The Lone Acting Nominee vs Best Picture Stars

by Cláudio Alves

In the battle of Aunt Gladys against Best Picture stars, the witch won!

I don’t know about you, but I love Oscar trivia, the more meaningless, niche, and utterly useless for prediction purposes, the better. Indeed, matters of stats and precedent feel better invoked in post-Oscar talk than in the middle of the season, when folks sometimes hold on to these analyses as if they were unshakable rules. Every year, Academy Award history gains new records, new precursor combos that failed or succeeded, and age-old assumptions that were never examined until they were proven wrong. So, let’s roll with it and enjoy the silliness of our collective Oscar obsession. Tonight, I’d like to return to the matter of Amy Madigan’s Best Supporting Actress win.

Hers is a remarkable achievement for a number of reasons, spanning from genre bias to the sheer quality of the performance at hand. Still, even odder is the fact that the Weapons witch was a lone acting nominee facing off against a lineup of women starring in Best Picture nominees. And though we live in an era when the Academy tends to privilege the movies listed in their top race in almost every other category, Madigan came out victorious. This particular scenario has only happened three times before…

Click to read more ...

Ranking the 2025 Oscar Clips

By Ben Miller

It's been a few years, but we are finally back! The Oscars brought back acting clips for the Oscars and I'm here to rank them from 20 to 1. Let's get to it!

What Are We Doing?

"If there's a straight line, you've got a problem."

20. Sean Penn, One Battle After Another
19. Michael B. Jordan, Sinners
18. Amy Madigan, Weapons

Click to read more ...

Split Decision: "Bugonia"

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, ERIC BLUME and CLÁUDIO ALVES discuss Bugonia...

ERIC: Cláudio, a friendship is nothing without honesty, so I'll honor our friendship by saying I've been putting off our conversation on Bugonia, because it's a film that brought me such perverse joy and basic movie-movie satisfaction...and I know you are not a big fan of Lanthimos' aesthetic and style, his partnership with Emma Stone, and some of Stone's key performances.  They all mean a lot to me, so diving into this pit seems a bit challenging. 

But what is the purpose of being a passionate cinephile if you can't dive into the pit, right?  I'll start by saying that I think Bugonia is great, crazy, zany fun, and kept me on the edge of my seat the entire time.  That's just basic-level movie audience talk, but it's true, and I can't say that about a lot of movies, not even a few that I rank higher in my top ten list this year!  Now, proceed, my friend.

CLÁUDIO: For the record, I'm not anti-Lanthimos nor am I anti-Stone…

Click to read more ...

2025 in Review: Leading Ladies and Headlining Men

by Nathaniel R

Chalamet may have talked himself out of an Oscar but if he wins for "Marty Supreme", he won't be undeserving

It's finally time -- well, long past time -- to post my own ballots for Best Actress and Best Actor. As with the Supporting categories, I had to first narrow it down to a top twelve which you can see after the jump...

Click to read more ...

Oscar Volley: Is "Best Actress" tied up with a bow for Jessie Buckley?

The Oscar Volleys continue. Today, LYNN LEE and NICK TAYLOR discuss the surprisingly stable Oscar race for Best Actress.

Jessie Buckley in HAMNET | © Focus Features

LYNN: At the risk of stating the obvious, Nick, Best Actress has been the most predictable stable of the four acting races by far. Is there a world in which Jessie Buckley doesn’t take this? And are we basically fine with that?

NICK: I mean, where else is there to start? Buckley’s the surest winner of the acting categories, and among a handful of artists (PTA, Ludwig Göransson) who have to know they’re winning the Oscar. I’m not complaining. Buckley’s been delivering ambitious, awards-worthy turns since she debuted with Beast in 2017, and her turn as Agnes is such an ideal use of her screen persona. The practical intelligence, the precise-yet-walloping emotions, the way her characters are so irreducibly themselves that their odd edges and peculiar beliefs doom them to black sheep status even when things are looking their way. She’s incredible, and just because the grieving mother is an easy type for awards groups to notice shouldn’t diminish how powerful her work is in Hamnet...

Click to read more ...