Ever After @25: A Timeless Cinderella Story

by Cláudio Alves

A quarter century ago, Hollywood remade the Cinderella story as it often does. Only this time, the fairytale was without fairies or any inkling of magic beyond the mystery of love. And Leonardo da Vinci, of course, for he's something of a wizard figure in the restyled narrative in which Perrault's classic tale is reworked through the Grimms' imagination and 1990s 'girl power' impetus. Da Vinci is also the movie's Achilles Heel, a miscalculation by the writing team of director Andy Tennant, Susannah Grant, and Rick Parks. Not that the misfortune wrecks the picture – Ever After is too charming for that. 

Indeed, the Drew Barrymore vehicle remains an entertaining period rom-com all these years after its release, its strengths only glowing brighter in retrospect. How can one resist Jenny Beavan's costume designs, George Fenton's impassioned score, Anjelica Huston's sharp spin on the evil stepmother archetype, and so much more? This Ren-Faire Cinderella deserves celebration…

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Taylor Swift, Star-Studded and "Bejewelled"

by Nathaniel R

Do we have any Swifties amongst the readers? I personally rarely thought of Swift outside of liking a few hits but with the queer-ally song "You Need To Calm Down" followed by the double pandemic punch of the Folklore and Evermore albums, the common wisdom that she was a very talented songwriter finally pierced my consciousness where pop music is but a small niche (crowded out by cinema, tv, and theatre). Her new album "Midnights," which was immediately at the top of the charts giving her the most #1 albums of any woman (though she's tied in that with Barbra Streisand), is 20 songs long so it'll take a while to sink in.

But let's talk music videos. Taylor has always loved celebrity cameos (remember "Bad Blood" and its bevy of young actresses?) and the first two Midnights videos are star-studded fun...

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Original Song Oscar Finals: Listen to the Shortlisted Songs

Power couple Beyonce and Jay Z could fight it out at the Oscars this year.Last week, the Oscars published a list of 105 songs that qualified for the award. Today, that list has been winnowed down to 15 hopefuls, vying for the five Oscar nomination slots. Ten categories just got narrowed down today, and The Film Experience will be covering them all (such as International Feature). The Original Song category has gone through many ups and downs. It used to be the place for the biggest hits, such as “Last Dance” by Donna Summer and “My Heart Will Go On” by Celine Dion. At its worst, it contained only two songs, one of which was “Real in Rio” from Rio. Will this year be a hit or a bust?

The fifteen shortlisted song includes songs from Grammy winners, Best Picture hopefuls, musicals and both Beyonce and Jay Z. Check them out after the jump.

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Showbiz History: Cinderella, Paris is Burning, and George MacKay

7 random things that happened on this day, March 13th, in history...

Olivia's first Oscar

1947 The 19th Academy Awards are held honoring the best films of 1946. The Best Years of Our Lives triumphs and remains one of the greatest decisions the Academy ever made in Best Picture. Meanwhile Fredric March picks up his second Best Actor Oscar (for the same film) and Olivia de Havilland picks up the first of her two Best Actress Oscars (for To Each His Own). "On the Atcheson Topeka and the Santa Fe" from the Judy Garland musical The Harvey Girls wins Best Song... 

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Interview: Sandy Powell on Color, Character, Carol, Cinderella, and Cate

Sandy Powell on the set of CinderellaSome people rush to movies if their favorite movie star's face is prominent on the poster. Others swear allegiance to directors. Obsessive cinephiles go for all sorts of reasons. One of ours at The Film Experience is Sandy Powell. If she's the costume designer, we're there, no questions asked. We sat through The Tempest (2010) just for her and trust me that that's devotion.

Meeting her in person earlier this season to talk Carol and Cinderella, which brought her her 11th and 12th Oscar nominations and could well bring her a 4th Oscar, was a personal joy. I had talked to her once before by phone but in person we were able to look at costume stills together and had a great conversation. This cinematic MVP was a fun, lively, and personable interviewee. I hope you enjoy the interview as much as I did. 

NATHANIEL R:  I intervewed you once a long time ago and I was really taken aback by something you said. You implied that you were surprised and amused by analytical readings of your work.

SANDY POWELL: I was talking about that today with Judy Becker and she said thing "I've learned so much about my work today!". People read things into it that you weren't consciously thinking about. But they're not bad things! You start thinking "maybe subliminally..." You start taking credit for it! 

A lot of the time you work so fast that you make snap decisions and you don't know what it's based on. I do work instinctively and intuitively. I don't sit and analyze. I don't think about the significance and "What shall I consciously put on her or him or her to convey that?"  I do what feels right. And quite often just by doing that you've got it right, you actually have given something so symbolism.

NATHANIEL R: Do you start thinking of full outfits while you're reading a script?

her answer and much more after the jump...

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