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Entries in Glenn Close (33)

Tuesday
Jun162015

HBO’s LGBT History: In the Gloaming (1997)

Manuel is working his way through all the LGBT-themed HBO productions. This series is usually on Wednesday's but tomorrow Ann Dowd is in the house. Stay tuned! - Editor

Last week we looked at the earnest adaptation of one of the best-selling non-fiction account of the early years of the AIDS epidemic, And the Band Played On. It feels rather like a backhanded compliment to the well-meaning if sprawling film, but you should really watch it to see Lily Tomlin, Steve Martin, Ian McKellen, Swoosie Kurtz and Richard Gere doing their thing. This week, we’re still not done looking at the AIDS epidemic. You have to begin to wonder whether HBO knew there were other stories worth telling that included the LGBT community, but then AIDS really was seismic in the way it defined LGBT representation in the decade(s) that followed, so it’s hard to argue against its ubiquity.

But ubiquitous doesn't describe the next topic: Here we are with the moving directorial debut of a famous actor starring a six-time Oscar nominee, an Oscar winner, a future Oscar nominee, a startlet from a Hollywood dynasty, and a young actor who’d go on to become a Tony winner and then the star in a long-running successful medical drama, and it is almost impossible to find. This week we're talking In the Gloaming... 

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Tuesday
Apr282015

Tribeca: "Anesthesia" and "When I Live My Life Over Again"

Pardon the onslaught but now that Tribeca has concluded we're wrapping up our coverage. Here's Abstew on two more star-heavy flicks. - Editor

Anesthesia 
Populated by familiar faces (Sam Waterston, Glenn Close, Kristen Stewart, and Gretchen Mol to name a few), actor turned writer/director Tim Blake Nelson (most recently seen as Kimmy Schmidt's bumbling stepfather on the Netflix comedy series) has assembled a multi-story film that revolves around a bloody mugging that happens in the first moments to Waterston's University Professor. As is usually the case with films that involved multiple storylines, not all of them are as compelling as others and some of them simply take too long to reveal how they connect to the main story. But Nelson, perhaps because he is an actor first, gives his fellow thespians meaty roles to play with such tough-hitting issues as drug addiction, self mutilation, infidelity, cancer, and even lose of virginity. But his hyper-intelligent dialogue often times threatens to overshadow the story he's telling (and sometimes reaches too far like a clunky bit that compares a character's wants to an everything bagel).

But it's the strong work of the actors that keep the story afloat...

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Tuesday
Feb102015

Netflix Sneak: "Bloodline" with Kyle Chandler & Sissy Spacek

Last week here in Manhattan The Film Experience was invited to attend a very exclusive special screening and dinner for Netflix's new series Bloodline. How did they know we had a thing for Kyle Chandler and Sissy Spacek? Even more mysterious: How did they know about our deep abiding love for Norbert Leo Butz and Katie Finneran, two Tony-winning Broadway musical comedy sensations who are surprising but great choices to play husband & wife in a swampy thriller / family drama / murder mystery fusion. 

The storyline concerns the Raeburn family, a rich Southern Florida clan who own and run a very lucrative beachfront hotel. In the premiere episode the parents (Sam Shephard and Sissy Spacek) are celebrating an anniversary and home come there four adult children played by Kyle Chandler, Linda Cardellini, Norbert Leo Butz, and their eldest and most troubled prodigal son Ben Mendelsohn. (Mendelsohn's management team might want to look into a curveball next time he takes a role because seeing his face is now already shorthand for TROUBLE!)

More...

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Sunday
Feb012015

So Linky Together

Such Moving Pictures Clayton picks his top 11 of the year
The Film Doctor and his wife discuss Birdman and crisis of identity
The Backlot does a readers poll of the greatest gay movies but YIKES some of the titles and their rankings. It's also very very American movie centric. No Happy Together on a list of 100 greatest gay movies? THAT'S A DEAL BREAKER, LADIES.
20 Weeks to Oscar - David Poland wonders if it's wide open due to preferential balloting which he hates (and explains why)


NY Times Colleen McCullough author of the Thorn Birds dies at 77. My mom was obsessed with that miniseries when I was a little kid so I vaguely remember it.
Variety reviews Lila & Eve starring Viola Davis & Jennifer Lopez. Yes, I realize they're billed the other way round but let's be real, okay? I really wanted to see this one but it did not screen during the first five days when I was there. I'm hoping Michael saw it.
Film School Rejects talks about release / distribution for Sundance films. Sadly some of the biggest hits will undoubtely wait until the fall or winter to try to get Oscar traction. But a few will open before that like Dope (due in June). 
Salon "I was an American Sniper, and Chris Kyle's war was not my war."
Art of the Title Sequence takes on Spike Lee's Do The Right Thing (1989)
The New Yorker Richard Brody thinks critics have failed female auteurs
/Film whoa. Martin Starr from Freaks & Greeks is all grown up and is playing a romantic lead in Amira & Sam
THR Oooh, a new leading role for Octavia Spencer in Seacole, a biopic of a Jamaican doctor
/Film Ezra Miller interviewed about The Flash on the street with Billy Crudup his Stanford Prison Experiment co-star. Nobody asks Billy Crudup about the time he turned down the Hulk in the early Aughts
Variety ooh Glenn Close & Frances McDormand are both going to be in a new drama called The Wife (Close is the lead who leaves her literary giant husband (Jonathan Pryce) just as he's about to be presented with the Nobel prize). Co-starring: Logan Lerman, Brit Marling, and Christian Slate
THR Megan Ellison saves Vidiots from closure
The Carpetbagger Clothes and character in The Theory of Everything and more 

Allow me to be weirded out for a moment.

Did you know that Kirk (Sean Gunn) from Gilmore Girls played Rocket Raccoon on the set of Guardians of the Galaxy. I am dumbfounded. Perhaps this is common knowledge but I am only just realizing it. That Kirk was always trying new careers on for size in Stars Hollow but who knew he would ever end up like this!?

 

Sunday
Aug172014

Podcast Extra: The Trouble with Diane Keaton

In this free flowing conversational extra [23 minutes]  Joe Reid tells Nick, Katey and Nathaniel  about where his devotion to Diane Keaton has taken him: to the "nothing" of And So It Goes (2014). We discuss the dangers of "comfort zones" and working with paychecks.

The conversation drifts to Edge of Tomorrow and Broadway musicals including Into the Woods. But mostly the 1989 & 1990 Oscar ceremonies. We always end up at Oscars. It's a sickness! Name checked in this extra episode: Emily Blunt, John Lithgow, Graham Greene, Michael Douglas, John Lithgow, Annette Bening, The Silence of the Lambs, Reba McEntire, Michelle Pfeiffer, and the musical stylings of Jasmine Guy. 

You can listen at the bottom of the post or wait till it shows up on iTunes (which usually takes about a day). Continue the conversation in the comments. We'd love to hear your comments on how it's going with Diane Keaton and your memories of the 89 and 90 Oscars, should you have any that is.

Articles Referenced
Joe & Kevin on Diane Keaton's career, Nathaniel on King Lear, and Nick & Joe's halfway mark capsule brilliance

And So It Goes...

Thursday
Apr242014

Tribeca: "5 to 7," Or Why Frustrated Writers Should Back Away From Final Draft

Tribeca coverage continues with Diana on 5 to 7 with Anton Yelchin & Glenn Close

Based on the imaginings of an out-of-touch, middle-aged writer-director, 5 to 7 is about a 24 year-old “writer” (Anton Yelchin) who becomes involved with the 33 year-old wife of a French diplomat (Berenice Marlohe). Brian lives in Manhattan, presumedly on his parents’ dime (Glenn Close and Frank Langella, both painfully misused), and attempts to write, his creative juices facilitated by posting a multitude of rejection letters on his wall and playing lonely man wiffleball in his apartment. Arielle also lives in Manhattan  and is oh so very “French” -- husband, two kids, posh neighborhood, and ability to balance high heels with a well-fitting dress.

Spotting Arielle in front of the St. Regis, Brian pursues her through quips that sound more like early drafts of “wit” rather than the finished product (think Woody Allen without the neurotic charm). She tosses words back at him that are meant to signify mutual attraction. When they do end up in a hotel room together (after she hands him the key), there is zip chemistry between the pair, cringingly highlighted all-the-more when Arielle tells Brian that he is a natural lover and asks whether his other lovers had told him that. That’s the crux of the problem with this film - we are told things consistently through voiceover and character iteration (Brian loves Arielle, Arielle loves Brian, Brian’s mother can see that they love each other), but we’re rarely shown anything substantial enough to back up these assertions. [More...] 

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