Review: "Whitney Houston: I Wanna Dance With Somebody" Is a Lovable Mess

By: Christopher James

No one loves their cliches more than the biopic genre. However, no music biopic has blown through every cliche with such quick and reckless abandon as Whitney Houston: I Wanna Dance With Somebody. That’s not necessarily an insult.

Few pop culture icons loom as large as Whitney Houston, “The Voice,” who holds the record for seven consecutive number one singles atop the Billboard Top 100. By virtue of also being a modern celebrity, most people have some concept of Houston. Thus, the biopic spends less time educating people on who Whitney Houston is. In fact, it’s a crash course through her Wikipedia. Unfortunately, it misses out on her soul and motivation - what drove Whitney Houston from the biggest star in the world to death at 48?

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13 Links

• Tom and Lorenzo Jessica Chastain goes full disco queen at the premiere of The Eyes of Tammy Faye
• Out Very sad about this. HBOMax has cancelled the excellent queer series that you aren't watching Genera+ion. We can only hope its ferociously talented leading man Justice Smith gets another role as good soon. Martha Plimpton the shows other MVP is never lacking for work so we don't worry about her
• Forbes why Chris Nolan chose Universal as he leaves his longtime Warner Bros home

Betty Boop, Simu Liu, Miriam Margolyes, Stephen Sondheim, The Bodyguard, and more after the jump...

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Showbiz History: Linda Blair movies, Kurt Russell's Emmy nod, and Burt Reynolds on a bear-skin rug

8 random things that happened on this day, February 11th, in showbiz history...

Linda Blair made several TV movies in the 1970s post The Exorcist

1975 Sarah T Portrait of a Teenage Alcoholic starring fresh Oscar nominee Linda Blair airs on NBC. It was the second of a handful of TV movies she made after The Exorcist that all traded on the dichotomy of her being young and innocent in scary adult situations...

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Soundtracking: Toni Erdmann

by Chris Feil

Maren Ade’s Toni Erdmann is one of the decade’s most exacting looks at depression and the human cost of the global corporate mindset. These two thematic points of view ebb and flow in and out of one another in the film as suddenly as the film’s comedy and tragedy do, showing the malaise of how we live today that’s symptomatic of impersonal capitalistic remove. It’s a state of being that is symbiotically personal and societal, desperately funny and deeply sad.

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Top 30 Documentary Hits of 2018

Each day a different year in review topic. Here's Glenn Dunks...

Documentaries had one of their biggest years on record in 2018. In fact, the upper realms of non-fiction at the North American box office started to look like what the foreign-language charts once looked like. There was at least one major cross-over smash, several very impressive eight-figure grossers, a selection of not insignificant titles that did over one-million, and a long list of niche titles that did business anywhere from respectable to disappointing depending on expectations and release size. The year even started strong for docs with 2017 hits Bombshell the Hedy Lamarr Story and Faces/Places continuing to earn tidy sums buoyed by word of mouth and an Oscar nomination respectively.

My column Doc Corner will continue in 2019 so here’s hoping the new year offers just as bountiful a crop. It's been good to see documentaries reaching the mainstream, zeitgeist conversation.

TOP 30 DOCUMENTARIES FOR 2018
Domestic Box Office Grosses Only - Figures as of February 17th, 2019. 🔺 = the film is still in theaters

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