TIFF 51: Andrew Scott delivers an Oscar-worthy performance in “Elsinore”

by Eurocheese

Heading into my screening of Elsinore on the last day of the festival, I had heard a number of mixed things on the ground. Some said the film pulls too readily at heartstrings without much plot. I’d heard rumblings that it was likely to win an audience prize, and it ended up taking the International People’s Choice Award before I saw it (yes, it’s eligible since it’s a UK production and La Bola Negra became automatically disqualified for the honor when it won TIFF’s general People’s Choice Award). There were those who thought Olivia Colman didn’t have enough to do, and I heard folks say it flat-out didn’t work. Since this was one of my most anticipated titles heading into the festival, I was beyond curious about how I would ultimately feel…

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Split Decision: “Blue Moon”

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, CLÁUDIO ALVES and NICK TAYLOR discuss Blue Moon...

CLÁUDIO: Since I'm the one organizing the Split Decision convos, I end up trying to assign everyone at least one film they love, or like, so they have something to defend against the naysayers. Sadly, that usually means I get to fill in the grumpy contrarian roles in most of the volleys I do. Not so this year, since I made sure to assign myself Blue Moon. I caught it at TIFF right after Nouvelle Vague, ready to be disappointed as I was by Linklater's French misadventure. And yet, what I got was one of the director's best films in a while, a text besotted with the musicality of florid verbiage and performances to match. It was love at first sight. I gather your experience was very different. Please share with the class, dear Nick. 

NICK: It was not! I really wish Linklater had given Blue Moon the same stylistic care he applied to Nouvelle Vague…

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Oscar Volley: Is there space for supporting actors in the Best Supporting Actor race?

The Oscar Volleys are back! Tonight, it's time for Eric Blume and Cláudio Alves to discuss Best Supporting Actor...

Stellan Skarsgård in SENTIMENTAL VALUE | © Neon

ERIC: Hi, Cláudio. I'm very excited to tackle this year's Best Supporting Actor race with you! This is often the most boring acting category, but am I naive to think this year might be different? There are a lot of really fantastic performances that are not only nomination-worthy but win-worthy in my opinion. Are we to be disappointed that once the precursors start naming nominees, things will narrow too small too quickly? 

For the moment, it's an open book. I would love to discuss with you the two performances that do seem like locks even at this early stage: Sean Penn for One Battle After Another and Stellan Skarsgård for Sentimental Value…

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Oscar Predix: Which actors will have big years?

by Nathaniel R

Jonathan Bailey in WICKED FOR GOOD

This post's titular prompt question is not quite the same as "Who will be Oscar nominated this coming winter?" but having a big year in your career never hurts in gaining awards traction... or at least momentum for a future year. Will Jonathan Bailey's suddenly A-list career (with two potential giant blockbusters in a span of five months) convince Oscar voters that his SAG nomination last year should be mirrored with an Oscar nod for Best Supporting Actor? Will Sinners cultural dominance this spring help Michael B Jordan and Delroy Lindo land their first overdue Oscar nods early next year or will the zeitgiest move on?

These are just a couple of the questions I've been asking myself about the upcoming Oscar races for Best Actor and Best Supporting Actor but there's more after the jump...

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Berlinale 75: "Blue Moon" isn't your traditional biopic

by Elisa Giudici

Watching Blue Moon, I couldn’t help but think of Inside Llewyn Davis, one of the Coen brothers’ most accomplished yet underappreciated films. That movie introduced Oscar Isaac in what remains his most astonishing performance, portraying a talented but ill-fated musician who arrived just a bit too soon to achieve success. A similar fate awaited Blue Moon’s protagonist, though his story unfolds decades earlier, in 1943 New York, amid the turmoil of World War II...

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