Berlinale #4: Reinate Rensve conquers Berlin

by Elisa Giudici

A DIFFERENT MAN © Faces Off LLC

Watching her in Norway's international hit The Worst Person in the World (2021), it was clear that Renate Reinsve was destined for great things. Three years later, we find her at the Berlinale starring in two international films and shining brightly in both. Is it finally becoming easier for non-native English-speaking actors to break through internationally? It certainly seems so!

A DIFFERENT MAN by Aaron Schimberg
The title is cleverly crafted and the film has the potential to go far internationally. Writer/director Aaron Schimberg tackles a Lynchian theme (a man's facial deformity reflecting his inner self), and adds a touch of Kafka in a contemporary key. Despite the influences and references, he makes it entirely his own...

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Best Lead Actor - First Round Predictions

by Nathaniel R

Cillian Murphy (Oppenheimer) and Colman Domingo (Rustin) are both working the classic 'biopic' angle

As with the first round of Best Supporting Actor predictions, we're opting to pretend that the strike will be resolved in time for most of the movies that are scheduled for awards season to continue with their current plans. We use the word "pretend" because it feels increasingly likely that this awards season will be an unprecented combo of fewer than usual releases and zero celebrity campaigning. We hope the studio powers-that-be will wake from their incessant greed and learn to share the wealth with the people without whom they can't make money (actors/writers) but we're not going to hold out breath lest we asphyxiate.

On to Best Actor. This category is often heavy on biographical 'great men' roles and there's little reason to expect this year will be any different. Cillian Murphy, Colman Domingo, Bradley Cooper, Joaquin Phoenix, and Adam Driver will all potentially benefit from that tried and true awards-appeal genre...

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Streaming Roulette (Oct 11th-16th): Tuneful agents, teenage ladies, and werewolves (by night)

by Nathaniel R

In the Streaming Roulette series we spotlight a few new-ish watches and freeze them randomly on the scroll bar. Whatever scene that comes up is the image we use.  Usually we mix it up in terms of services but this week Amazon Prime is hogging our conversation. Your streaming assignments for the week, should you choose to accept them... 

- Does he look like the Archangel Michael?
- No. No dead saint could be as beautiful as he.

CATHERINE CALLED BIRDY (2022) on Amazon Prime

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Venice at Home – Day 2: Dazzling Debuts

by Cláudio Alves

The 79th Venice Film Festival's second day was a busy one with two premieres by directors who've managed to seduce critics and the Academy alike. First, Alejandro González Iñárritu came to the Lido with his most ambitious project yet, the epic Bardo, False Chronicle of a Handful of Truths, whose production history is embroiled in many controversies. Then, there was also Todd Field's long-awaited return to the big screen after a decade plus sabsence. TÁR is the director's third feature and feels poised to delight actressexuals in similar ways to his debut and sophomore efforts. So far, Cate Blanchett has received nothing but glowing reviews and might become the third Field leading lady to nab an Oscar nomination.

Let's remember both directors' debuts to celebrate these buzzy premieres. Frankly, as much as I may admire some of their following efforts, Amores Perros and In the Bedroom remain my favorite titles from their filmographies…

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Bad Education / Great Movie

by Nathaniel R

Gael García Bernal as "Juan & Ignacio & Angel & Zahara" simultaneously.

Heads up that I had the beautiful opportunity to talk Pedro Almodóvar as the guest on this week's Water Cooler podcast over at Awards Daily. It was a true pleasure to revisit his twisty provocative melodrama Bad Education (2004). Almodóvar movies nearly always improve on revisits (and they're great the first time so that's quite a feat). My theory is that it's because they're often so novelistic and twisty with plot and layered with meaning. That's true of this trans noir in particular as it's a movie (period drama - but are they flashbacks or the fictional movie?) within a movie (scripted/filming) within a movie. Multiple actors play the same roles... only not exactly. The head spins. The pulse races (Gael García Bernal looks ...um... good... in wet underwear) Longtime readers may recall that Bernal was nominated at TFE for Best Actor that year. He's playing multiple characters in a way that's both intentionally performative and cleverly obfuscated. It's a pretty remarkable star turn and it's tragic that Pedro and Gael never worked together again! Give it a listen.