The Hunt for the Tenth: Women in Best Director of 2024

By Juan Carlos Ojano

After last Oscars’ historic record of three female-directed films in Best Picture, we are again headed towards another round of awards season, albeit with no clear frontrunners yet as of the time of writing. Since 2017’s #MeToo, mainstream media outlets have been more cognizant of the routine exclusion of women in the Best Director conversation. Many cinephiles have also been vocal in addressing this issue, more than ever.

The issues female directors face is deeper and more systemic than just the awards season. However, this process of instant canonization is symptomatic of which kinds of art and artists are given more value by the critics and the industry. The fact we only had our ninth female nominee for Best Director at the last Oscars - in the Academy’s 96 years of existence - speaks loudly to this problem...

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Venice 2024: Nicole Kidman in "Babygirl"

by Elisa Giudici

Nicole Kidman and Harris Dickinson in "Babygirl" (Credit: Niko Tavernise)

I believe that many of the negative reactions about Nicole Kidman's newest film Babygirl stem from a genuine misunderstanding. Personally, I find the polarizing erotic drama to be one of the most successful films in competition, as long as one understands and accepts where it stands and what it's aiming for...

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Venice Main Competition Round-Up (plus London and NYFF Openers)

by Nick Taylor

BLITZ (2024) Steve McQueen

So many film festivals the past few days have come to make an announcement! Steve McQueen’s Blitz, about Londoners trying to survive a bombing during WWII starring Saoirse Ronan and Harris Dickinson, has been named the opening film for the London Film Festival. Meanwhile, the New York Film Festival will open with Nickel Boys, an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel helmed by Hale County This Morning, This Evening director RaMell Ross.

A lot of films have been announced for TIFF, and will presumably keep being announced until the festival starts in September. We’ve also received word of the full lineup for the 81st Venice Film Festival, and since they’ve got much fewer releases than TIFF, I’ll be doing a quick run-down of which titles are most exciting to me personally. While I won’t be able to attend Venice, you can still see me watching them take off from the sidelines, like a 20th century mother waving to her children as they set sail on a voyage to a new country, hoping for the absolute best but steeling myself to be strong, just in case of disaster...

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Oscar's International Race Pt 1 - The Female Directors

The Academy has officially announced list of 93 contenders -- an all time record --  for this year's Best International Feature Film Oscar (submission chart here). So let's dive in! 

Last year's sole female nominee for Best International Feature, Nadine Labaki (Capernaum) is in front of the camera this time for Lebanon's new submission "1982"

by Nathaniel R

We've been tracking the just renamed foreign-language film race for so long that we love to dig in to stats a bit. You may recall that last year 20 of the 87 pictures were directed or co-directed by women. This year 28 of the 93 contenders are -- that's 30% of the list which is easily an all-time record! Here's another promising note for the future in regards to gender parity: female directors made only 2 of the nominated foreign-language films in the first quarter century of this category but things opened in the 1980s with four nominees from female directors, there were four again in the 1990s, and then seven in the 2000s. Though the 2010s have only seen five thus far, the trend is still promising; in the past four consecutive years one of the nominees has come from a female auteur:

2015 Mustang (France) by Deniz Gamze Ergüven
2016 Toni Erdmann (Germany) by Maren Ade
2017 On Body and Soul (Hungary) by Idilko Enyedi
2018 Capernaum (Lebanon) by Nadine Labaki

Will the trend continue this year? Here are the 29 women who will be trying to make that happen.

The 29 Women Competing in the Best International Feature Race
* means they co-directed their film

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