, not simply adjust her hat

Meanwhile in limited release While We're Young continues to perform for Noah Baumbach despite its initial mixed response with criticss, and Ex Machina, Alex Garland's directorial debut was the biggest movie in limited release with a quarter million despite only 4 screens. The other strongest "per screen average" belonged to the Juliette Binoche/Kristen Stewart duet Clouds of Sils Maria which we'll talk about real soon.

What did you see this weekend?

 

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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