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Best Actress -- Who will be nominated?
Davis? Blunt? Adams? Chastain?

"I'm glad everyone is cheering Fences on, but I feel that people are overestimating its Oscar potential. The furor reminds me of when people were going ga-ga for August: Osage County. " - Jes

"Davis  in Fences. I saw it on Broadway ... it is a true blue supporting role." - Charlie G

"I really hope it's Amy Adams year, only because some of her stans are so insufferable and will never shut up if she loses again. " - Laura

 

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Entries in Isabelle Huppert (15)

Thursday
Mar312016

Where My Girls At? The Maybe Cannes Bound Edition

Here's Murtada speculating about which lovely ladies might appear at the Cannes Film Festival.

There is one thing that is certain to happen at Cannes every May. Marion Cotillard appears on the famous steps, resplendent in Dior couture, to represent a film in competition. She knocks everyone's socks off with her performance, then invariably fails to win best actress from the jury. It happened with Rust and Bone (2012), The Immigrant (2013), Two Days One Night (2014) and Macbeth (2015). Is there a Cotillard/Cannes awards curse?

This year she will have two more chances to lose, and cement the legend of the curse...

Click to read more ...

Tuesday
Feb162016

Berlin: The Latest from Mia Hansen-Løve and André Téchiné

 Amir Soltani is covering the Berlin International Film Festival, TFE's first time at Berlinale! Here are the two French films from the festival’s Competition section (the group of film's Meryl Streep & jury are seeing).

L’AVENIR (Mia Hansen-Løve)
Mia Hansen-Løve has established herself as one of world cinema’s most exciting young filmmakers in the past few years. Her latest, L’Avenir (Things to Come) came to Berlinale as one of the festival’s most anticipated films. Starring Isabelle Huppert as Nathalie, a middle-aged philosophy teacher on the verge of significant changes in her personal and professional life, L’Avenir is an intimate, life-affirming character study with a superb star turn from Huppert...

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Friday
May152015

Meet Isabelle Huppert's New Familiar...

May they cast many subversive spells together.

What's that? It's only a still from her new movie at Cannes? Stop ruining my best daydreams!

Monday
Mar232015

Beauty vs Beast: Beauty & (Malkovich) Brains

Jason from MNPP here with this week's "Beauty vs Beast" -- I wish that we could use this column every week to celebrate actresses on their birthdays, but it doesn't always work out that way time-wise unfortunately... this makes two weeks in a row though. Last week was La Huppert, and this week no less than the great Catherine Keener is celebrating her birthday! Keener's turning 56 today and so we celebrate with her, looking back at maybe our favorite performance of hers (although that's a tough choice) - Maxine in Spike Jonze's and Charlie Kaufman's brilliant existential-comedy Being John Malkovich (1999).

Maxine is in many ways the nasty yin to John Cusack's sad-sack yang... but nobody's rooting for Craig. That would make this question too easy. Craig's wife Lotte (Cameron Diaz) though... the battle for Malkovich Malkovich is in your hands!

Whose team are you on?
Team Lotte0%
Team Maxine0%

PREVIOUSLY As mentioned up top we were all about Huppert last week - specifically her performance in Michael Haneke's The Piano Teacher (in a stroke of random continuity today is Michael Haneke's birthday! Happy birthday Mikey boy!) against that of the pretty boy played by Benoit Magimel - Pretty Boy put up a good fight all things considered but when your competition's willing to fill people's pockets with glass to win, it's not really a fair fight. Said Nathaniel:

"...the only way Walter is going to win this is if you post nude photos of Benoit Magimel with it and confuse people as to what they're voting on. That said I voted for Walter because Erika is so fucking depraved. and not in the good way. That ending!"

Monday
Mar162015

Beauty vs Beast: Making Beastly Music Together

Jason from MNPP here with this week's edition of "Beauty vs Beast," wherein we ask you to pick a side either side in one of cinema's many morality plays. It's the birthday of one of our greatest living actresses - Isabelle Huppert is turning 62 today! And talk about still going strong. She's pounding out some of her most exciting and dangerous-as-ever work ever these days; last year's Abuse of Weakness from Catherine Breillat made me weak in the knees. And the project she's in the middle of filming right now, a rape-revenge thriller from Danish provocateur Paul Verhoeven... well even just writing those words in that sequence makes me break out in a hot sweat of expectations.

So today in her honor we look back at perhaps her greatest achievement to date, Michael Haneke's The Piano Teacher. Which - usefully for this exercise - is also giving us one of the hardest-to-root-for lead characters ever put on screen. Not that Benoit Magimel's aggresively manicured Walter is anybody's idea of a saint... Haneke's not going to make this easy for anybody. (Understatement of the century.)

Whose team are you on?
Team Walter0%
Team Erika0%

PREVIOUSLY We made like Buffy for her 18th anniversary and got our vampire boyfriends on - but who slayed? It was the peroxide punk who saved the day - Spike too about 53% of the vote in what was unsurprisingly a close battle. It's been raging for eighteen years, after all! Said JS:

"Spike still takes every and all cakes."

Thursday
Aug142014

Stage Door: "King Lear" in the Park

Shakespeare in the Park shutters for another year this Sunday August 17th, so you only have a couple more chances to see King Lear. I can't claim that King Lear is one of my favorite plays and as far as interpretations of it go, nobody is ever going to beat Akira Kurosawa's Ran (1985), you know?

The Bening and John Lithgow star in "King Lear" in Central Park

John Lithgow headlines and is quite strong as the rapidly declining hot-tempered looneytunes King who stupidly gives everything away to his two eldest daughters (Annette Bening and Jessica Hecht) while shunning the youngest who truly loves him. Lithgow is having a good year; I urge all of you to see his excellent work in Love is Strange when it opens later this month. I had entirely forgotten about the B story in King Lear which is like a reflection of the A story, in which another father is (literally) blinded when it comes to his sons. I didn't fully love this production where much of it was good but few things excellent. Oddly, I was most drawn to the actors I was least familiar with like Jessica Collins as Cordelia, Eric Sheffer Stevens as Edmund, and Steven Boyer as Fool. Most disappointing for me was The Bening. You know that she is my beloved but her lines were spoken without a lot of discernable emotional content (one review claimed "learned phonetically" which I thought was terribly mean but it's not her finest hour). She does memorably fire up in the final act once her loins are ah stirred by the bastard troublemaker Edmund. 

I love the tradition of Shakespeare in the Park but I wish they would go back to the time when they did more non-Shakespeare things in this summer event series like Mother Courage and Hair and Into the Woods and whatnot. This summer they only did the Bard. You know what play would be excellent to see outdoors? Tennessee Williams' Night of the Iguana.

WHAT OTHER PLAYS DO YOU THINK WOULD BE GREAT IN AN OUTDOOR SETTING?

P.S. What about Cate Blanchett and Isabelle Huppert in The Maids?

You're probably wondering why I haven't written about "The Maids" starring Huppert, Blanchett and rising actress Elizabeth Debicki (remember that wonderful first impression she made in The Great Gatsby?) and that's because I didn't get tickets. Above my price range but Shakespeare in the Park is free which is definitely within my price range! Here's a collection of reviews to read if you're interested. I've talked to two friends who've seen it and they both felt exactly the same: Debicki was best in show. How's that for a surprise... and a career-maker, at least on stage.

Tuesday
Jan212014

Tuesday Top Ten: Working Actors In Need of an Oscar Nomination

[Editor's note: The last time I published a list of this sort Christian Bale was way up top and then The Fighter happened. Time for a new look at the Oscar Nomination-less. While I'm in Sundance, abstew steps in with his list. My list (and I'm sure yours) might not be exactly the same but... discuss! - Nathaniel]

This past Thursday, when the Oscar nominations were announced, only eight actors were hearing their names called for the first time (the Best Actress category was all previous nominees and 80% winners). Some were for film debuts (Lupita Nyong'o and Barkhad Abdi), but for the other 6 names (Ejiofor, McConaughey, Fassbender, Leto, Hawkins, and Squibb) it was their first recognition from the Academy after years of hard work and dedication to their craft. But not every great actor ever gets to hear their name called Oscar nomination morning. Despite powerful performances and decades of service to the film industry, sometimes a nomination (let alone a win) evades the greats. For some, the oversite will never be remedied (Marilyn Monore, Edward G. Robinson, Myrna Loy, Peter Lorre, Jean Harlow, and John Barrymore are just some of Hollywood's finest that went without the prefix Academy Award Nominee), but for many great actors still working today there is still time. In honor of those overlooked artists, I present 10 actors that continue to give us astounding performances year after year that deserve to have their work recognized with an Oscar nomination. 

Honorable Mention:

Not Now, But Soon: Benedict Cumberbatch, Mia Wasikowska, Tom Hardy, and Greta Gerwig We May Have Lost Them to Television: Steve Buscemi, Robin Wright, Kevin Bacon, Lili Taylor, and Kerry Washington Comedians That Get No Respect: Steve Martin, Jim Carrey, Jamie Lee Curtis, and Carol Burnett Still Great Despite Not Making the Top Ten: Jennifer Jason Leigh, Hugh Grant, Hope Davis, John Cusack, and, of course, Mia Farrow (who rarely works now)

10. Gong Li
Should've Been a ContenderJu Dou (1990), Raise the Red Lantern (1991), Farewell My Concubine (1993), To Live (1994), Breaking the Silence (2000), Memoirs of a Geisha (2005)

With a series of well-received films in the early 90s, Gong Li became the face of Chinese cinema. The actress and her frequent director Zhang Yimou are frequently credited for bringing Chinese cinema to the awareness of American and European audiences. Their collaboration, Ju Dou, was the first film from China to ever be nominated for the Best Foreign Language Film Oscar. Despite groundbreaking work in such films as Raise the Red Lantern and Farewell My Concubine (which won her a New York Film Critics Circle award), the Academy has yet to nominate this influential actress. In 2005, she made her Hollywood film debut appearing in Rob Marshall's Memoirs of a Geisha (her first film in which she performed in English–she learned her lines phonetically) and winning a National Board of Review award for Best Supporting Actress. But a nomination still eluded her. After a few more turns in Hollywood (Miami Vice and Hannibal Rising), she seems to have slowed down and hasn't appeared on screen since 2011 (which is essentially why she's not higher on the list). She is currently filming the aptly named Return, which reunites her with Zhang Yimou. Hopefully the film is also a return to Oscar's attention or, at the very least, more work. The cinema needs Gong Li's face.

Nine more after the jump...

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