Cannes Diary 08: Queer Cinema Highs & Lows

by Elisa Guidici

Straight couples and monogamous relationships seem to be an endangered species at this year's Cannes Film Festival, especially in the sidebar sections. We've seen a wealth of films centered on queer love stories, set in a more open and aware contemporary world. Yet, this world often still struggles with a perspective that doesn't immediately stiffen when behavior is framed as "deviant." Unfortunately, mere representation doesn't equate to consistent quality. To summarize the spectrum seen here at Cannes, let's dive into the most exciting film and the most disappointing currently tackling these themes...

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Drag Race RuCap: "Grand Finale"

No one had a better time at the DRAG RACE finale than Daddy Nurve.

NICK TAYLOR: The seventeenth season of RuPaul’s Drag Race has come to a close, and with it our third year of RuCaps. Sadly, it’s a pretty deflating limp across the finish line. Our repeated comments about this season’s success as reality TV carried by the queens through brute force has proven true via an episode which showcased its contestants as little as possible. No RuGirls from years past in the audience, no group numbers with the cast, paeans to live performance that are 200% per-recorded, it’s all just weirdly hollow. Last week’s LaLaPaRuZa had much better momentum, plus it got to lean on the personalities of the queens in a way this episode simply couldn’t. At least the right queen won in the end, plus we got a lovely tribute to Liza. The Oscars couldn’t fucking do that. What did you think? 

CLÁUDIO ALVES: Meh…

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Drag Race RuCap: "LalapaRuza Smackdown Reunited"

Let Bruno's behind bless you with its beauty.

CLÁUDIO ALVES: Like last year, the LalapaRuza Smackdown is a season highlight. The format is simple enough, but it works because it puts drag skills at the forefront while also allowing for a pseudo-reunion that’s more about celebrating artistry in a sisterly way rather than airing out insecurities and the same old mess as before. For season 17, the producers were extra smart, shooting this lip sync extravaganza after most episodes had aired, allowing for growth and the queens’ honest reactions to how they’ve been portrayed and received. If the battles weren’t as spectacular as what we got with Megami, Morphine, and company, the final result was enough to make up for whatever deficiencies the reality TV hour might have had. The right person won, and the entire thing was edited around her journey across three drag duels. So, by the end, you really felt a sense of closure, of victory, of the best that Drag Race can offer.

NICK TAYLOR: It was such a fun episode! You’re not wrong exactly about no one topping last season’s LaLaPaRuZa finale, and nobody brought the drama of a surprise narrative like Megami, but the sheer quality of performance from almost everyone was so delightful to watch. A few of these battles could have been double shantays, which I wouldn’t say about almost any of the season 16 matchups. And fuck, everyone looked great...

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Drag Race RuCap: "How's Your Headliner?"

No, your eyes don't deceive you. It seems the Love-Toot feud is over. Everybody say love!

NICK TAYLOR: Mama. This was ass. It’s not just that my beloved girl went home right before the finale when she definitely won the lip sync, though that would be enough to sour the episode even if it’d been better. But the sheer number of moving parts to this maxi challenge that aren’t adequately showcased and the bizarre judging make the episode’s criteria hard to evaluate and the queen’s talents minimally showcased. I have no quibbles with the episode’s winner or the final four we’ve arrived at, yet I’m surprised how much this elimination stunted my invested in seeing who crosses the finish line. I’d argue there’s a clear top 2 of our finishing quartet, yet, for the life of me, I can’t tell who’s facing off against Onya for the crown. Am I getting ahead of myself? Almost certainly, but god, I have such sour grapes about the whole thing. Are you in better spirits than I am, hun?

CLÁUDIO ALVES: Glad to know I’m not alone in my grumpiness this week. While I agree that the right girl won and loved the runway lewks across the board, almost everything else about the episode fell short…

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Streaming Recommendation: "Lost Boys & Fairies"

by Nathaniel R

Fra Fee (Hawkeye, Prime Target) and Sion Daniel Young (Slow Horses, The Left Behind) are would-be parents in LOST BOYS & FAIRIES

Herewith a very modern problem. You see something interesting on a streaming channel and you subscribe without hesitation. You know you have too many subscriptions already. Before you know it you are paying hundreds of dollars for 10 services + add-ons. As much as I wish I had more self-control in this arena, I know I am not alone. Sometimes, though, the bleeding wallet is worth it. After subscribing to BritBox on Amazon Prime solely to watch "Lost Boys & Fairies", I do not regret it one iota. I will not even regret it a year from now when I realize I haven't watched anything else and am still paying for this one watch every single month.

In other words, I am here to emphatically recommend Daf James' BAFTA nominated miniseries Lost Boys and Fairies.  It's an often surprising, emotionally dense, occassionally tuneful, and funny tearjerker...

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