NOW PLAYING

in theaters


review index

new on DVD/BluRay


review index

HOT TOPICS



Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
JASON CLARKE INTERVIEW

"I loved Clarke's scenes with Edgerton in The Great Gatsby. I thought, oh now I'm watching men not boys, and now I'm watching actors not movie stars.-Adri

"He has become someone I look for in films because he always comes across with such honesty." -Henry

 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Subscribe

Entries in Whitney Houston (3)

Friday
Jun202014

Dear Link People

Cinema Blend Rian Johnson (of Brick and Looper fame) will direct at least one of the new Star Wars movies. Interesting choice
Very Smart Brothas has smart things to say about Yaya DaCosta's casting as Whitney Houston in that upcoming lifetime biopic. (I just discovered this site which I gather is pretty popular on the black internet. Some really funny posts)
MNPP Michael Haneke's Flash Mob is waiting on its lead actress. But who will it be?

In Contention top 10 performances in Roman Polanski films
AV Club talks Judy Garland and the Oscar fuck-up of 1954. One of my favorite topics!
i09 Pixar's next short is called Lava
Esquire 10 best films set in New Jersey from Atlantic City to Cop Land
Just Jared Matthew McConaughey on the red carpet for more prizes. Curiously talk is spreading that McConaughey won't be back for Magic Mike XXL. I actually think that's a great move on the movie's part but I wasn't expecting it since Hollywood usually tries to give you more of the same in sequels. (I've already discussed this but If Tatum wants to build a cash cow franchise out of this for himself as a producer that could even survive without him onscreen, he needs to understand that the topic calls for fresh meat each time. Sorry to be so crass about it but it's true!) 

Most Awesome Tweet of the Day/Month/Possibly the Year
If only they had done another one in a car with Brad in the back seat! 

 

 

 

I haven't seen this movie in way too long.

Opposing Netflix Views
Vulture wonders how Chelsea Handler and Netflix are going to work around the talk show format which requires topicality which you can't get when you film in advance. But...
Mashable thinks this won't be what we're expecting an disrupt television again 

 

Monday
Aug202012

Review: "Sparkle"

This review was originally published in my column at Towleroad.

Leaving for the theater to see Sparkle, the boyfriend wrinkled up his nose. "Is that that Dreamgirls remake?" he asked rhetorically. He doesn't care about movies (...I know!) so I just said "yes" rather than getting into it. Sparkle, like Dreamgirls before it, does pair an "American Idol" alum in her big screen debut (Jordin Sparks / Jennifer Hudson) with a genuine legend (Whitney / Beyoncé) to tell the story of a troubled female pop trio in 1960s Detroit attempting to make it big as Motown explodes. But the similarities are cosmetic. (Which is not, unfortunately, to Sparkle's benefit. If you're going to load up your screenplay with familiar clichés, rob from superior work!)

The immediate jarring difference between the two films is first noticeable in the Jennifer/Jordin continuum. In both films the biggest talent of the trio has to play second fiddle to "the hot one" but only in the earlier property does the Major Talent bristle mesmerizingly against her runner-up status; Jordin's "Sparkle" is a willing wallflower, happy to let her sister (the crazy gorgeous Carmen Ejogo) sing all of her songs whilst shimmering in the warmth of the spotlight. Sparkle's sister's name is "Sister" and their group is called "Sister and Her Sisters" and the men competing dramatically for their hands (that's a euphemism for vaginas) are named "Stix" (Derek Luke) and "Satin" (Mike Epps). So any moviegoer with a sybilant "S" should avoid all discussions of the movie

Click to read more ...

Saturday
Feb112012

RIP Whitney Houston (1963-2012)

Jordin Sparks and Whitney in the forthcoming "Sparkle"Breaking news as CNN is currently investigating the discrepancies within the details but Whitney Houston has died at the age of 48, the day before the Grammys no less. She won six of the music industry's top prizes over the span of her career, the last in 2000 for "It's Not Right, But It's OK".

She'll always be remembered as one of the great voices of the 80s and 90s but her career had been quiet for a decade, plagued as it was with substance abuse. I'll personally never forget that chilling "crack is whack" Diane Sawyers interview but there were occasional intermittent signs that Whitney was on the mend. She had recently returned to acting filming a remake of Sparkle with "American Idol" alum Jordin Sparks. 

That musical is currently in postproduction aiming for an August 2012 release date. Whitney's movie career previously was sparse and short but started with a supernova: The Bodyguard (1992) was a smash hit at the box office and the music was an even bigger deal launching a series of hits and becoming the bestselling soundtrack of all time.

Houston jumped from A list co-star to A list co-star: Kevin Costner to Angela Bassett to Denzel Washington. (I remember being miffed at the time that Angela Bassett had to take second billing but I was a possessed Bassett fan in college and hoping to see her snag a second nod for her literally fiery work in Waiting To Exhale.).

The song everyone remembers from The Bodyguard is of course Dolly Parton's immortal "I Will Always Love You". My fondest memory of the song is actually Dolly Parton related. My friends and I would always be like 'ka-ching. You get that money, Dolly!' whenever Whitney held that crazy note which was, appropriately, ALWAYS ♫ since she didn't seem to need to breathe and the song was always on. Mostly out of loyalty to Dolly and The Best Little Whorehouse in Texas where 'I Will Always' was first movie-fied but maybe also because I go weak at the knees for a sparkly headdress or wrap, I was more partial to "I Have Nothing."


Rest in Peace, Whitney Houston.  Your voice had plenty and you gave quite a lot of it to the world.