Streaming Roulette, June: Streets of Fire, Primary Colors, and The World to Come

Yes it's time for another round of streaming roulette where we point out titles that are new(ish) to streaming and just for fun, freeze frame them at totally random places in the scroll bar and whatever comes up we share. Let's go...

I think 'Oh, if I'm self aware about being a douchebag, it... it... it... will somehow make me less of a douchebag.' But it doesn't. Self awareness does not absolve anyone of anything. Am I balding?

Bo Burhnam Inside
A new comedy special from the writer/director of Eighth Grade and the co-star of Promising Young Woman. We've heard good things but haven't yet screened...

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Emile Mosseri: The king of 2020's film music

by Cláudio Alves

He may have only been composing film scores since 2016, but Emile Mosseri has quickly become one of the most exciting composers in today's Hollywood. At least, he's got a prime spot on my list of ones-to-watch. Two years ago, he made a big splash with the hauntingly beautiful compositions for The Last Black Man in San Francisco. Joe Talbot's delicate tone poem about a city and its people earned much critical acclaim and even a couple of awards for the young composer. Flash forward to today, and Mosseri's at the top of the world, having conquered his first Oscar nomination for Minari. What's more, that wasn't even the only masterful score he delivered in 2020…

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Year in Review: Best Onscreen Chemistry of 2020

by Team Experience

Chemistry may be something you can predict in a lab but in showbiz it's always been volatile, elevating some projects to unpredictable heights and dooming others with its absence or withholding or misdirections. Strong onscreen chemistry may be far less rare than capturing lightning in a bottle but it can feel just as miraculous. In the studio system they'd seize on any great example and repurpose it by ordering additional pairings of the stars involved. Modern Hollywood executive (and the stars themselves to some degree) have been notoriously dumb about capitalizing on incredible partnerships. This has made great onscreen chemistry basically a one & done phenomenon for the most part for decades... and thus all the more ephemeral and precious. So let's celebrate it.

We polled Team Experience on "best screen chemistry of 2020" and pooled the results. Sound off with your own in the comments... 

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Kajillionaire: The Latest from Miranda July

By Abe Friedtanzer

I still remember when I convinced a few high school friends that the next movie for us to watch together should be Me and You and Everyone We Know. I was fully enthralled by the feature directorial debut of writer-director Miranda July, which explored unconventional romances and perspectives, and, to me, was the definition of experimental and arthouse filmmaking at the time. My friends were not quite as amused, and are still probably angry at me for making them watch it if they haven’t fully blocked it from their memories fifteen years later. 

July’s follow-up, The Future, was intriguing but ultimately disappointing. I was nonetheless very much on board to see July’s latest, released a full nine years after her second, when it premiered at the Sundance Film Festival this past January. For the first time, July doesn’t appear in her film, and it builds on the transition she made between her first two films to feature a more typical narrative. The concepts continue to be totally peculiar, but the way in which the story is presented is actually quite normal...

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Murtada's Sundance Notes & Favorite Performances

by Murtada Elfadl

My second straight year at Sundance was even better than my first. I knew my way around a little bit more and managed not to over schedule myself. The movies remain for the most part fantastic and the conversations in the many lines and at the different spaces on Main Street illuminating. Here are a few observations about this year's festival:

the Zola team

Diversity of Voices and Stories Can Be Accomplished

I saw 30 movies in 8 days. Half of them were directed by women and half were cast with pre dominantently actors of color. Some of the best movies I saw came from outside the US...

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