Cannes: Paweł Pawlikowski is Palmę-ready with "Fatherland"

by Elisa Giudici

Pawel Pawlikowski has always been a filmmaker of absence. Empty space, withheld emotion, silence so heavy it seems architectural: his cinema has long depended less on what characters say than on what lingers unresolved between them. Fatherland may be the purest expression of that sensibility, a film reduced to such an essential form that it almost appears to vanish while unfolding, only to return afterward with quiet, devastating force.

At first, it can seem unexpectedly modest by the standards of, say, Cold War. Fatherland is less sweeping, less immediately transporting. But the images begin resurfacing hours later. A corridor swallowed by shadow, a pause stretched slightly too long. A father and daughter speaking with perfect intelligence while emotionally disintegrating in front of one another. Pawlikowski has refined his cinema here into something severe and distilled, and the result is extraordinary...

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Best International Film: And Then There Were Two...

The Oscar Volleys continue. Today, ERIC BLUME and NATHANIEL R discuss the Oscar race for Best International Feature Film. 

NO OTHER CHOICE, Park Chan-wook | © NEON

ERIC:  Hi Nathaniel, I feel lucky getting you all to myself to discuss Best International Film.  I do think the slate is ultimately very strong overall, but before we get to our five nominees and an assessment on the race, can we take one last brief moment to mourn the EXCLUSION of a film in both of our Top 10 lists, Park Chan-Wook's No Other Choice?  It's no easy feat to make a film that's both political and funny, and he really nailed his tiny little bullseye.

NATHANIEL:  Maybe it's a tiny bullseye but I bet if you zoom way in that bullseye is as intricate as the lines in a diamonds or as multi-colored and weirdly patterned as an iris. Which is to say that not only was it my favourite of the submissions but it's quite literally my #1 film of the year. (Why leave everyone in suspense since it takes me so long to post my awards). I really am just obsessed with it and Lee Byung Hun absolutely deserved a spot in the Best Actor lineup too. The Korean superstar is so confident in his gifts that he's able to be goofy and pathetic and sad without ever losing his Movie Star-ness. It's really a miracle performance if you ask me because he does all that while feeling utterly spontaneous in each scene. Anyway I could talk about this movie for days...

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10 Takeaways From The Oscar Nominations

by Nathaniel R

If you predicted AVATAR FIRE AND ASH in costumes. Please take the week off in celebration and invest immediately in gambling because you are psychic.

Dear readers, as I recreate the Oscar charts to reflect nominations and add "Reader Choice" polling, consider these 10 off-the-cuff takeaways about this morning's Oscar nominations -- you can see the full list (as well as my prediction score) here. In the meantime I hope you enjoy these takeaways and answer three questions that come to mind...

10 TAKEAWAYS + 4 COMMENT PARTY QUESTIONS

Oscar Voters  Can Still Surprise Us! 
I really didn't expect to type this. "Surprises" generally being an overstatement when it comes to Oscar results. Even if something happens that isn't widely expected it's usually at least been talked up as a  "spoiler" possibility for months. In comes the Costume Design branch to keep us on our toes. Who on Gods Green Earth or Pandora's Blue Oceans saw a Best Costume Design nomination coming for the CGI loincloths and tribal accessories of Avatar Fire and Ash !?

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"Kokuho" dominates the 49th Japan Academy Prize nominations

by Nathaniel R

KOKUHO is nominated across the board with Japan's Academy

While many other countries film awards operate on different time tables Japan and France, like the US, are calendar year with nominations in January and awards ceremonies in February or March. The French César nominations are a week away but Japan announced yesterday. They requiretwo continuous weeks in theaters for eligibility (the Oscars are less theatrical-focused *sigh* with only one week required). While Japan is inarguably the most successful Asian country at the Oscars, outside of anime (which Oscar ignores), Korean and Chinese cinema are more popular with US moviegoers with regular crossover hits. We've always wondered why there's that disconnect between the Oscars and arthouse moviegoers. But that's a larger and more complex topic. For now, let's look at the nominees for the 49th edition of Japan's Academy prizes. Japan's eye candy spectacle and Oscar finalist Kokuho received 17 (*gulp*) nominations with eight (*gulp x 2*) nominations happening within the 5 acting categories alone. We don't know if that's a record but it sounds like one. Kokuho has been so popular in release in Japan that it is already the highest grossing live-action Japanese film of all time there.

Nominees, commentary, and some history after the jump...

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Pt 3. International Feature Race: A Dozen Movie Stars!

by Nathaniel R

Internationally famous South Korean superstar Lee Byung-hun in "No Other Choice"

As a final part of our general trivia overview (pt 1 stats & genres / pt 2 directors) of the Best International Feature Film race -- before things narrow down -- we thought we'd look at famous actors gracing the international Oscar race this year. Here are a dozen of the most familiar faces that Academy voters (and you) will recognize from their own history of awardage not to mention previous classics and contenders from this very category. If their new film is nominated, you might see them in their full tux/gown glory on Oscar night.

We'll take these dozen megawatt talents alphabetically...

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