Cannes Diary 08: Queer Cinema Highs & Lows

by Elisa Guidici

Straight couples and monogamous relationships seem to be an endangered species at this year's Cannes Film Festival, especially in the sidebar sections. We've seen a wealth of films centered on queer love stories, set in a more open and aware contemporary world. Yet, this world often still struggles with a perspective that doesn't immediately stiffen when behavior is framed as "deviant." Unfortunately, mere representation doesn't equate to consistent quality. To summarize the spectrum seen here at Cannes, let's dive into the most exciting film and the most disappointing currently tackling these themes...

Click to read more ...

Cannes Diary 05: "Die My Love" - A Tale of Two Comebacks

by Elisa Giudici

Die My Love was poised to mark two significant female comebacks, both artists seeking a powerful resurgence. One fully succeeded; the other, decidedly, did not, though pinpointing exactly what went wrong with the latter isn't straightforward.

Let's start with the winning bet: Jennifer Lawrence. After Causeway and No Hard Feelings (films that showcased good performances but had limited media impact), Lawrence has made a comeback worthy of her marquee name. Her performance here is a strong contender for festival awards and, looking ahead, could go far, especially since MUBI has acquired the film for international distribution...

Click to read more ...

Cannes Diary 04: Ari Aster's "Eddington" is uncomfortably contemporary

by Elisa Giudici

In Eddington, Ari Aster brings his signature excesses and flaws, yet, as always, these are interwoven with genuine strokes of genius, his remarkable visual talent, and a flair for the audacious. Eddington is set to be divisive, much like his previous film Beau is Afraid, though it's arguably more focused and sharp, albeit still far from perfect.

The very fabric of Eddington makes it incendiary, divisive, and ultimately, a tough nut to crack. Set in the fictional New Mexico town of its title, it's an uneven but admirable attempt to take a genre deeply rooted in the past -- the Watern -- and use its tropes and language to narrate our present. Naturally then we get the classic standoff as well as  reaking shop sign swinging in a desert landscape. The shop is actually a gun store, from which the protagonist will emerge armed with both an automatic rifle and a smartphone. Because today, vigilantes and criminals alike carry a lens ready to film themselves or to be pointed in others' faces, like a weapon...

Click to read more ...

Review: Shouldn't "The Gorge" be more fun?

by Nathaniel R

My invite arrived in February. So what if I finally walked in? I'm late to the party, true, but it's doesn't appear to be much of a shindig and it's still going on over at Apple TV+. Party planners director Scott Derrickson and screenwriter Zach Dean have done the bare minimum and way too much, respectively, to prep for their big event...

Click to read more ...

Now Available to Rent: "Paddington in Peru" and "Novocaine"

by Nathaniel R

Herewith belated reflections on a couple of titles from the first quarter that are now rentable. We meant to cover them at the time of theatrical release but we had writers block then. Oopsie. If you've seen them, do sound off.

NOVOCAINE
When I showed up at the critics screening of this action comedy, an old journalist acquaintance of mine said to me "I haven't seen you in forever! This is what brought you back out?" I may have been being called out for jumping off the hamster wheel of the tenuous writer's life but, also, it's a valid question...

Click to read more ...