Oscar Volley: Best Supporting Actor

It's the final pre-nomination Oscar volley. Here's Eric and Chris to discuss Best Supporting Actor

A win for Ryan Gosling in "Barbie" would age so well. But Oscar rarely goes comedic.

CHRIS:  Hey Eric! It's Barbenheimer 2.0 in the Best Supporting Actor race. In my mind, the two most secured nominees in the bunch are from the pair of box office summer behemoths - Robert Downey Jr. in Oppenheimer and Ryan Gosling in Barbie. It'll be interesting race to see if Gosling can overtake Downey Jr. to win for a comedic performance, but that's a post-nomination conversation. It's not just that both of these men starred in the hottest movies of the year, they gave indelible performances that are cemented in the conversation this year (well, I would say Gosling did, but I'll hold space for the Downey lovers). 

May December was gaining momentum and critical acclaim at just the right time to be a major awards player (at least around the time the Globe nods were announced), which made me ecstatic...

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Oscar Volley: Best Director could be 2012 all over again

Team Experience is discussing each Oscar category before the nominations come out. Here's Eric Blume and Glenn Dunks to talk Best Director...

ERIC:  Hi Glenn, excited to dive into this year's crop of Best Directors with you.  To me, the big question is whether all three of the "big gun pictures" will carry their directors to nominations.  That's Martin Scorsese for Killers of the Flower Moon; Christopher Nolan for Oppenheimer; and Greta Gerwig for Barbie.  I personally can't get too excited about Nolan or Scorsese, even though they both do expert work but nothing that rattled my cage.  I think one of Gerwig's biggest achievements directing that film...and this is no easy feat...was dealing with what must have been BINDERS of notes from Mattell and Warner Bros and still delivering the film she set out to make...

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Oscar Volley: Will there be any surprises in Best Cinematography?

Team Experience is discussing each Oscar category before the nominations are announced. Here's Eric Blume and Lynn Lee to talk Best Cinematography...

ERIC:  We have the pleasure of discussing the insanely talented cinematography candidates this year.  It seems like this year's two big awards players, Oppenheimer and Killers of the Flower Moon, will certainly make the slate here...so, can I say, why I am not particularly excited about the work of either Hoyte van Hoytema and Rodrigo Prieto for these two films?  Don't get me wrong, both are beautifully lensed films and these men are brilliantly talented, but their work seemed more standard than inspired. 

Neither world, neither Oppenheimer's labs and offices nor Moon's flat plains, are the most visually exciting terrains, and while both men work with their respective directors to build a few lovely frames, I was definitely more knocked out by the imagery in some other films this year...

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Oscar Volley - Best Actor

For today's Oscar volley, Lynn Lee and Glenn Dunks discuss the Best Actor race.

LYNN: Glenn, it’s been a while since I’ve felt this strongly about the Best Actor race, so I’ll just lay my cards on the table: I really, really want both Paul Giamatti (The Holdovers) and Jeffrey Wright (American Fiction) to be nominated, would love Andrew Scott (All of Us Strangers) to join them --though I think he’s a long shot-- and really DON’T want Leonardo DiCaprio to get in for Killers of the Flower Moon.

It’s extra personal for me because I saw American Fiction, All of Us Strangers, and The Holdovers back to back at the Middleburg Film Festival earlier this year and loved all of them. More to the point, while all three films have their flaws, each one worked like gangbusters largely because of the fantastic acting --especially the outstanding male lead performance...

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Oscar Volley: Is There Room for Surprise in Best Original Screenplay?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Eric Blume and Nick Taylor to talk Best Original Screenplay...

Portrait of Nick and Eric discussing the Best Original Screenplay race

ERIC:  Hi Nick, we have some great options in the Original Screenplay category this year.  It feels like there's two guarantees for a nomination:  Greta Gerwig's Barbie (unless it changes categories and is nominated for Adapted instead) and David Hemingson's The Holdovers.  I like both of those pictures enormously, and both films succeed largely on the words and structure of their screenplays.  The Holdovers is essentially out of a Screenwriting 101 class, in the best way possible, in that it has all the classic elements (inciting incident, minute 30 turn, minute 60 turn, etc.) that scripts are built upon, but Hemingson executes everything very artfully so it feels satisfying rather than him hitting points...

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