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Entries in MTV (19)

Thursday
Apr062017

MTV Movie & TV Award Nominees!

Chris here. You may have missed awhile back but the MTV Movie Awards have added television into its ceremony. While that news may sound like a "Golden Globes for the Instagram set" proposition, the results are much more muddied. 

For starters, outside of the top categories movies and television are nominated alongside each other - which makes for some headspining lineups like "Tearjerker". As if the current murky waters of what defines cinema and television weren't frustrating enough already for those of us that follow awards, this awards show has just thrown caution to the wind. They've always fallen on the populist and occasionally silly side but this is essentially bonkers...

Click to read more ...

Tuesday
Mar142017

The Links with the Feuding Stars, Too

Baby Jane Mania
EW Ryan Murphy talks about the first season of Feud. He's already casting the second and hints that a lot of people want to be Prince Charles and Princess Diana. Hmmm. Didn't anyone see Diana with Naomi Watts. That's dangerous ground!
Boy Culture searches for any living actors from Whatever Happened to Baby Jane?

Get Out
AV Club Jordan Peele (Get Out) has made history with the first $100 million grossing debut from a black filmmaker...
Vanity Fair Did you hear that Samuel L Jackson criticized the movie for casting a British actor in the lead? More on this and a great quote from the British star Daniel Kaluuya after the jump...

Click to read more ...

Tuesday
Mar082016

MTV Movie Awards Really Love Daisy Ridley

The Oscars are apparently not the end of awards season, as the MTV Movie Awards nominations were announced today. Star Wars: The Force Awakens led the field with 11 nods and despite being in theaters for less than a month Deadpool scored 8 nominations. Joining the two in the best film category are Avengers: Age of Ultron (6 nominations), Creed (only one other nomination for its star Michael B. Jordan), Jurassic World (3 nominations) and Straight Outta Compton (3 nominations).

Click to read more ...

Wednesday
Jul222015

"Best Shots" and Plentiful Words on VMA Nominees

Presenting: a "very special" (ahem) edition of Hit Me With Your Best Shot in which Nathaniel climbs on a speeding train of thought for an impromptu journey into this year's celebrated music videos. Lots and lots more after the jump...

Click to read more ...

Monday
Apr132015

MTV Movie Awards: The Winners

Manuel here, pretending he’s still part of the demographic for the MTV Movie Awards. Amy Schumer (“Half of you don’t know me and half of you think I’m Meghan Trainor” she quipped at the start of the show) hosted the show which might just as well have been called the “Shailene Woodley” awards. After Jennifer Lawrence and her Hunger Games dominated the past couple of years, unlikely movie star Woodley emerged as the clear winner last night. On top of her MTV Trailblazer award, her film The Fault in Our Stars (the first non-franchise film to win the Movie of the Year award since Wedding Crashers in 2006!) took home 3 awards. Indeed, original and non-franchise films pretty much dominated, even as the show seemed intent on reminding us that Furious 7, Avengers Age of Ultron and plenty more of summer sequels are out or on their way.

I wish I could find that J-Lo reaction to Schumer's Gone Girl/latina joke because it was EVERYTHING. Oh wait...

In other news, Bradley Cooper may be 3-for-0 at the Oscars, but he won “Best Male Performance” over presumed favorites Chris Pratt (whose Marvel film went empty-handed), and Faults own Ansel Egort, Meryl Streep won her very first popcorn award and Zac Efron won “Best Shirtless Performance” for his beautifully psychopathic performance in Neighbors which sounds about right, don’t you think?

Check the full list of winners below

Click to read more ...

Wednesday
Mar042015

MTV Movie Awards Nominations

Manuel here pretending not to be baffled and utterly fascinated with the just-announced MTV Movie Awards nominations. As much as I’d like to bemoan their crass youth pandering, their lineup for Movie of the Year (a "category that honors the most loved theatrical release of the season") is quite a respectable one while any awards that nominate Kristen Wiig & Bill Hader for their tour de force lipsync for their lives on The Skeleton Twins is fine by me. 

New Movie Awards Logo designed by Dabs Myla,

You’ll note that Neighbors (which netted Rose Byrne THREE nominations!), Guardians of the Galaxy and The Fault in Our Stars led the pack with seven a piece while Oscar favorites American Sniper, Selma, Boyhood, Whiplash and Birdman found some love. No such luck for Wes Anderson’s big Oscar winner The Grand Budapest Hotel nor for Oscar winners Patricia Arquette & Julianne Moore. Implausibly seeing as she's such an awards juggernaut, you may be surprised to hear that Meryl Streep garnered her second (!!) nomination ever at these awards (Best Villain for Into the Woods). She was previously recognized for her work in The Devil Wears Prada. She shares the category with J.K Simmons (Whiplash), Peter Dinklage (X-Men), Rosamund Pike (Gone Girl) and Jillian Bell (22 Jump Street) making it precisely the type of hodge-podge category MTV so enjoys putting together. Don't forget to vote, and maybe we can collectively nab ScarJo a win for Lucy and pretend it's for Under the Skin.

Check the full list of nominations after the jump:

Click to read more ...

Saturday
Feb142015

Bad Movie-thon

Jose here. Ah, it’s Oscar season and all movie lovers can talk about is who was snubbed or who will and should win. While basking in the glow of acclaimed movies and conversations about the merits of sound editing and screenwriting is nothing to frown upon, most people forget that new movies are released each week, yes, even during Oscar season. And yes, most of these releases are of dubious quality, but sometimes you can only watch your favorite Best Foreign Language Film nominee so many times before you want to go see something new, right?

But what to choose among the pile of critically lambasted offerings that 2015 has brought us so far? I saw a bunch of them, to bring you this concise report.

Click to read more ...

Monday
Aug252014

The Best Film of 1989 That Wasn't

Glenn here to discuss a lil something from 1989, but first a divergence to the modern day.

Last night’s MTV Video Music Awards were like stepping into a pop culture gulag. It’s easy to get misty-eyed thinking about VMA ceremonies of years past, when the network actually showed music videos and the form felt truly like art. Despite being aware of last night’s winner, “Wrecking Ball” by Miley Cyrus the icky Terry Richardson, I don’t claim to have near enough knowledge of modern music videos to truly complain. It does seem harder to imagine Neil Young, Peter Gabriel, or Pearl Jam winning these days though, doesn’t it? Are there brilliant works that just aren’t being recognized?

It’s been some time since videos were genuine pop culture moments and the internet certainly doesn’t help. Beyoncé appears to be the only one who’s been able to recreate the buzz of sitting around to watch the premiere of a new Michael Jackson or Madonna video. Most importantly, however, formative years are no longer spent watching music videos hoping to find our new favorite song and reveling in visual genius, rather we leave that to YouTube, iTunes and Spotify while we binge-watch sitcoms on Netflix instead.

Which brings me to 1989. If it weren’t for 1989 we wouldn’t have David Fincher. The future Oscar-nominated director had successes before ’89, but his two collaborations with Madonna that year – “Oh Father” and “Express Yourself” – as well as “Vogue” a year later feel like true moments of breakthrough genius. Whenever I tell fans of David Fincher that they should thank Madonna they balk, but isn’t it kind of true?

“Express Yourself” lost the video of the year award to Neil Young’s “This Note’s For You”, but much like a lot of Madonna’s music career, time has proven that she wasn’t just a momentary flash in the pan spurred on by a public wanting what’s new and shiny. Fincher’s video took liberal inspiration from Fritz Lang’s 1927 silent sci-fi classic Metropolis and gave it a slick and sexualized make-over (before blue filters were over-used). For mine, it remains the best thing David Fincher has ever directed – although, ever the contrarian, I don’t quite know if his maturing directorial instincts are for the better. Rather I find myself getting less excited for each new Fincher film and the very insular heterosexual male worlds they appear to inhabit. Will Gone Girl will change that?

Madonna has always been obsessed with cinema, old and new. She and Fincher would prove that again most famously one year later with “Vogue” with its recreations of the Golden Age of Hollywood as well as Isaac Julien's Looking for Langston. Every cent of Express Yourself's then record-breaking $5mil budget is on screen and it’s heightened, boldly stylized aesthetic is the exact kind that Baz Luhrmann was recreating with Moulin Rouge! over a decade later. From the rain-soaked underclass below to the sensual art-deco with modern twist of Madge’s world up top, “Express Yourself” surpasses even some of the work nominated for art direction and cinematography Oscars that year. Who remembers the sets of Driving Miss Daisy, you know? In a neat twist, Tim Burton’s Batman won the former category, itself also inspired by Metropolis. And remember when they went via satellite to present awards in England? Yikes!

The overt homoeroticism. The power of the pussy. The rally cry of the woman. It’s certainly a video that informed my early years a lot, and would go on to inspire my predilection for excessively stylish cinema as well as bold interpretations of eras. The “Express Yourself” video holds up better than most films of 1989, but perhaps works best of all as a beacon not only for Fincher’s career, but as an encapsulation of where cinema could and eventually would go in the following decades from Quentin Tarantino to endless remakes and reboots. By repurposing Metropolis, everything old was new again. Something we still see the effects of today.