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Entries in Jude Law (29)


Say What? Law & Keaton in "The Young Pope"

Manuel here, sharing a hilarious set of pics from historic Villa Pamphili in Rome.

click to embiggen

Add dialogue or caption: What do you think is happening in these behind-the-scenes pics of Paolo Sorrentino’s Jude Law-led HBO show, The Young Pope? Is Diane Keaton auditioning for a Sister Act spinoff?

Is Law just as amused as we are by his casting as a celibate pope?



Halfway Finale: Eye Candy Highlights

½way mark - part 9 or 9
We conclude our celebration of the Best of 2015 (thus far) with a truly random list of visual highlights. Please to enjoy and do share which of these goodies you were sweetest on. Or propose alternate candy for us to suck on. Ready? Let's unwrap those candies before the next movie begins.

Jude Law in Spy. Prettier than James Bond. And Bond Girls. 

Mad Max Fury Road's scorched orange earth, colored smoke fares, white faced war boys, smokey eyes foreheads, and more. A visual feast. Just don't expect water with your meal.


Can we give a special Oscar to the props department on Mad Max Fury Road? Chastity belts w/ bolt cutters, detachable custom steering wheels, blood bags and iron masks, flame throwing guitars? Overachievement, thy name is Fury Road


Magic Mike XXL 

14 more honors after the jump...

Click to read more ...


April Foolish Oscar Predix - Supporting Actors

As is the case every year the supporting categories are incredibly foggy early on. One rarely knows which supporting players have big roles (unless they're co-leads campaigning fraudulently which we should always expect). And then there's the matter of who will steal scenes and who will be reduced to glorified cameos even if their roles sound good on paper.

Will Poulter and Tom Hardy heading to shoot scenes for The Revenant

Perhaps the most important thing to remember about this Foolish early punditry: Supporting players, unlike leads, almost never win traction unless their film is also well liked. That adds yet another layer of clouds blocking future vision.

All of which makes April Foolish supporting pictures an exercize in fantasy. But it's fun! The chart is now up for  Best Supporting Actor and to start things off I'm predicting an all newbie lineup. But looking over the general foggy field one could have genuine with high hopes for a couple of respected actors who've never had a real Oscar shot like Tom Hardy and Kyle Chandler, actors who have been mistreated by Oscar like Ralph Fiennes (future cinephiles will be driven mad puzzling how he missed for Grand Budapest Hotel) and Kurt Russell (tell me again how he missed for Silkwood?) and actors who fit right into Things Oscar Does like Seth Rogen (comic gone serious), Bradley Cooper (you like me you really like me) and so on. The chart is big and extensive because it's silly to rule anyone out before most films have begun screening.

Among films with large casts that we suspect are teeming with possibly eventful supporting players but who can really say are Warren Beatty's Untitled Howard Hughes Project, Quentin Tarantino's Hateful Eight, and the press expose of the Catholic Church scandal drama known as Spotlight

Some of "Spotlight"s key cast members: Keaton, Schreiber, Ruffalo, McAdams, Slattery, James

And that's not all. There's also the head-injury medical sports drama Concussion led by Will Smith, an FBI drama led by Emily Blunt called Sicario, and the all star period literary drama Genius which features Jude Law, Guy Pearce, Dominic West, and others as famous authors. There's also the Hollywood Blacklist drama Trumbo which is headlined by Bryan Cranston but features a lot of other actors as famous showbiz figures

Do you have any suspicions about this field or any wild card predictions?


Golden Spy

Manuel here bringing you an eye-catching poster to get this week going.

I love the random cartoony paws on her jacket.

I saw this golden poster for Melissa McCarthy’s upcoming Spy comedy and I couldn’t not talk about. It’s so amazingly silly yet self-serious. It’s precisely the type of eye-catching visual gag that this marketing campaign needs (better than the one-note poster Margaret discussed back in January). More importantly, it’s exactly the careful tonal balance the film will have to pull off if it’s going to succeed critically as well as commercially. I know it’s supposed to make me think of Goldfinger (and perhaps of Goldmember?) but all I could think was the posters for Dominic Cooper’s The Devil’s Double, a movie I know everything about exclusively from this (NSFW) post (thanks JA!)

They're clearly going for the Bond tie-ins with these character posters and why wouldn't they? If you're going to riff off the spy genre, there's really nowhere else to mine.

Perhaps it’s my affection for pre-Bridesmaids (ie. Gilmore Girls) McCarthy that’s getting to me, but I am hoping that her softer comedic side resurfaces at some point in her career. May Spy do the trick? Is the presence of real-life action figure Jason Statham and Jude Law in full-Bond mode enough to sway you to give Spy a chance this summer?


Yes, No, Maybe So: 'Spy'

Margaret here with an update on upcoming projects from Paul Feig, the bannerman for blockbuster female-driven comedy. He's following up the roaring success of Bridesmaids and The Heat with two more big-budget Melissa McCarthy projects due over the next couple summers. 

The buzzier of the projects is a female-led Ghostbusters reboot, whose main cast has just been announced. It's a wonderful lineup: Feig muse Melissa McCarthy, post-Bridesmaids movie star Kristen Wiig, the hilarious rubber-faced Saturday Night Live MVP Kate McKinnon, and comedy vet Leslie Jones, a recent addition to SNL as both a writer and a featured player. These choices, exciting on their own, are all the more gratifying when one considers all those rumors circa the Sony leak that they were looking at gamine young A-listers like Jennifer Lawrence and Emma Stone.

 While we bask in the casting news (and speculate wildly on the movie's plot), let's take a look at the Feig/McCarthy project coming to us mere months from now: the espionage thriller parody Spy...

Click to read more ...


Quick Links Over Coffee. And "LISTEN!" It's the Critical Decision

Jude Law drinking coffee back in the dayWhoa! Off to such a late start today.


Here are a few links for you to enjoy while I drink my lunch (aka coffee) and prepare a few posts... posting continues through the holidays so if you're having a Blue Christmas, please know that we're here for you in the comments section / posting form with reviews coming up for Selma & Into the Woods. If you'll be offline for most of the holiday week, collect your belated gifts when you return. The Oscar stuff, year in review collections, chatty interviews and podcast, and silly polls will all still be here when you return. (Just click on that  "pages" thing once you run out of the freshly baked articles at the bottom and you'll get to the day old stuff and so on. Only a few of the articles have expiration dates, you know.

Mic I somehow missed all the hubbub about Shiloh "John" Jolie-Pitt but agree that the Spawn of Our Most Beloved Celebrity-Celebrity Couple On the Planet looks spiffy in a suit.
Vanity Fair David Fincher wants to make a movie about music videos? YES PLEASE. The man for the job obviously.
In Contention Katherine Waterston (Inherent Vice) is joining the Jobs biopic... you'd think this movie would scare people away after all those Sony emails
Pajiba chooses the most exhiliarating TV characters of 2014
The Daily Beast Idris Elba wanted for next James Bond maybe.
Mediate I love how upset this is making idiots like Rush Limbaugh. Hee.
Film Stage What would you add to their list of Cinematography bests this year? 
Cut Print Film asked you to reconsider Shia Labeouf. I have been!
Vox 30 best tv shows of year 

Ah, and thanks to Arjan Writes for pointing out Jennifer Hudson doing a playful impromptu take on Beyoncé's "Listen" when she visited a radio station just the other day if you need a dash of Christmas 2006 in your Christmas 2014... and who doesn't?

(Critics List Navel Gazing / Blog Tracking Decisions after Jennifer sings!)


Click to read more ...


YNMS: Tomorrowland, American Sniper, Black Sea

Tonight is the "Closing Night" of the New York Film Festival (Birdman and I'm happy to report that it's wondrous) though there are screenings tomorrow making the title only honorary, really. We'll wrap up soon with Inherent Vice and Birdman thoughts and things we learned at the fest. All the screenings and the first wave of Oscar seeking interviews (coming at'cha soon) have left us seriously behind on the matter of movie trailers / teasers so here are three which you may well have seen already but let's discuss in abbreviated Yes No Maybe So fashion.

Yes - This does what teasers, hell trailers themselves, should do: intrigues but doesn't give the game away. If only full trailers would follow suit. Come on studios: Help moviegoers rediscover a little something called curiousity. 
No - It's not really fair since he's had a couple of low key years but I'm feeling Clooney fatigue for some reason. Was it the wedding?
Maybe So -According to the vague summaries the story, about a futuristic utopia created by technology, is actually led by Britt Robertson (seen here discovering it via a magic pin) with Clooney in co-lead position as a former whiz kid she enlists to help her get back to this magical place and something something. Like I said: Vague. That's the best kind of pre-release info.


Yes - Trailers that are essentially one scene clips with flourishes round the edges to convey a movie are big "yes" moments. This scene, a sniper trying to decide whether to kill a woman or child is properly lose-lose upsetting. 
No - that tagline "the most lethal sniper in US history" paired with "12.25.14" is gross. Thanks for the coal in the stocking, Warner Bros! Merry Christmas to you, too.
Maybe So - It's a Clint Eastwood film. As you know his aesthetic is way too dreary for me to fully enjoy (even the recent musical was dreary!) but this kind of film can get away with dreary and probably should. Don't know about the banal easy juxtaposition of "American family life!" shoved aggressively into this Middle Eastern war zone via all those inserts but I like how mundane Bradley Cooper's voice sounds in this context.

Yes - Two obvious things. 1) Submarines and ocean settings in general often make for fine thrillers given the claustrophia or 'all alone in the world' madness. And 2) Jude Law, for all of the unevenness of his career, is always watchable. Isn't it great that "he's a liability" is voiced over our glimpse of Ben Mendelsohn (Animal Kingdom, The Place Beyond the Pines)? He's anything but a liability in movies but of course he is just that in context since he's so good at playing shifty/dangerous characters. Scoot McNairy is also in it.
No - A cuisinart presentation of the whole movie, albeit without grotesque spoilers just general spoilers that the men turn against each other. But we kinda figured that with the pitch in the first minute. Still, where is the hook to care about this? Or is it assumed we will through that blaring music and fast-cutting.
Maybe So -  Kevin Macdonald. Is the jury still out on him (The Last King of Scotland, The Eagle, State of Play, How I Live Now) or does everyone just expect a range from *shrug* to 'quite watchable' but never great?