Review: Reichardt takes on the heist movie in "The Mastermind"

by Cláudio Alves

Many of contemporary cinema's most celebrated auteurs have recently chosen to exercise their comedic muscles. Park Chan-wook leans on farcicalness and cartoon-like mugging as he's never done before in No Other Choice, while even something as palpably angry as Jafar Panahi's It Was Just An Accident often moves in the way of screwball escalation. One Battle After Another is as harrowing as it is hilarious, and the same could be said of The Secret Agent. Down in the arthouse weeds, we can find Guiraudie and Kurosawa probing the limits of absurdity. Marco Berger lovingly contemplates the romcom while, in the mainstream, Celine Song tries to subvert it. Pálmason is off in his own world, somehow turning child maiming into comedy gold in The Love That Remains. 

Which leads us to The Mastermind, Kelly Reichardt's take on a heist movie, starring the ever-fumbling and disheveled Josh O'Connor performing another rendition of the pathetic loser blues he's been perfecting for the best part of the last decade. Hardly a laugh riot in the traditional sense, I'd still call it one of 2025's funniest flicks…

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Taylor Swift, Star-Studded and "Bejewelled"

by Nathaniel R

Do we have any Swifties amongst the readers? I personally rarely thought of Swift outside of liking a few hits but with the queer-ally song "You Need To Calm Down" followed by the double pandemic punch of the Folklore and Evermore albums, the common wisdom that she was a very talented songwriter finally pierced my consciousness where pop music is but a small niche (crowded out by cinema, tv, and theatre). Her new album "Midnights," which was immediately at the top of the charts giving her the most #1 albums of any woman (though she's tied in that with Barbra Streisand), is 20 songs long so it'll take a while to sink in.

But let's talk music videos. Taylor has always loved celebrity cameos (remember "Bad Blood" and its bevy of young actresses?) and the first two Midnights videos are star-studded fun...

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Critics Prizes, Round 6

by Nathaniel R

We had quite a lull of no new awards during the holidays but it's started up again so it's time to update the scorecard. Though sometimes we see a galling conformity in Best Picture prizes this year groups have been a smidgeon (a tiny smidgeon) more 'spread the wealth' adventurous with a total of 13 films winning at least 1 top prize from 30 groups announcing thus far.  That's a much wider spread of favourites than we're seeing in the depressingly conformist read of the other "top" categories...

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