Kajillionaire: The Latest from Miranda July

By Abe Friedtanzer

I still remember when I convinced a few high school friends that the next movie for us to watch together should be Me and You and Everyone We Know. I was fully enthralled by the feature directorial debut of writer-director Miranda July, which explored unconventional romances and perspectives, and, to me, was the definition of experimental and arthouse filmmaking at the time. My friends were not quite as amused, and are still probably angry at me for making them watch it if they haven’t fully blocked it from their memories fifteen years later. 

July’s follow-up, The Future, was intriguing but ultimately disappointing. I was nonetheless very much on board to see July’s latest, released a full nine years after her second, when it premiered at the Sundance Film Festival this past January. For the first time, July doesn’t appear in her film, and it builds on the transition she made between her first two films to feature a more typical narrative. The concepts continue to be totally peculiar, but the way in which the story is presented is actually quite normal...

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New Mantra: "Miranda July Heist Movie"

Chris here. If that headline didn't already give you a moment of chrystalline mental clarity, perhaps the fact that it's not just fantasy will. That's right, the multi-hyphenate artist Miranda July will be returning to cinemas for her yet untitled third feature, this time with a genre bent. Those unfamiliar with the indie darling would do well to research her performance art and writing, but her filmography is as good a start as any of her other works. Her first two idiosyncratic films were 2005's whimsically sad Me and You and Everyone We Know ("... forever.") and 2011's The Future, which was narrated by a stray cat. Both films are touching and deeply original, so don't expect standard heist fare.

But maybe this could be her most mainstream film yet given the enticing cast she's already assembled: Evan Rachel Wood, Debra Winger, Gina Rodriguez, and Richard Jenkins. Wood will play Old Dolio (!), whose scheming parents (Winger and Jenkins) bring an outsider into their major heist plans, with big ramifications for Old Dolio. Expect something oddly moving and unlike anything else released that year.

Where in the World is Gina Rodriguez

Chris here. Carmen Sandiego is about to be a big thing for Netflix and they have landed one helluva leading lady: the delightful Gina Rodriguez!

We have long loved the star thanks to Jane the Virgin. She also did showstopping work in a small role in this year's Annihilation so watching her platform elevate further will be a real treat. Nabbing this headling gig in the long discussed revamp of the character is a major win while her stars remains on the rise. You'll remember such big names as Jennifer Lopez being bandied about over the years... 

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YNMS: "Annihilation"

Chris here. It's not too early to start getting excited for what's coming next year, right? Call it optimism to get 2017 over and done with (even if it's providing us with great films). And one of our most anticipated of next year is one that comes early: February's Annihilation.

The film is writer/director Alex Garland's follow-up to the beloved Ex Machina and is another stoic sci-fi endeavor. Based on the first book in Jeff VanderMeer's Southern Reach trilogy, Natalie Portman stars as a biologist exploring the mysterious Area X after her husband's expedition of the land ended in disaster. Area X is a geographical anomaly of sorts, and the government may or may not know the full extent of its power. VanderMeer's series is a tricky bit of first-person genre work, so I have long been curious how it could translate to film, particularly with his creepy but evasive details of Area X. Let's take a look at the first trailer and run down the Yes No Maybe So of the results:

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Emmy FYC: The Moms of Comedy

We're showcasing our favorite TV triumps while Emmy nomination ballots are out. Here’s Jorge with some pitches for your maternal instinct…

Ever since scripted television has existed, there has been a fictional mother inside our homes. Since sitcoms tend to revolve around family unites, the funny mom is one of the oldest, most beloved, and most comforting TV tropes. With over 450 scripted series for Emmys consideration this year alone, the Television Academy has thousands of performances to consider.

So to make voters lives a little easier here is a list of some of the best Moms in Comedies of the 2016-2017 season. You could fill the entire Actress in a Comedy Series category with just sitcom moms. Consider this an FYC for all of the following women...

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