The Philippines delay Oscar submission! What gives?

By Juan Carlos Ojano

FILIPIÑANA has the potential to break the Philippines’ Oscar-less streak… if it gets submitted.

The Film Academy of the Philippines was set to announce the country's official submission for Best International Feature Film at the 99th Academy Awards last September 4. However, a statement was issued instead, postponing the whole thing to give way for further deliberations.

This comes after the Filipino theatrical release as well as the US theatrical release of the supposed frontrunner, Rafael Manuel's dark comedy Filipiñana, which depicts a day at a luxury resort where the difference between classes is starkly illustrated. Think of it as an arthouse White Lotus, if Mike White gave creative authority to some formalist-minded director or an anti-colonial auteur like Lav Diaz. Executive produced by Jia Zhangke and distributed by Kino Lorber (North America) and BFI Distribution (UK and Ireland), the film is enjoying a healthy run in international circles, while maintaining well-attended screenings in limited release in its home country.

And yet, there's trouble afoot with the matter of its selection as the nation's Best International Oscar submission...

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First 11 Submissions for Best International Feature Film

by Nathaniel R

It's nearly September which means we're about to be flooded with the official submissions for Best International Feature Film for the upcoming Academy Awards. Within the new system, which allows prize winners at a handful of major film festivals automatic entry into the competition, we know that the Turkish language film Yellow Letters from German director Ilker Catak, Norway's Fjord from Romanian auteur Cristian Mungiu, and the Albanian film Shame and Money from Visar Morina can compete without being selected by their country/countries of origin. It'll be interesting to see if those countries select different films to double up their chances or double-down on the acclaim that's already there.

But here are the 11 films to date that have  been named as their home country's official submission...

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Are the new Best International Film rules a good idea?

As the summer stands between us and the awards season to come, Cláudio Alves and Juan Carlos Ojano discuss some of this year’s new Oscar rules, focusing on their beloved Best International Film race.

Visar Morina's SHAME AND MONEY became the first film eligible for the Best International Feature Oscar this season, when it won the World Dramatic Competition at the Sundance Film Festival.

CLÁUDIO: Much was said about the Oscar rule changes when they were first announced at the beginning of May, with various opinions going around. While the possibility of actors double-dipping in the same category for the first time since the 1930s is enticing, the transformations to the Best International Film race are perhaps more important and worthy of discussion. And who better to discuss it with than Juan Carlos Ojano, the only person I know who has seen every single nominee in the category's history and discussed them through The One-Inch Barrier podcast? But first, let's assess the rules themselves…

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Best International Film: And Then There Were Two...

The Oscar Volleys continue. Today, ERIC BLUME and NATHANIEL R discuss the Oscar race for Best International Feature Film. 

NO OTHER CHOICE, Park Chan-wook | © NEON

ERIC:  Hi Nathaniel, I feel lucky getting you all to myself to discuss Best International Film.  I do think the slate is ultimately very strong overall, but before we get to our five nominees and an assessment on the race, can we take one last brief moment to mourn the EXCLUSION of a film in both of our Top 10 lists, Park Chan-Wook's No Other Choice?  It's no easy feat to make a film that's both political and funny, and he really nailed his tiny little bullseye.

NATHANIEL:  Maybe it's a tiny bullseye but I bet if you zoom way in that bullseye is as intricate as the lines in a diamonds or as multi-colored and weirdly patterned as an iris. Which is to say that not only was it my favourite of the submissions but it's quite literally my #1 film of the year. (Why leave everyone in suspense since it takes me so long to post my awards). I really am just obsessed with it and Lee Byung Hun absolutely deserved a spot in the Best Actor lineup too. The Korean superstar is so confident in his gifts that he's able to be goofy and pathetic and sad without ever losing his Movie Star-ness. It's really a miracle performance if you ask me because he does all that while feeling utterly spontaneous in each scene. Anyway I could talk about this movie for days...

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"Kokuho" dominates the 49th Japan Academy Prize nominations

by Nathaniel R

KOKUHO is nominated across the board with Japan's Academy

While many other countries film awards operate on different time tables Japan and France, like the US, are calendar year with nominations in January and awards ceremonies in February or March. The French César nominations are a week away but Japan announced yesterday. They requiretwo continuous weeks in theaters for eligibility (the Oscars are less theatrical-focused *sigh* with only one week required). While Japan is inarguably the most successful Asian country at the Oscars, outside of anime (which Oscar ignores), Korean and Chinese cinema are more popular with US moviegoers with regular crossover hits. We've always wondered why there's that disconnect between the Oscars and arthouse moviegoers. But that's a larger and more complex topic. For now, let's look at the nominees for the 49th edition of Japan's Academy prizes. Japan's eye candy spectacle and Oscar finalist Kokuho received 17 (*gulp*) nominations with eight (*gulp x 2*) nominations happening within the 5 acting categories alone. We don't know if that's a record but it sounds like one. Kokuho has been so popular in release in Japan that it is already the highest grossing live-action Japanese film of all time there.

Nominees, commentary, and some history after the jump...

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