Oscar Volley: "Anora" takes the lead in Best Original Screenplay

The Oscar Volleys are back for some post-nomination talks. Today, Abe Friedtanzer and Eurocheese discuss Best Original Screenplay...

ANORA | © NEON Rated

ABE: Eurocheese, always a pleasure to get to talk to you about movies! I think we got a great category this time - Best Original Screenplay - which is actually quite a competitive race! The WGA rules meant that only two of the Oscar nominees are recognized by that guild too, which did make room for one of my favorite movies of the year, My Old Ass. But at the Oscars we have a race that's legitimately a three-way competition. I think we can safely rule out September 5, a film which I think is excellent but which didn't get any other nominations, including Best Film Editing, so I can't see a scenario where it has a path to victory here.

Similarly, A Real Pain, initially conceived as a potential frontrunner, missed the Best Picture list and only scored one additional nomination (which it can probably win) for Kieran Culkin. It's hard to see it having enough support here. That brings us to the other three nominees. I would have said Anora was the clear number one pick here, but precursors aren't looking that way.

Where do you think the race stands?...

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Oscar Volleys: Best International Film aka “Emilia Pérez” vs. the World

The Oscar Volleys are back for some post-nomination talks. Today, Eric Blume and Nathaniel Rogers discuss Best International Film...

EMILIA PÉREZ | © Netflix

ERIC:  Nathaniel, what fun to have you all to myself to discuss the nominees for Best International Film (which I sometimes still call Best Foreign Film, because that's been in my brain too long).  I think we have five pretty terrific nominees this year.  Before we get into their Oscar-ability, what is your personal take across the five films?  I wouldn't be mad at a ranking!

NATHANIEL:  I share the same nomenclature waffling but we both were Oscar watching since the 1980s so who can blame us?...

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Oscar Volleys: Best Supporting Actor is a Done Deal

The Oscar Volleys are back for some post-nomination talks. Today, Eric Blume and Nick Taylor discuss Best Supporting Actor...

A REAL PAIN | © Searchlight Pictures

ERIC: Nick, I'm lucky enough to be paired with you for two different Oscar volleys this year. Let's start with the easier, our dive into the five Best Supporting Actor nominees. Nathaniel has already written about the incredible strength of this year's nominees, and I agree with him that it's one of our best ever. These gents were all a part of my personal top ten in this category, and there's not a dud in the bunch, in my opinion.  What are your thoughts on the group?

NICK: I’m less enthusiastic about this year’s contenders than you and Nathaniel are. No one’s doing bad work, but I wouldn’t have any of them in my lineup...

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Oscar Volleys: Best Supporting Actress is a Disappointment

The Oscar Volleys are back for some post-nomination talks. Tonight, Nathaniel Rogers and Cláudio Alves discuss Best Supporting Actress...

A COMPLETE UNKNOWN | © Searchlight Pictures

NATHANIEL: Cláudio it falls on us to discuss Supporting Actress. I thought it only fitting that we approach this as a callback to Supporting Actress Smackdowns of the past, and start the hype by discussing their character's introductions. But I could only remember two of them so there goes that idea. I'm beginning this way so as to not bury the lede: I REALLY don't like the category this year. I would not have been tempted to nominate a single one of these performances even though I like three of them just fine. The fact that I've already forgotten how they're introduced in the context of their films reinforces the mediocrity of the chosen five. To dispel this immediate negativity (sorry sorry) let's just say that I felt like one of the extras in A Complete Unknown in the sequence where we meet Joan Baez.  Had I been in that cafe I, too, would have fallen silent utterly bewitched by stage presence and voice. The film doesn't make much room for Baez/Barbaro thereafter but what a voice! 

Did you love any of their introduction scenes? Or, alternately if you also feel the category is weak, were you excited by any of their introductions in terms of anticipation as to what that character and that actress might bring to the rest of the film?

CLÁUDIO: Oh, how I wish I could come in as a contrarian and sing the praises of this lineup. Sadly, that would be dishonest and we're all about truth-tellin’…

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Oscar Volleys: “Wicked” is the one to beat in Best Costume Design

The Oscar Volleys are back for some post-nomination talks. Tonight, Cláudio Alves and Nick Taylor discuss Best Costume Design...

WICKED | © Universal Pictures

CLÁUDIO: Let me repeat an exercise of Oscar volleys past and dream up an outfit that combines the year's Best Costume Design nominees - Melissa McCarthy and Brian Tyree Henry style. You can picture me in ecclesiastical garb like the blasphemous queen I am, adorned with Denzel Washington's bling from Gladiator II. Over my shoulders, there's Count Orlok's furry robe - after a thorough dry cleaning - and Bob Dylan's stylish 60s shades hide my eyes from mere mortals. And then, I'll pull up those Catholic skirts and reveal the Fiyero boots because Jonathan Bailey can't have all the fun. He's free to try to come and get them back. Please do, Johnny!

What about you, dear Nick? What's your outfit like?

NICK: That’s a ravishing question. We start with Elphaba’s iconic black hat. Sewn into Tazewell’s architectural embellishments would be various prizes from my victories in the gladiator ring like arrowheads and human bones, or maybe the gold-leaf crown would be the rim of the hat. We gotta wear one of Joan Baez’s floral-patterned dresses - the deep blue number might be fun, and I bet she was wearing some really comfy shoes. For Conclave, keep it simple and classy with Sister Agnes’ cross, maybe have some robes in the back in case it’s cold.  I’m struggling what to do for Nosferatu, because I also want Orlok’s coat, and because so many of Ellen’s outfits don’t really make sense on top of what I’ve already selected. Maybe I’ll weave her sad lilies into my hair? The vibe is very “Pagan Sarah Carpenter”, but I’m for it…

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