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Entries in FYC (141)

Monday
Jul032017

C O N S I D E R - Actresses of 2017, 2nd Qtr

With the year's second quarter over, here's a listicle of noteworthy performances we'll eventually compare to what's to come. These are my personal favorites from screenings and releases from April 1st through June 30th (if the film hasn't opened in theaters yet, it's marked with an asterisk). Herewith the 17 best from the year's second quarter, divvied up into three categories. (If you'd like to group them with the women from the first quarter, that list is here). Did these actresses speak to you with their turns?

Disclaimer: Key actress-focused films I missed that I'll have to catch up with later were Beatriz at Dinner, Manifesto, A Quiet Passion and Rough Night. If you've seen them give their MVPs a shout-out.

6 LEADING ACTRESSES

 

Gal Gadot as "Diana" in Wonder Woman

Nicole Kidman as "Miss Martha" in The Beguiled...

Click to read more ...

Saturday
Jul012017

C O N S I D E R - Favorites of 2017, 2nd Qtr

THE YEAR'S FIRST HALF IS OVER! But rather than wait for this "halfway mark" for year in review listicles we started at the end of the 1st quarter so you'll have to combine those lists (movies / actresses / actors) with the highlights from your host's April through June screenings for a complete "halfway mark" take. Got it? Unlike many critics orgs and the Oscars, The Film Experience believes that moviegoing is a 12 month long activity and each month can hold worthy efforts.  Here are 4 or 5 highlights of what we've seen the past three months per Oscar category in alpha order. How will they measure up to what's still to come?

Key movies I regret missing this quarter: Beatriz at Dinner, HeroGifted, Manifesto, and Their Finest

PICTURE and/or DIRECTOR and/or SCREENPLAY
(i couldn't decide which to cut so this first grouped selection is 6 wide)


BABY DRIVER (Edgar Wright)
THE BIG SICK (Michael Showalter)
THE LOVERS (Azazel Jacobs)
LOST CITY OF Z (James Gray)
THE WEDDING PLAN (Rama Burshtein)
WONDER WOMAN (Patty Jenkins)

Lots more after the jump...

Click to read more ...

Sunday
Jun252017

Team Experience's Dream Emmy Ballot!

Emmy voting closes tomorrow evening, dear readers! Since Nathaniel and the team here at The Film Experience have been writing up our favorite FYCs of the past television year, we have decided to also do some fantasy Emmy voting of our own. Our own Emmy dream ballot has favorites you've read about here before, like nomination leaders Big Little Lies (7 nominations), Feud (6), The Leftovers and the conclusion of Looking (5).

That's a whole lot of love for HBO here at TFE, with Veep also being our most nominated comedy at 4 nods. Might HBO earn similar success with Emmy itself, even though mainstay Game of Thrones won't be eligible? Will this allow for The Leftovers to finally get some love?

Take a look at the results after the jump...

Click to read more ...

Thursday
Jun222017

FYC: "The Good Place" for Best Comedy

Team Experience are sharing their Emmy hopeful favorites. Here's Sean Donovan...

The Good Place was one of the quietest critical successes of the 2016/2017 television calendar, amassing a small but loyal band of followers. They attended to every minuscule detail of the show’s terrifically nuanced mythology. Yet, of all the Emmy FYCs The Film Experience has been doling out these past two weeks, this feels like one of the farthest reaches. The Good Place is perfectly in the lane of a future cult classic. But that's the problem. To become a true cult classic, your greatness must somehow allude the powers that be at the time. 

For the uninitiated, The Good Place follows Eleanor Shellstrop (Kristen Bell) who, following her sudden death in the pilot, finds herself in the afterlife, specifically the carefully non-denominational “Good Place,” presided over by cheerful architect Michael (Ted Danson)...

Click to read more ...

Wednesday
Jun212017

Soundtracking: "Big Little Lies"

It's Chris Feil's weekly series on music in the movies, this time on one of this year's television favorites...

Did you know that Emmy added a music supervision category this year? While this may seem a bit nebulous (Emmy sure does have a heck of a lot of categories!), at least we might get some great soundtracks and song choices recognized. Consider my soundtrack column this week an FYC (among others we've written) for what must be the inaugural front-runner Big Little Lies. Emmy: did you ever want it? Did you want it bad?

The musical landscape of Monterey is packed with soul tunes both new and old, weighted with a kind of timeless, cross-generational longing that ties together the various women of its ensemble. They way these songs ache deepen our understanding of each woman’s unique pain: the angry defiance of Jane running to “Bloody Mother Fucking Asshole”, Madeline’s romantic respite in “River”, and a lyrically literal reflection of Celeste’s sexual confusion with “Victim of Love”. For the audience, music helps us draw the connections between their shared pain, what ultimately unites them all. Big Little Lies’s musical identity is as distinct as the series itself.

Click to read more ...

Tuesday
Jun202017

Emmy FYC: Samira Wiley in "Orange is the New Black" 

Team Experience is sharing Dream Emmy nominations this week. Here's Deborah Lipp

Reading the list of eligible Emmy performances is an eye-opening survey of how much good and great TV I’ve seen this year—and how much I’ve missed. How can anyone single out an individual, or a few individuals, from this sea of excellence? There is no doubt that Orange is the New Black is a great show, and my favorite show, but even narrowing the list to performances from that one show is daunting.

But then there is Samira Wiley...

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