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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Glenn Close (29)

Sunday
Aug172014

Podcast Extra: The Trouble with Diane Keaton

In this free flowing conversational extra [23 minutes]  Joe Reid tells Nick, Katey and Nathaniel  about where his devotion to Diane Keaton has taken him: to the "nothing" of And So It Goes (2014). We discuss the dangers of "comfort zones" and working with paychecks.

The conversation drifts to Edge of Tomorrow and Broadway musicals including Into the Woods. But mostly the 1989 & 1990 Oscar ceremonies. We always end up at Oscars. It's a sickness! Name checked in this extra episode: Emily Blunt, John Lithgow, Graham Greene, Michael Douglas, John Lithgow, Annette Bening, The Silence of the Lambs, Reba McEntire, Michelle Pfeiffer, and the musical stylings of Jasmine Guy. 

You can listen at the bottom of the post or wait till it shows up on iTunes (which usually takes about a day). Continue the conversation in the comments. We'd love to hear your comments on how it's going with Diane Keaton and your memories of the 89 and 90 Oscars, should you have any that is.

Articles Referenced
Joe & Kevin on Diane Keaton's career, Nathaniel on King Lear, and Nick & Joe's halfway mark capsule brilliance

And So It Goes...

Thursday
Apr242014

Tribeca: "5 to 7," Or Why Frustrated Writers Should Back Away From Final Draft

Tribeca coverage continues with Diana on 5 to 7 with Anton Yelchin & Glenn Close

Based on the imaginings of an out-of-touch, middle-aged writer-director, 5 to 7 is about a 24 year-old “writer” (Anton Yelchin) who becomes involved with the 33 year-old wife of a French diplomat (Berenice Marlohe). Brian lives in Manhattan, presumedly on his parents’ dime (Glenn Close and Frank Langella, both painfully misused), and attempts to write, his creative juices facilitated by posting a multitude of rejection letters on his wall and playing lonely man wiffleball in his apartment. Arielle also lives in Manhattan  and is oh so very “French” -- husband, two kids, posh neighborhood, and ability to balance high heels with a well-fitting dress.

Spotting Arielle in front of the St. Regis, Brian pursues her through quips that sound more like early drafts of “wit” rather than the finished product (think Woody Allen without the neurotic charm). She tosses words back at him that are meant to signify mutual attraction. When they do end up in a hotel room together (after she hands him the key), there is zip chemistry between the pair, cringingly highlighted all-the-more when Arielle tells Brian that he is a natural lover and asks whether his other lovers had told him that. That’s the crux of the problem with this film - we are told things consistently through voiceover and character iteration (Brian loves Arielle, Arielle loves Brian, Brian’s mother can see that they love each other), but we’re rarely shown anything substantial enough to back up these assertions. [More...] 

Click to read more ...

Saturday
Mar292014

25 Years Ago Today... Marquise & Madame 

These pictures were literally shot 25 years ago today - Michelle Pfeiffer & Glenn Close at the Governor's Ball for the 1988 Oscars on March 29th, 1989.  

Click to read more ...

Saturday
Mar082014

"Spark"

Illustration Friday is fun internet exercize for artists and though most of the participants seem to be professional, which I am not, I'm trying it again to celebrate my first iPad (which is much easier to draw on then the phone). This weeks topic is "Spark" and the second I saw the words this image popped into my mind. Because few things at the cinema have ever felt so much like a lit fuse to something powder-keg explosive...

To this day I remember the chills, my breath stopping in the movie theater when the Marquise de Mertueil (Glenn Close) and Vicomte de Valmont (John Malkovich) had their final heated confrontation. They'd fallen out over previous verbal arrangements and epistolary evidence. "A single word" is all he asks to mend things between them, though it sounds like a threat. The single word he's looking for is "yes" but she has a different three letter word in mind.

War.

 

Movie go boom.

If "fierce" hadn't yet been invented as a word, the existence of Glenn Close's Marquise would have birthed it right then and there. (If Glenn Close were half as frightening as the Marquise crossed, the Academy would never have dared rob her of that Oscar. And rob her they did.)

Which moment lit the most explosive fuse in a movie you love?

Thursday
Mar062014

Say What? Glenn & Meryl 

Amuse us by eavesdropping on this conversation between Glenn Close and Meryl Streep this past Sunday. What were they saying? Tell us in the comments.

The winner, announced tomorrow, gets Glenn Close's Oscar*!

 

*that does not exist. there is no prize


Thursday
Sep192013

This Comment Thread is NOT Going to Be Ignored

Today's Lunchtime Poll (what, we eat late)... 

Which movie star would drive you mad if they dumped you after a brief torrid sexual affair?