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Entries in Canadian cinema (3)

Thursday
Jul162026

VOD Catch-Up: Avalon Fast's "CAMP" is a Spooky, Entrancing Campfire Tale

by Joanna Sodeman-Taylor

If you’re anything like me, you walk away from the Oscars each year under an absolute fugue state against all new films. If it was made in the last decade, then no thank you! When it comes to 2026 features, I’ll be spending the summer doing what I do best: catching up on new releases I missed in theaters as soon as they hit VOD. So let’s start with a relatively deep cut, recommended by my good friend and one-time TFE contributor Patrick Gratton and available for rental in the US as of this past weekend.

CAMP is the second narrative feature from Avalon Fast, a Canadian writer/director/producer/editor/actress with a prolific repertoire of short films and a well-received debut in the form of 2022’s Honeycomb. Fast’s acting credits include roles in Alice Mao Mackay’s The Serpent’s Skin, Louise Weard’s Castration Movie Pt. i, and Jane Schoenbrun’s upcoming Teenage Sex and Death at Camp Miasma, and her ambitions fit comfortably within this cadre of palpably queer, genre-bending directors. I’m automatically fascinated by any artist who describes their oeuvre as GIRL HORROR like Fast does, and CAMP’s uncanny, blossoming synthesis of aching grief and encroaching danger fits that description as easily as it defies it...

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Friday
Jan172025

Best International Film: Canada's "Universal Language"

by Cláudio Alves

In the last hours of voting for the Oscar nominations, let's celebrate one of the best films up for Academy consideration. It's none other than the Canadian submission for Best International Film, Matthew Rankin's sophomore feature – Universal Language. If watching the director's debut, The Twentieth Century, felt like witnessing the second coming of fellow Winnipegger Guy Maddin, seeing the wonder of his latest work is akin to re-encountering Jacques Tati in the 21st century. Or perchance a Manitoban Abbas Kiarostami. Rather than evading such comparisons, Rankin runs straight at them, making his latest project into a dialogue between filmic languages and other idioms along the way, reaching for the fantastical, so specific as to be universal…

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Tuesday
Oct292024

Halloween Treats: "Red Rooms" is the year's best scare

by Nick Taylor

As you may remember from last week, I made a threat and promise to talk about contemporary horror this October. We’ve arrived. Hands down the best horror film I’ve seen from this year is the Canadian thriller Red Rooms, a 2023 release by Pascal Plante that’s just completed a months-long journey across festivals and art house cinemas before arriving in your hard drives through a menacing mp4 file. It’s a nasty, skin-crawling film, diving into the world of true crime prurience and online torture porn through the vantage of one of the year’s most intimidating performances. Wanna know more? Follow me under the cut...

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