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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Emmy Aftermath - how to fix the Emmys?

"Personally, I'm opposed to capping wins or even nominations, even if seeing Modern Family win year after year drives me up the walls. I think it look punishing to the winners, instead of addressing the real issue, which are the voters and the voting system, and how even as things change and get more diverse and they try to catch up, they still don't vote that outside that box at all. It still takes that little aura of prestige for different shows to break in, and there is such a gap between what's great and what's awards-material." - Tee

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Entries in Oscars (90s) (94)

Wednesday
Jun252014

List Mania

Two interesting lists came out in the past couple of days which are worth discussing / poring over / loving deeply / fuming at for various reasons.

Three LGBT Films I'm Always Wishing More People Had Seen. Paris is Burning (#3), Lilies (#64), and Show Me Love (#168)

• The Advocate crowd-sourced the 175 Essential LGBT Movies list which is a mix of non gay movies that gays love and actual queer films. Brokeback Mountain (2005) tops the list and the top ten is really cool and varied though it's obviously skewing toward historically important cinematic breakthroughs (regardless of quality) which I suppose explains the high ranking of Philadelphia (1993) which is not a good movie and so so timid and Making Love (1982), just outside the top ten which is interesting and way less timid than many movies which came after it (how's that for an odd turn of events) but it's also stiffly made. I've seen all but 34 of these pictures but some of the choices are... unfortunate. The foreign classics are shoved toward the back of the list (Almodóvar is present of course but woefully underrepresented and poorly ranked) but basically every popular American gay film from the last 25 years that actually sucks is accounted for; it's a myth that gays have good taste!

P.S. My Beautiful Laundrette, which we were just discussing, comes in at #21. 

 

And now a more mainstream list...

Only 5 live action musicals made the list. No Cabaret (1972)? I weep.

• The Hollywood Reporter surveyed industry types like Oscar winners, studio chiefs, and TV personalities and came up with a list of Hollywood's Favorite 100 Films of All Time. As a very mainstream list that only grazes Old Hollywood with the most iconic pictures (All About Eve, Gone With The Wind, On the Waterfront - that sort of thing) and heavily favors New Hollywood (roughly the 70s forward) it's fun. But you have to know what you're getting into. Most interesting to me is how beloved the year 1994 is with Pulp Fiction, Shawshank Redemption and Forrest Gump all in the top 15 !!! The most recent picture listed is Inception (2010) which... gross. Spielberg, Coppola, Hitchcock and Nolan all have multiple entries. Curiously Hollywood only loves modern animated movies - nothing made earlier than Beauty & The Beast (1991) which comes in at #86. Brokeback Mountain (2005) comes in at #76 (Crash is nowhere to be seen. I think Hollywood was embarrassed about that Best Picture win as soon as the morning after if not as soon as Jack Nicholson read the card).

P.S. Since we were just surveying 2004 I think it's worth noting that Eternal Sunshine of the Spotless Mind is the only picture from that year listed... none of the actual Best Picture nominees made the cut, not even Million Dollar Baby

What should we make lists of here at TFE? Summertime is obviously ideal for movie lists since nothing is actually happening at the movies (besides, you know, CG robots, monsters, and explosions) 

 

Thursday
Jun052014

Throwback Thursday FYC: Uma in Henry & June (1990)

The Film Experience time travels so consistently between the now, the future, the distant past and the recent past that Throwback Thursday, that grand internet tradition, hasn't meant much. But then a lightbulb - "Throwback Thursday... Oscar Campaigns"

Remember Henry & June (1990)? Oscar and Uma anecdotes after the jump...

Click to read more ...

Tuesday
May132014

Cannes Monologue: Secrets and Lies

Andrew with a Cannes edition of our monologue series...

The 2014 Cannes Film Festival begins tomorrow and The Film Experience is doing its part to keep things Cannes focused with our list of favourite Palme D’Or winners, Diana’s upcoming coverage on the ground, and more. To continue the party let's turn to the Palme D'Or winner that topped my own team ballot, Mike Leigh's Secrets and Lies (1996).

Brenda Blethyn plays Cynthia Purley, a woman who spends much of her time jabbering away (often incoherently). Like Anne Baxter, featured last week, it’s Brenda’s domination of her scenes that fool you into considering her scenes are more monologue-driven than they actually are.

[18 year-old spoilers follow...]

Secrets and Lies has a fine ensemble but it's impossible to look away from Brenda Blethyn's fantastic turn even when you want to - Cynthia can be draining, even overwhelming and exhausting to watch. Cynthia's arc is composed from a string of breakdown scenes wherein she's reacting to family secrets and issues and they are all pitched perfectly. The one which is most significant comes midway through the film when she meets the daughter she gave up for adoption some decades ago when she was a teenager.

Click to read more ...

Tuesday
Mar252014

Hit Me With Your Best Shot: "L.A. Confidential"

When L.A. Confidential premiered in 1997 I was one of the few cinephiles that wasn't overcome with passion for it. I thought it too warm, actually. The happy(ish) ending threw me since most of the noir I was familiar with (not a wide sample I'm afraid) was much more nihilistic, rarely leaving the compromised heroes alive or free. It was the clear critical favorite in its year, though, so I've long wanted to reassess it and spend more time with it. I'm happy to report that I underestimated it the first time around. The screenplay with its hardboiled broad strokes dialogue and characterizations made more sense now that I'm more familiar with its tropes. But above all else it's a "wow" in execution from every department (but yes we're here to talk cinematography).

My clearest memories of the film were three: the smarmy gossip opening "on the QT and very hush hush", that I was enamored of both Russell Crowe and Kevin Spacey's performances, and the (literal) head-turning introduction of Lynn Bracken (Kim Basinger in her Oscar winning role) though it should surprise virtually no one who reads the Film Experience that the subplot of the Fleur de Lis girls "whores cut to look like movie stars" was the storyline I was initially most drawn to.  

Whatever you desire.

More after the jump...

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Saturday
Mar012014

1 Day Til Oscar... "No. 1 Fan"

Flashback March 25th, 1991

Which one of these guys do you think Kathy Bates wanted to lock up in her house and possibly hobble? If neither Tom nor Dustin are the correct answer who do you think Kathy was eyeing on Oscar night that year? Tell us in the comments.

Question #2: If you had to nurse one of this year's Oscar nominees back to health in your remote house in the woods, who would it be?