The 83rd Golden Globes - A Quick Review and Takeaways

by Nathaniel R

A very happy ONE BATTLE AFTER ANOTHER team. Photo: AP PHOTO

The 83rd Golden Globe awards have come and gone. Did you have a good night? You probably did if you are a fan of One Battle After Another (and who isn't?). It cleaned up with four Globe awards: Picture (Comedy), Director, Screenplay, and Supporting Actress. My boyfriend hadn't yet seen it so sat down to finally do that about eight hours before the show. I said to myself "just watch with him until Teyana's exit since it's been awhile since you've seen it". Alas, no such luck for the long task list on the fridge. I couldn't tear myself away. I literally kept saying "okay just one more scene" and then the credits were rolling. It is just as riveting and spontaneous-feeling on repeat viewings (despite the absurdly high levels of obviously planned craftsmanship on display) even though you know every thing that's going to happen. The Globes party was a bit more subdued than general given the ubiquity of black gowns, non-aggressive political asides, and 'just grateful to be doing this job' kind of weary-artist acceptance speeches. But the best thing about the night was that everyone felt a bit like winners: Sinners, Hamnet, Marty Supreme, Sentimental Value, and The Secret Agent, for example, certainly can't complain (or shouldn't) about the results given their key wins and the enthusiasm in the room for those films. More to come once we have more time  but for this quickie post, brief comments on some (most) of the wins...

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Oscar Volleys: Best Actress or Jessie Buckley vs. the World

The Oscar Volleys are back! Tonight, it's time for Nathaniel Rogers, Cláudio Alves and Eric Blume to discuss the Best Actress race...

Nathaniel's last Best Actress predictions, from November 11.

NATHANIEL: Hello, my fellow lovers of all things actressing! I have been tearing through screeners and at the movie theater a lot this past week  (missing festivals is deadly when it comes to keeping up). So, I want to start this Best Actress volley by saying that I'm just now coming back down to earth after watching two movies, nearly back-to-back, that are about "performance," even when they're not directly about Acting. They were Sentimental Value (in a packed theater) and Hedda (at home, streaming). Renate Reinsve and Tessa Thompson are both gifted with the kind of "bring everything you got" roles that I'm sure a lot of actors would kill for…

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Gotham Awards Revue: "Familiar Touch"

by Nick Taylor

First, let me express how happy I am that, at least from my filmgoing corner, the Gotham nominations have encouraged more people to watch some of their lower-profile selections. The number of folks I’ve seen log Familiar Touch and Lurker and East of Wall on Letterboxd this past week has been extremely heartening. Hell, I never would’ve prioritized Familiar Touch without Nick Davis’s glowing review, I finally got our own Cláudio Alves to watch it last night, and now everyone who’s going to see it after today will obviously have done so because of me, so trust the power of good word-of-mouth reception! If anything I should have had Sarah Friedland’s film on my radar after she won the Someone to Watch award at the most recent Indie Spirits. Oh, and the three prizes the film won in the Orizzonti selection of last year’s Venice Film Festival.  

Friedland’s clearly got a great pedigree even before factoring in the Best Feature and Breakthrough Director nominations from the Gothams. Luckily for those of us who’ve caught up to Familiar Touch, this adulation is fully deserved, and the crafty, intelligent film is proof enough of her talent . . . .

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TIFF 50: A star is born in "The Little Sister"

by Cláudio Alves

Like The Sun Rises on Us All in Venice, The Little Sister suffered quite a bit of backlash after its lead actress won Cannes' highest honor. And like Xin Zhilei, Nadia Melliti is an eminently deserving victor, unfairly maligned by the online badmouthing and stan nonsense that reached a boiling point as Jennifer Lawrence left the Croisette empty-handed. Indeed, hers is one of the year's most captivating performances, a complex and tender portrait that feels all the more special when one remembers this was Melliti's debut. As she did in previous efforts behind the camera, Hafsia Herzi has proven herself prodigious at directing actors, turning The Little Sister into a must-watch for anyone who values such artistry and the wonders of character-based drama…

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Oscar Predix: Which actresses will receive their first Oscar nomination this coming season?

by Nathaniel R

Rose Byrne, Ayo Edebiri, and Renata Reinsve

We're almost done with the first round predictions for the Oscar charts. Today, Best Actress and Best Supporting Actress and the question most prominent on our minds is which women will have "Oscar Nominee" after their names forever more? It's hard to tell this far out but we have some inkling of the possibilities...

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