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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Adapting "Guardians" -a screenwriting interview

I especially like that part about how boundaries can be a good thing. Knowing where the plot points have to hit always stops me from wandering aimlessly in my writing. Some may see those thing as cookie cutter but I've always found them inspiring.❞ -Daniel

 

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Entries in Jane Campion (15)

Saturday
May242014

Cannes Closing Ceremony - Live Blog

Cannes closes tomorrow and Diana still has a couple more pieces to share with you I believe, but now the prizes are handed out - here are quick notes from the ceremony.

12:45 PM EST the Jury has arrived which means the show is about to begin. Jane Campion is too busy to stand with her jury (at least at this second in the screencap)... and how have I never noticed how toweringly tall Nicolas Winding Refn is (far right)? I love his "who, me?" pose here as if he's aware of the disparity. This image alarmed me so much that I looked up photos of him with Ryan Gosling his 6'2" muse and Refn is yet taller.

12:49 Uma Thurman arrives with Quentin Tarantino and is wearing something like a white winged dove across her bosom... ooh, baby, ooh, said "ooh" ♫. Gorgeous as ever and I've always admired how bold her color choices are. Bright yellow at the Pulp Fiction 20th anniversary screening at Cannes and pure white today.

12:59 Timothy Spall, Mr Turner himself, has arrived which means we know where Best Actor is going (there didn't seem to be much competition for that this year (unlike Best Actress). Best Actor, Oscar Division, will have much more competition.

1:04 Xavier Dolan arrived looking very pleased with himself #whatelseisnew (I kid. Mostly. I enjoy his work. Intermittently he looks nervous but Mommy is definitely winning something)

1:05 Sophia Loren just had some sort of near wardrobe malfunction and is now holding tightly to her gown (perchance she tripped on the train on the steps). MORE...

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Wednesday
May142014

Cannes Beauties: Jane Judges, Nicole Headlines, Amy Sells

We'll be hearing from Diana, our woman on the ground in Cannes, soon for her take on Grace of Monaco. Since I'm starting to feel human again (yay!) I'm back at the computer and hoping to be full speed by Friday. So let's check out the festival's first day. 

1. Jane Campion, Gender, and Juries
First a Red Carpet Lineup. Who wins your best dressed vote from the ladies of the jury? (And isn't it special that they all have such different styles?)

Coppola (USA), Yeon (South Korea), Campion (New Zealand), Hatami (Iran), and Bouqet (France)Lelia, Sofia & Jane

Campion, an outspoken feminist and infrequent filmmaker (let's get that new film rolling!) responded to questions about the lack of female films at the festival (which is famously very resistant to new voices, often inviting the same "masters" each time they make a movie... so we're talking lots of old men).

It does feel very undemocratic. We don’t get our share of representation. It always seems to be a surprise for the world when a woman does come out [as a success].”

Thankfully women are well represented on the jury and for the opening film you got two movie goddesses (Grace Kelly & Nicole Kidman) for the price of one... though most critics wanted their money back even though they saw the movie for free.

Nicole Kidman & Amy Adams & Lots of Photos after the jump...

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Monday
May122014

Earth Girls Are Linky

Cinema Enthusiast double features Bette Davis & Miriam Hopkins in The Old Maid (1939) and Old Acquaintance(1943)
The Dissolve this sounds potentially amazing: Jonny Greenwood will play his score to live screenings of There Will Be Blood this summer and fall
Comics Alliance a brief very selective snapshot of Spider-Man convoluted history

MNPP says good morning to Rami Malek (The Master, Short Term 12). What do you make of him? I haven't yet formed an opinion. No discernible projected persona yet though that could well be an advantage at this early stage of his career.
/Film Joe Quesada talks about planning for binge-watching in series construction with Marvel's Daredevil series (due in 2015) 
Playbill because all big 80s and 90s movie hits will eventually become stage musicals (only 107 left to go), 2015 will bring us Bull Durham. If it's any good expect whoever plays Annie Savoy to win the Tony like Susan Sarandon shoulda won the Oscar (that she wasn't nominated for). 
Awards Daily Sashas surveys the very strong Godzilla reviews but then hoists a really frightening Oscar idea on us. Don't scare me like that. The Oscars aren't meant to be the Blockbuster Movie Awards (remember those?). Big blockbusters already get Oscar attention. No sense giving them their own category beyond visual effects. Look at how embarrassing those "genre" categories are at the Critics Choice Awards each year!  
Coming Soons Open Road will distribute Jon Stewart's true story political drama Rosewater starring Gael García Bernal & Shohreh Aghdashloo this fall. Yay| 

Today's Must Read. 
Serious Film the 8 kinds of awful people at movie screening Q&As. This is a good read to prep you for any film festival you plan on attending. Do not be any of these people. Sadly, they are legion. 

Weird Coincidence
Last night I asked The Boyfriend what he was reading and he said "this National Book award finalist 'The Flamethrowers'. It's about this woman in the 70s artworld and her Italian lover." And then this afternoon I read that they're making a movie of it and Jane Campion is in talks to direct. It's in the air, I guess. But The Film Experience is always YES for more Jane Campion. Let's bulk up that filmography which has been quiet all too long. 

Today in History...


Earth Girls are Easy debuted in movie theaters 25 years ago today. That was before barely anybody knew what Jim Carrey might look like under his bright red fur but when everyone knew that Mr & Mrs Jeff Goldblum/Geena Davis were a hot mutant thing, whether crossing interspecies intergalactic lines (this), giving birth to larvae babys (The Fly! ewwww), or sending up vampire movies (Translvania 6-5000). The towering 80s movie couple (six foot plus!) didn't make it too far into the next decade, though, divorcing in 1990.

Monday
Apr282014

Jane Campion's Gorgeous Cannes Jury

Cannes is but 17 days away and we'll have a TFE team member there this year! Alas it's not me so I'll have to be envious of Diana as she jets off to France in two weeks. We already knew that the brilliant auteur Jane Campion, who regained some cultural caché recently with Top of the Lake (she never lost it with us: Bright Star, hello!) would preside over the jury but this morning the full nine member panel was announced.

Joining Campion this year is a great mix of onscreen talent that happens to include a few people The Film Experience is generally just gaga for from left to right: TFE's favorite Mexican actor ever since Amores Perros, Gael García Bernal;  the future reinterpreter of The Little Mermaid, one of our favorite ladies Sofia Coppola (USA);  former Bond Girl Carole Bouquet will represent the hometeam of France; A Touch of Sin/Platform director Jia Zhangke (China) who I was literally just talking about at brunch yesterday; TFE's favorite Korean actress Jeon Do-Yeon (Secret Sunshine, The Housemaid); the other Mad Dane Drive's Nicolas Winding Refn (Denmark); Hollywood star, experimental indie fixture, and Wes Anderson repertory company player Willem Dafoe (USA); and Leila Hatami, the beautiful Iranian star of A Separation.

 I am in a puddle for this jury. LOVE. 

Monday
Apr212014

April Showers: The Piano

The evening waterworks continue. Here's Andrew on a particularly gloomy shower.

The Piano is a moody movie. Moody as in unpredictable and volatile, and moody as in suggesting melancholy and mystery. Even before the story really gets underway the film's atmosphere is one of unease. And it's because it's not just the story that's moody but visually, too. As Stuart Dryburgh's camera observes the rough, muddy ranches of New Zealand the harsh exteremities of the terrain seem to be not just incidental but direct representations of the similarly implacable characters.

This is but one of the numerous ways in which the Gothic influence on The Piano shines through, where landscape informs elements of plot and characters. The Piano checks off a number of the prerequisites for Gothic drama: impulsive, sometimes tyrannical men, women in distress, heightened emotion, a mysterious atmosphere, a somewhat isolated locale, stormy weather and muddy terrains. 

Of the influence of the Gothic in the film, Jane confesses...

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