Stanley Donen @100: The Most Charming Speech of All Time

by Baby Clyde

With their increasingly bizarre choices and lamentable decision to move recipients from the main telecast, long gone are the days when the Academy’s Honorary Awards made any cultural impact. We’re all the losers, because not only did truly deserving legends of the industry being belated rewarded give deep satisfaction to the Oscar nerds at home, from an ailing Myrna Loy and triumphant Charlie Chaplin to a sprightly Lillian Gish and a regal Deborah Kerr, they created some of the most memorable and moving moments in Academy history.

None more so than the man who celebrates his centenary yesterday, Stanley Donen. The master of the movie musical was unaccountably never nominated for a competitive Oscar during his illustrious career but took his opportunity at the 70th Annual Academy awards to give the most charming speech of all time...

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Saving Private Ryan @ 25: Robbed or Not?

by Cláudio Alves

As Oppenheimer enjoys tremendous success worldwide, another World War II movie turned summer blockbuster celebrates a quarter century. Though, of course, while Christopher Nolan's movie ponders history away from the battlefield, Steven Spielberg drops the viewer in the middle of carnage, violence smeared on your face until you can't take it anymore. Yes, it's been 25 years since Saving Private Ryan opened in cinemas, receiving immediate critical acclaim and frontrunner status by the awards pundits at most major publications. Come Oscar night, though, the war story took 'only' five awards. It lost the Best Picture trophy to Shakespeare in Love in an upset that angers many people to this day. 

To mark the anniversary, let's celebrate the film's undeniable qualities, investigate some of its drawbacks, consider its competition at the 71st Academy Awards, and relitigate the controversy. Was Saving Private Ryan robbed? Well…

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Queering the Oscars: The Delicious Costumes of "The Talented Mr. Ripley"

Team Experience has been looking at LGBTQ+ related Oscar nominations. Tonight we're serving lewks!

By Christopher James

For a movie with iconic nude scenes, the costumes of The Talented Mr. Ripley (1999) are just as memorable and titillating. It’s fitting that the Oscars honored the incredible work of costume designers Ann Roth and Gary Jones for the film, which should’ve shown up in more categories than the five it was nominated for. Though the actual Oscar went to Lindy Hemming’s period-specific and gloriously gaudy work in Topsy-Turvy, we’re still cheering on the sidelines for Ripley.

Let's count down the 10 queerest looks from the movie...

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Queering the Oscars: "Common Threads: Stories From the Quilt" for Best Documentary Feature

Team Experience has been looking at LGBTQ+ related Oscar nominations. 

by Nick Taylor

Over the course of June, one of my big cinematic missions was to watch as many queer documentaries as I could. A broader understanding and recognition of lived queer experiences, either through art or lived interaction, is something I’m finding increasingly valuable and incredibly grateful for. Past or present lives, always reflecting so many potential futures - cherish that shit! Cinema allows for a unique view on long-gone lives I would never have met. A lot of my dive has been focused on the Criterion Channel’s various LGBTQ+ playlists. If you haven’t already seen Dressed in Blue, Tongues Untied, and Shakedown, watch them all now and learn from their authors, the multitude of voices in front of and behind the camera bravely willing to show us who they are and what they know. 

Common Threads: Stories from the Quilt, was also a recent discovery, equally inspired by this series and by its renewed spotlight on Criterion. To those who want to see it but don’t have this particular streaming service, it is also free on YouTube). The film is one of two Oscar-winning documentaries directed by Rob Epstein in Criterion’s playlist, each representing worlds of grassroots activism on behalf of a queer America grappling with very different realities from each other. The Times of Harvey Milk is as committed to being a joyous celebration of solidarity and advancement as well as a hollowing eulogy for everything violently, permissibly stolen from queer America as Common Threads is, with its own fierce editing and poignant, unabashed political agenda...

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Queering the Oscars: Best Foreign Film 1999, "All About My Mother"

For Pride Month, Team Experience has been looking at LGBTQ+ related Oscar nominations. We've decided to extend the series for a few more episodes. Pretend it's still June for a bit!

by Eric Blume

It’s wonderful fun to revisit 1999’s Best Foreign Language Film Oscar winner, director Pedro Almodóvar’s All About My Mother.  Although it’s a beautifully textured, multi-layered tapestry of themes and emotions, it has to be one of the unusual films to ever win this big prize. The plot involves, among other thing: a nurse going onstage as an unrehearsed cover for Stella in A Streetcar Named Desire; a HIV-positive, pregnant nun; two heterosexual women united by giving birth to sons named Esteban from the same transgender woman; and numerous conversations and jokes about acquired tits.

That none of these unlikely and uncommercial plot strands feel forced or shocking is due to the artistry of Almodóvar. The Spanish auteur weaves stories together nobody else would think of in a million years, wrapped up in the boldest color palettes imaginable, with performances of sheer emotional force that rattle the roof...

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