Drag Race RuCap: “Karens Gone Wild”

This episode of Drag Race is brought to you by the STOP! THAT! TRAIN!, in theaters this summer.

CLÁUDIO ALVES: Well, that was an interesting hour of television. David Benioff and D.B. Weiss would be proud of Mama Ru, because she truly subverted our expectations. Now, let’s wait and see if Drag Race can stick the landing after this shocker or if, like the last season of Game of Thrones, it’ll crash and burn and relinquish all the audience goodwill it accrued so far. Maybe it’s wrong of me to reduce the entirety of “Karens Gone Wild” to its ending, but that’s surely what it’ll be remembered for, a moment of such unprecedented Drag Race gaggery that we must go to the All Stars seasons to find another example of someone with so many challenge wins going home before the finale. I’m still trying to process the results, whether they’re fair, so this RuCap will be an opportunity to sort out my feelings. How about you, dear Nick? Are you glad for a surprise? Or are you livid? Somewhere in between?

NICK TAYLOR: It’s a gag, though mostly it just bums me out...

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Indie Spirit Revue: "Janet Planet"

by Nick Taylor

I was pleasantly surprised by Janet Planet after hearing months of ecstatic reviews following its festival premiere before it got wide distribution. So often, when we get films from lauded theatre directors or playwrights, there's usually a built-in leeway for those artists not playing with cinema as fully or successfully as they might. But Annie Baker has no such timidity, and the assurance behind Janet Planet's audiovisual richness would be extraordinary for any director. The fact that she translates her idiosyncrasies with dialogue and character is an added bonus - how often do we get so lucky?...

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Awards Season Catchup: "Blonde" on Netflix

By Abe Friedtanzer

It’s hard to wait to watch a film months after its release and not be at least somewhat affected by what the public thinks about it. To say that the Marilyn Monroe biopic Blonde has not received favorable mentions is an understatement. Still everyone has opinions so it seemed possible that there might be something worthwhile about it, like Ana de Armas’ Golden Globe-nominated performance or the Oscar-shortlisted makeup and hairstyling. Seeing the NC-17 rating and the daunting 2-hour-and-47-minute runtime at the start of the film sets up certain expectations, and, somehow, this film still manages to surprise, and not in a good way.

Blonde opens in black-and-white on a young Norma Jeane Mortensen (Lily Fisher) and her mother Gladys (Julianne Nicholson), who shows Norma a photo of a celebrity she claims is her father. Gladys quickly descends into a manic state, driving her young daughter straight towards a fire while everyone else is running the other way...

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Category Analysis: Was It Kathryn Hahn All Along in Limited Supporting Actress?

Team Experience takes a look at the episode submissions for Emmy categories. 

Who will win Outstanding Supporting Actress in a Limited or Anthology Series or Movie?

By: Christopher James

It was Agatha All Along! Or was it?

There are several high profile performances nominated this year in the Outstanding Supporting Actress In A Limited Or Anthology Series Or Movie category. Pairs of Hamilton and Mare of Easttown women fill up a majority of the lineup. Additionally, character actress extraordinaire Kathryn Hahn finally got a major chance to shine in Disney+’s hit WandaVision. Rounding it out is a surprise nominee - Moses Ingram - from last fall’s water cooler hit The Queen’s Gambit. It’ll be a real race for the win. Let’s take a look at the nominees...

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Emmy Watch: Supporting Actress in a Limited Series or Movie

By Nathaniel R

Whoopi Goldberg in "The Stand"

The Emmy nominations are just under two weeks away so soon we'll have actual shortlists to discuss rather than speculation. But let's wrap up the acting categories with a discussion of Outstanding Supporting Actress in a Limited Series Or Movie. This category isn't quite as heavy on honoring a single show as the parallel supporting actor category tends to be -- we'll generally get two nominees from one series here (though last year Mrs America took up half the list). According to Emmy ballots there are 116 women in the running which means there will be 6 nominees which has become the standard for this category.

MOVIES
Though this category includes stand-alone movies made for television, and stage shows that were filmed,  there's generally little room in the nominee circle for performances that weren't in limited series. It's been three years since a live event muscled in here (Sara Bareilles in Jesus Christ Superstar: Live in Concert) and four years since an actress from a standalone telefilm was nominated (Michelle Pfeiffer in Wizard of Lies)...

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