Let's play the Recasting Game! JLaw Edition

by Cláudio Alves

Here, at the Film Experience, we value the readers' input, good or bad, be it the sharing of a divergent opinion or even suggestions for future posts. Consider how Juan Carlos Ojano's latest Hello Gorgeous piece, about the 2012 Best Actress nominees, led many to discuss the contenders' broad careers, way beyond those five specific turns and those same characters' introductions. Longtime reader and commenter Mr Ripley79 even speculated that we could do a whole post on Jennifer Lawrence's three Oscar-nominated David O. Russell films. Specifically, one about her miscasting – mostly due to the actress' age – and who could have played those roles instead. So, here we are. Let's play the recasting game…

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Hello, Gorgeous: Best Actress of 2012

A series by Juan Carlos Ojano

Romantic drama, political thriller, romantic dramedy, disaster drama, and fantasy comprise the vast span of genres that this year’s nominees appear in. This difference is also reflected in the varying acting styles and demands of these performances. And yet, for their character introductions, each performer is working with some sort of disruption. Whether reflected in the film’s narrative or simply on the formalistic construction of their scenes, each entrance highlights the force that their characters will be in their respective stories.

Are you ready? The year is 2012...

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Best Actress in the 80s: An Alternative Oscar History

by Cláudio Alves

With one win and five additional nods, Meryl Streep was the Best Actress queen of the 1980s. Will she be similarly dominant in my ideal Oscars ballots? Come find out.

Nathaniel has shared some of his annual top ten lists from the 1980s in honor of the site's special theme for November. Now, it's time for me to present some lists of my own. Rather than my favorites from each year, let's consider one of the readership's favorite Oscar races, instead – Best Actress. Only, instead of the Academy's choices, you get to appreciate or disparage my picks. From 1980 to 1989, I compiled what my ballots would look like, selecting these dream nominees from the pool of eligible films for each year. This is another glimpse into my personal Academy Awards, that gigantic spreadsheet, with bonus honorable mentions, ineligible performance shout-outs, and some titles still on my watchlist, waiting to be seen…

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Almost There: Judy Garland in "The Wizard of Oz"

by Cláudio Alves

On a stressful day such as this, cinema can be a comfort. The movies are often prized for their escapist properties, so why not escape into their celluloid dreams once one's civil duty's done? I propose a trip to Oz before the first Wicked movie redefines what future generations will picture when they think of that magical land with emerald cities and yellow brick roads. But we're not here to talk fairytale architecture, good or bad witches. Instead, our focus shall be on the little girl who adventures into that world, swept by a Kansas tornado, from sepia-toned monochrome into three-strip Technicolor. It's time to talk about Judy Garland's Dorothy, a performance on the cusp of an Oscar nomination once upon a time. She was almost there…

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AFI Fest: Emotional Outbursts in “A Real Pain” and “Nightbitch”

by Eurocheese

Festering emotions were front-and-center in these two strong films at the festival, though they were expressed in very different ways. Both screenplays played with tone, though Nightbitch’s swings didn’t always land as successfully as A Real Pain's. In each film, one charismatic performance will be the top takeaway for most viewers..

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