A Few Thoughts on the Golden Globes

by Nathaniel R

Screenshot from the Golden Globes 

Did you watch the Golden Globes Sunday night? The show was (mostly) bereft of the kind of shocks we got in the pre-reform era but in a year where crystal Oscar balls are still foggy with possibility -- seriously, which film is going to win Best Picture? -- there was still inherent drama in the opening of envelopes. At least on the film side; the TV prizes were a complete snooze fest, merely rubber-stamping September's Emmy wins! Spreading the wealth should not be such a difficult concept for awards voters but we live in an age of monopolies and oligarchs so maybe abundance it's just not a vibe for the entertainment industry these days. 

Emilia Perez (4 wins) and The Brutalist (3 wins) were all the rage with Globes voters. But did anyone else get a boost heading toward Oscar nominations?

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Golden Globe Predictions, Anyone?

by Nathaniel R

The Globes often zig when people say they'll zag and true shockers are peppered all throughout their history. But times have changed. Since the HFPA have been shamed and named and restructured in the past five or so years, the voting body is quite different. They're likely to play things much much safer then they once did in an attempt to be respectable and predict the Oscars. But that's the cynical view. Any rounding off of their edges won't really even be conscious. When voting bodies become large (and their voting body is much larger now) they tend to default to whatever the 'buzz' is and lose the kind of personality that you can get with smaller organizations. It's why some festival juries and regional critics groups (a few of them at least) still exhibit something in the way of personality. Anyway, let's have fun guessing the Globes which start at 8:00 pm tonight after the jump...

BEST MOTION PICTURE, DRAMA

• THE BRUTALIST, A24
• A COMPLETE UNKNOWN, Searchlight Pictures
• CONCLAVE, Focus Features
• DUNE: PART TWO, Warner Bros. Pictures
• NICKEL BOYS, Orion Pictures / Amazon MGM Studios
• SEPTEMBER 5 Paramount Pictures

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Happy New Year from the Team Experience!

by Cláudio Alves

As the year draws to a close, here’s a final thank you for reading The Film Experience and engaging in this cinema-loving community. Have a wonderful time tonight and let’s all hope for a good 2025, even if the odds may feel against us.

Also, remember, you are one. Don’t make the same mistake as Miss Sparkle in The Substance. Then again, we should all enter the New Year with a Monstro Elisasue type of smile – broad, bloody, mad and maddening, bursting in ecstasy beyond reason and full of star power. Cheers!

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Best Actress Volley: It's On!

Nick, Nathaniel, and Eric engage in a discussion about everybody's favorite Oscar category:  Best Actress. For the record this conversation started the day of the Globes nominations so watch things narrow down as we speak! 

 

Will a surprise SAG nomination rescue any underperformers?

ERIC:  Nick and Nathaniel, I'm really excited about this volley because the Best Actress category is as always stacked, this year featuring at least a dozen ladies who stand a fairly legitimate shot at a nomination at this point.  I thought it might be fun, before we get to the current leading contenders, to take a look at that back half of the possibilities to gauge your thoughts.  Of the actresses that seem slightly less likely to nab a nomination this year...Kate Winslet, Pamela Anderson, Amy Adams, Tilda Swinton, Saoirse Ronan...do you see the winds changing in the weeks to come where any of them could gather enough momentum to move to the front of the pack?

I'm considering Jolie, Madison, Gascon, Moore, Kidman, Erivo, Torres, and Jean-Baptiste more ahead at this point, but comment as you may.

NATHANIEL:  It does feel like quite a crowded, anything-could-happen* year. Take for example one from your column B: Saoirse Ronan and one from your column A: Angelina Jolie...

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Soundtracking: Ghost

by Chris Feil

A convergence of the romantic, the spooky, and the outright earnest happened in the early 90s with Ghost, most notably immortalized through song through the ripe feeling of The Righteous Brothers’ version of “Unchained Melody”. It was the kind of megasmash that only this era could have produced, and the kind of instantly classic movie moment that distills the era. But for the past thirty years, the sight of Demi Moore and Patrick Swayze in clay-mate-tion has been burned into our minds and our cultural loins in ways few musical scenes can equally measure.

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