Berlinale #7: France is the big winner at Berlin

By Elisa Giudici

Mati Diop and Lupita Nyong'o at the awards ceremony © Ali Ghandtschi / Berlinale 2024

There was a clear standout at the 74th annual Berlinale: French cinema. Given the competition lineup, France secured all three podium positions one way or another. Let's start with the Golden Bear, naturally. The jury, led by Oscar-winning actress Lupita Nyong'o, crowned a new documentary by French-Senegalese director Mati Diop (of Atlantics fame) as the winner. It's a double win for French cinema: not only is Diop a French citizen, but she's also a product of the Cannes Film Festival, a source of national pride.

Her winning documentary, Dahomey, is a low-budget project that might have struggled in the bright spotlight at Cannes... 

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Berlinale #4: Reinate Rensve conquers Berlin

by Elisa Giudici

A DIFFERENT MAN © Faces Off LLC

Watching her in Norway's international hit The Worst Person in the World (2021), it was clear that Renate Reinsve was destined for great things. Three years later, we find her at the Berlinale starring in two international films and shining brightly in both. Is it finally becoming easier for non-native English-speaking actors to break through internationally? It certainly seems so!

A DIFFERENT MAN by Aaron Schimberg
The title is cleverly crafted and the film has the potential to go far internationally. Writer/director Aaron Schimberg tackles a Lynchian theme (a man's facial deformity reflecting his inner self), and adds a touch of Kafka in a contemporary key. Despite the influences and references, he makes it entirely his own...

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Emmy Category Analysis: Lead Actor in a Limited or Anthology Series or Movie

By Abe Friedtanzer

Andrew Garfield in Under the Banner of Heaven

I had fully expected Ben Foster to be here on behalf of the TV movie part of this category for The Survivor, but he’s not, and this race is actually dominated by men from series that didn’t earn a spot in the top race. Only Michael Keaton and Sebastian Stan saw their shows score overall, and both Andrew Garfield and Oscar Isaac represent their series’ only bids. Those statistics make it seem like Keaton wins this in a walk, but these are seriously good performances that are worth considering alongside his. Here are the nominees… 

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Review: Sebastian Stan devours horror-romance 'Fresh'

by Matt St Clair

The new horror/romance hybrid Fresh chiefly functions as a viable kidnapping thriller that still  gets one thing right about our modern dating scene. It can be a literal terror show. It’s especially horrifying in our era of dating apps. The constant hoping for a companion as you keep sending messages saying “Hello” that get no response can make you wonder if people read the actual profile. It’s easy to judge a book by its cover and message someone based on how they look in their photo. But do people bother to read our bios for a better idea on what we might be like? 

As Noa (Daisy Edgar-Jones) finds out the hard way, meeting people in real life can be just as rough...

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Review: Sebastian Stan and Denise Gough shine in "Monday"

by Matt St Clair

The film may be called Monday but it’s all about the thrill of living for the weekend. It opens with a tracking shot of people, including our two American protagonists Mickey (Sebastian Stan) and Chloe (Denise Gough), getting their groove on in the dance floor as “I Feel Love” by Donna Summer starts playing. Everyone dancing to the rhythm with hardly a care in the world reflects the picture's tone as Mickey and Chloe engage in a blissful romance under the Greek Sun. Both act as if they’re stuck on that disco floor and hoping that dread day Monday never comes...

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