Split Decision: “Blue Moon”

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, CLÁUDIO ALVES and NICK TAYLOR discuss Blue Moon...

CLÁUDIO: Since I'm the one organizing the Split Decision convos, I end up trying to assign everyone at least one film they love, or like, so they have something to defend against the naysayers. Sadly, that usually means I get to fill in the grumpy contrarian roles in most of the volleys I do. Not so this year, since I made sure to assign myself Blue Moon. I caught it at TIFF right after Nouvelle Vague, ready to be disappointed as I was by Linklater's French misadventure. And yet, what I got was one of the director's best films in a while, a text besotted with the musicality of florid verbiage and performances to match. It was love at first sight. I gather your experience was very different. Please share with the class, dear Nick. 

NICK: It was not! I really wish Linklater had given Blue Moon the same stylistic care he applied to Nouvelle Vague…

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Berlinale 75: "Blue Moon" isn't your traditional biopic

by Elisa Giudici

Watching Blue Moon, I couldn’t help but think of Inside Llewyn Davis, one of the Coen brothers’ most accomplished yet underappreciated films. That movie introduced Oscar Isaac in what remains his most astonishing performance, portraying a talented but ill-fated musician who arrived just a bit too soon to achieve success. A similar fate awaited Blue Moon’s protagonist, though his story unfolds decades earlier, in 1943 New York, amid the turmoil of World War II...

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Almost There: Margaret Qualley in "The Substance"

by Cláudio Alves

In an awards season full of co-leads pretending to be supporting players, nepo babies, and festival hits, it's a wonder Margaret Qualley didn't get a nomination for her work in The Substance. Coralie Fargeat's film is up for five Oscars, being the current frontrunner in Actress and Makeup, a major triumph for a picture such as this, where body horror elements are remixed and reimagined for a made-in-France Hollywood satire. It's gross, like few star vehicles in the Academy's history, so outré as to be off-putting and bold as all hell. In that regard, its closest Oscar relative is Black Swan, whose Mila Kunis, like Qualley, got major precursor and critical support but failed to secure the AMPAS' seal of approval…

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Happy New Year from the Team Experience!

by Cláudio Alves

As the year draws to a close, here’s a final thank you for reading The Film Experience and engaging in this cinema-loving community. Have a wonderful time tonight and let’s all hope for a good 2025, even if the odds may feel against us.

Also, remember, you are one. Don’t make the same mistake as Miss Sparkle in The Substance. Then again, we should all enter the New Year with a Monstro Elisasue type of smile – broad, bloody, mad and maddening, bursting in ecstasy beyond reason and full of star power. Cheers!

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Oscar Volley: Best Supporting Actress Isn't Supporting Anything

The Oscar Volleys, in which various TFE members discuss specific categories, begin... now

Rossellini & Gomez are two of only four supporting actresses who MIGHT show up in the five-wide Supporting category... if they can get around about seven leading ladies.

BABY CLYDE: The Academy can be a stuffy and old fashioned institution. Adverse to change and reluctant to move with the times, it’s taken decades of pressure to finally get a casting prize added. The poor stunt performers are still without a statue in their honor, so it’s come as a great surprise that a new award has been instituted this year a without any prior announcement or fanfare at all.

They’ve done away with Best Supporting Actress and introduced the ‘Best Lead Actress in a ‘Supporting’ Role’ category. To secure spots for all of those poor unappreciated A List, millionaire, billed above the title, Leading Lady Stars, they’ve been given their very own spill over category. This will ensure the ceremony has as many big names as possible and isn’t encumbered by character actors, theatre performers or anyone over the age of 50 that Tik Tokers won’t recognize...

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