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Entries in Almost There (153)

Tuesday
Apr282026

Almost There: Barbara Hershey in “Black Swan”

by Cláudio Alves

You may have noticed that, for the past couple of weeks, The Film Experience has been overtaken by one persistent question: Who should be the next Amy Madigan? We’ve done a team-wide vote and two readers’ polls, highlighting both men and women. At this point, you might be a tad tired of this business. On the other hand, your picks were a nice clue into what performers the readership might be thinking of and harkening for, write-up-wise. With that in mind, it feels like a good opportunity to revive the long-dormant Almost There series, where I go over performances that garnered some significant precursor support before fizzling out on Oscar nomination morning. They were close, but no cigar.

Case in point: Barbara Hershey, who scored high in both the Team Experience and The Film Experience readers' vote, and might have come close to a second Academy Award nomination for Darren Aronofsky’s Black Swan

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Wednesday
Mar052025

Almost There: Marianne Jean-Baptiste in "Hard Truths"

by Cláudio Alves

This year's Academy Awards saw Mikey Madison's work in Anora become the 100th performance to take the Best Actress Oscar. There's much to say about this race, good and bad, and I'm currently preparing some stuff on Demi Moore and Fernanda Torres. But today, I would like to reflect on the category beyond the five women AMPAS chose to recognize. Because, in my opinion, the year's best performance bar none, as well as the film which contains it, was absent from the Oscars altogether. For the season's last Almost There, I invite you to take a trip into Mike Leigh's cinema, a world of deep character work and improvisation, collaborative writing and ensemble dynamics, tonal whiplash and social observation. Let's talk Marianne Jean-Baptiste in Hard Truths

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Saturday
Mar012025

Almost There: Daniel Craig in "Queer"

by Cláudio Alves

Apart from Call Me By Your Name, awards voters rarely see anything worth celebrating in Luca Guadagnino's cinema. In some ways, this season seemed to be a change of pace on that front, with Challengers and Queer going into Oscar nomination morning with some hopes. Sadly, they both got blanked. And while the tennis melodrama was mostly vying for "below the line" honors, Queer had its sight set on a Best Actor nomination, the first piece of Academy Award recognition for the erstwhile Bond, Daniel Craig. Ultimately, the William S. Burroughs adaptation was probably too weird for AMPAS' tastes, but we're here to recognize a performance that's nothing if not Oscar-worthy…

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Monday
Feb102025

Almost There: Margaret Qualley in "The Substance"

by Cláudio Alves

In an awards season full of co-leads pretending to be supporting players, nepo babies, and festival hits, it's a wonder Margaret Qualley didn't get a nomination for her work in The Substance. Coralie Fargeat's film is up for five Oscars, being the current frontrunner in Actress and Makeup, a major triumph for a picture such as this, where body horror elements are remixed and reimagined for a made-in-France Hollywood satire. It's gross, like few star vehicles in the Academy's history, so outré as to be off-putting and bold as all hell. In that regard, its closest Oscar relative is Black Swan, whose Mila Kunis, like Qualley, got major precursor and critical support but failed to secure the AMPAS' seal of approval…

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Tuesday
Feb042025

Almost There: Denzel Washington in "Gladiator II"

by Cláudio Alves

The 97th Academy Award nominations weren't marked by many high-profile snubs. Sure, a few critical darlings failed to secure AMPAS' approval, but their absence didn't come off as a shock. Even so, as in every year, some folks came close to a nomination but likely ended up as sixth or seventh on the ballot. For the next few weeks, the Almost There series is making a comeback to celebrate those very contenders. Like last season, I'll pick one performance from each acting category, starting with Best Supporting Actor. And though Clarence Maclin probably came close to the Oscar nod with Sing Sing, let's consider another alternative – Denzel Washington's villainous turn in Gladiator II

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