All Four Acting Categories -- Some Fun Through Lines & Connections

by Nathaniel R

Elle Fanning made her acting debut opposite Sean Penn in I AM SAM (2001) - both are up for Supporting Oscars in March 2026

When we're looking at Oscar trivia we're often focused on individuals. Once that's done it's fun to widen the view a little and think about the year's twenty nominated thespians as a unit. So here are some connections and percentages of note...

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The Best Actress Race: Nomination Tracks & Frankenstein Fusion

by Nathaniel R

I should probably switch this up as I've been doing it annually, but I can't resist. I love imagining a Frankenstein-fusion of the parts of all the  BEST ACTRESS nominees.  If you smoosh or stitch Renate, Kate, Emma, Jessie, and Rose together our Best Actress Category Avatar is a mid-career still-ascending brunette star on her second nomination. She's also dabbled in musicals, played Sally Bowles in "Cabaret", and BAFTA recognized her genius before Oscar voters did!  Maybe she has false memories of winning an Oscar but this is only her second nomination. Her director has a proven track record with guiding actresses -- she may have even worked with them before -- to stellar performances. She's a fire sign with earth rising, a wife, a mother of two, and she just turned 40.

The movie she's nominated for is a drama about a young grieving mother struggling to balance her artistic career ambitions, with her obnoxious needy child--- wait, is she Alice from Alice Doesnt Live Here Anymore?. No uh, never mind, the movie is weirder than that. There's a darkly comic subplot about incels and mysterious holes in her ceiling but the main thrust of the narrative is that the most important man in her life (was it her dad or husband? I forget) is perpetually absent, consummed by his own artistic career ambitions, and has no time for her needs! 

See the updated Best Actress chart 
The chart includes a daily poll, "How'd They Get Nominated?" speculation (not meant as judgment -- nobody is nominated on performance alone!), stats, anecdotes, and trivia. 

The 83rd Golden Globes - A Quick Review and Takeaways

by Nathaniel R

A very happy ONE BATTLE AFTER ANOTHER team. Photo: AP PHOTO

The 83rd Golden Globe awards have come and gone. Did you have a good night? You probably did if you are a fan of One Battle After Another (and who isn't?). It cleaned up with four Globe awards: Picture (Comedy), Director, Screenplay, and Supporting Actress. My boyfriend hadn't yet seen it so sat down to finally do that about eight hours before the show. I said to myself "just watch with him until Teyana's exit since it's been awhile since you've seen it". Alas, no such luck for the long task list on the fridge. I couldn't tear myself away. I literally kept saying "okay just one more scene" and then the credits were rolling. It is just as riveting and spontaneous-feeling on repeat viewings (despite the absurdly high levels of obviously planned craftsmanship on display) even though you know every thing that's going to happen. The Globes party was a bit more subdued than general given the ubiquity of black gowns, non-aggressive political asides, and 'just grateful to be doing this job' kind of weary-artist acceptance speeches. But the best thing about the night was that everyone felt a bit like winners: Sinners, Hamnet, Marty Supreme, Sentimental Value, and The Secret Agent, for example, certainly can't complain (or shouldn't) about the results given their key wins and the enthusiasm in the room for those films. More to come once we have more time  but for this quickie post, brief comments on some (most) of the wins...

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Oscar Volleys: Best Actress or Jessie Buckley vs. the World

The Oscar Volleys are back! Tonight, it's time for Nathaniel Rogers, Cláudio Alves and Eric Blume to discuss the Best Actress race...

Nathaniel's last Best Actress predictions, from November 11.

NATHANIEL: Hello, my fellow lovers of all things actressing! I have been tearing through screeners and at the movie theater a lot this past week  (missing festivals is deadly when it comes to keeping up). So, I want to start this Best Actress volley by saying that I'm just now coming back down to earth after watching two movies, nearly back-to-back, that are about "performance," even when they're not directly about Acting. They were Sentimental Value (in a packed theater) and Hedda (at home, streaming). Renate Reinsve and Tessa Thompson are both gifted with the kind of "bring everything you got" roles that I'm sure a lot of actors would kill for…

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Gotham Awards Revue: "Familiar Touch"

by Nick Taylor

First, let me express how happy I am that, at least from my filmgoing corner, the Gotham nominations have encouraged more people to watch some of their lower-profile selections. The number of folks I’ve seen log Familiar Touch and Lurker and East of Wall on Letterboxd this past week has been extremely heartening. Hell, I never would’ve prioritized Familiar Touch without Nick Davis’s glowing review, I finally got our own Cláudio Alves to watch it last night, and now everyone who’s going to see it after today will obviously have done so because of me, so trust the power of good word-of-mouth reception! If anything I should have had Sarah Friedland’s film on my radar after she won the Someone to Watch award at the most recent Indie Spirits. Oh, and the three prizes the film won in the Orizzonti selection of last year’s Venice Film Festival.  

Friedland’s clearly got a great pedigree even before factoring in the Best Feature and Breakthrough Director nominations from the Gothams. Luckily for those of us who’ve caught up to Familiar Touch, this adulation is fully deserved, and the crafty, intelligent film is proof enough of her talent . . . .

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