The Films of 2019. The 20th annual FiLM BiTCH Awards
PICTURE | ACTING | VISUALS | AURALS | EXTRAS | SPECIAL | SCENES
AND THE NOMINEES ARE
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Best Costume Design
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| Ruth E Carter DOLEMITE IS MY NAME |
Mitchell Travers HUSTLERS |
Jacqueline Durran LITTLE WOMEN |
Arianne Phillips ONCE UPON A TIME... IN HOLLYWOOD |
Julian Day ROCKETMAN |
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Finalists: Kym Barrett for Us, and Minzheng Chen for Shadow Semi-Finalists: Mark Bridges for Joker, Paul Tazewell for Harriet, Deborah Cook for Missing Link, Colleen Atwood for Bombshell, and April Napier for Booksmart |
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Best Cinematography
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| Roger Deakins 1917 |
Jarin Blaschke THE LIGHTHOUSE |
Robert Richardson ONCE UPON A TIME ...IN HOLLYWOOD |
Hong Kyung Pyo PARASITE |
Claire Mathon PORTRAIT OF A LADY ON FIRE |
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Finalists: Claire Mathon for Atlantics, Lawrence Sher for Joker, Hoyte van Hoytema for Ad Astra, and Xiadoing Zhao for Shadow Semi-Finalists: Pawel Pogorzelski for MidSommar, Jose Luis Alcaine for Pain and Glory, and Adam Newport-Berra for Last Black Man in San Francisco |
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Best Production Design
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| Kevin Thompson for AD ASTRA |
Barbara Ling ONCE UPON A TIME ... IN HOLLYWOOD |
Antxón Gómez PAIN & GLORY |
Lee Ha-jun PARASITE |
Kwong Wing Ma SHADOW |
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Finalists: Rick Heinrichs for Dumbo, Henrik Svensson for MidSommar, Jade Healy for A Beautiful Day in the Neighborhood Semi-Finalists: Jess Gonchor for Little Women, Craig Lathrop for The Lighthouse, Mark Friedberg for Joker, and Dennis Gassner for 1917 |
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Best Film Editing
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| Jamie Gross BOOKSMART |
Kayla Emter HUSTLERS |
Jennifer Lame MARRIAGE STORY |
Yang Jinmo PARASITE |
Julien Lacheray
PORTRAIT OF A LADY ON FIRE |
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Finalists: David Alexander Corno for Woman at War, Thelma Schoonmaker for The Irishman, Matt Friedman & Michael Taylor for The Farewell Semi-Finalists: Ann McCabe for A Beautiful Day in the Neighborhood, Chris Dickens for Rocketman, Nicholas Monsour for Us, and Louise Ford for The Lighthouse |
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Best Visual Effects
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| 1917 | ALITA BATTLE ANGEL | AVENGERS ENDGAME | GODZILLA KING OF MONSTERS | SPIDER-MAN FAR FROM HOME |
| Making the visual fx so invisible is its very special seamless trick |
All CGI all the time but this angel is a wonder as are her brutal limb losing battles | epic no E!P!I!C! collision of characters, powers, dimensions, live action, and cgi |
Mothra 4ever. The movie itself might not be grand but the kajiru specimes on view sure were. | "I don't think you know what's real, Peter" This team has a ton of fun with the very idea of visual fx. |
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Finalists: So wanted to make room for Ad Astra and then there's also Star Wars Rise of Skywalker though we've seen all the latter's tricks befor. Semi Finalists: Missing Link, Shadow, Captain Marvel, Toy Story 4, and Terminator Dark Fate |
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Best MakeUp and Hair |
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| BOMBSHELL |
MALEFICENT MISTRESS OF EVIL |
MIDSOMMAR |
ONCE UPON A TIME IN HOLLYWOOD | ROCKETMAN |
| The ladies doth prosthetic too much. Haha kidding. They're uncanny and glam and perfect. It's only Ailes who's a bit much. |
Broadening the original's horned befeathered fantasy. "Dark fairies" AND Royal Pfeiffer? Yes please. |
Limp pathetic cultural tourists, Nordic naturalism, and... well... gore. Plus that memorable inbred Oracle. | Flop sweat stardom, on set hairpieces, California cool, New Hollywood glamour... and those dirty barefoot hippies. | Rapidly thinning hair, gap tooth charm, and other Taron-becoming-Eltonisms. Plus period work galore. |
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Finalists: a mass ensemble of fantastical folk with bonus points for Black Widow's stages-of-grief hair Avengers Endgame , and a more explicitly clowny take on the Clown prince of crime in Joker. Semi Finalists: Downton Abbey, Us, Harriet, Judy, and Dolemite is My Name |
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PICTURE | ACTING | VISUALS - you are here | AURALS | EXTRAS | SPECIAL | SCENES